Foley Mixer / Foley Supervisor
Marcel the Shell with Shoes On (2021)
Directed by: Dean Fleischer Camp
Cameras: ARRI ALEXA Mini Camera, Sony PMW-F5 Camera
Foley Mixer
The Veil (2016)
Directed by: Phil Joanou
Cinematography by: Steeven Petitteville
Edited by: Paul Norling
Cameras: ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Plus Camera, Bolex H16 Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Anamorphic Lenses, CamTec Lenses, Cineovision Lenses, Kowa Cine Prominar Anamorphic 100mm T3.4 Lens, Kowa Cine Prominar Anamorphic 40mm T2.3 Lens, Kowa Cine Prominar Anamorphic 50mm T2.3 Lens, Kowa Cine Prominar Anamorphic 75mm T2.8 Lens
Editing System: Adobe Premiere Editing System, Avid Editing System
Foley Mixer
Hell or High Water (2016)
Directed by: David Mackenzie
Cinematography by: Giles Nuttgens
Edited by: Jake Roberts
Cameras: ARRI ALEXA XT Studio Camera
Foley Mixer
It's Only the End of the World (2016)
Directed by: Xavier Dolan
Cinematography by: André Turpin
Edited by: Xavier Dolan
Foley Recording
Demolition (2015)
Directed by: Jean-Marc Vallée
Cinematography by: Yves Bélanger
Edited by: Jean-Marc Vallée
Cameras: ARRI ALEXA XT M Camera
Lenses: Zeiss Lenses
Foley Mixer
The Best of Me (2014)
Directed by: Michael Hoffman
Cinematography by: Oliver Stapleton
Edited by: Matt Chesse
Cameras: ARRI ALEXA XT Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Series Lenses
Foley Mixer
If I Stay (2014)
Directed by: R.J. Cutler
Cinematography by: John de Borman
Edited by: Keith Henderson
Foley Recording Engineer
Dallas Buyers Club (2013)
Directed by: Jean-Marc Vallée
Cinematography by: Yves Bélanger
Cameras: ARRI ALEXA Camera
Lenses: ARRI / Zeiss Lenses
Foley Mixer
Mud (2012)
Directed by: Jeff Nichols
Cinematography by: Adam Stone
Edited by: Julie Monroe
Foley Recordist
Citizen Gangster (2011)
Directed by: Nathan Morlando
Cinematography by: Steve Cosens
Edited by: Richard Comeau
Foley Recordist
Marécages (2011)
Directed by: Guy Édoin
Cinematography by: Serge Desrosiers
Edited by: Mathieu Bouchard-Malo
Foley Recordist
Piranha 3D (2010)
Directed by: Alexandre Aja
Cinematography by: John R. Leonetti
Edited by: Baxter
Lenses: Angenieux HR Zoom Lenses, Cooke S4 Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Foley Recordist
Incendies (2010)
Directed by: Denis Villeneuve
Cinematography by: André Turpin
Edited by: Monique Dartonne
Foley Recordist
Thorne: Sleepyhead (2010)
Directed by: Stephen Hopkins
Cinematography by: Joel Ransom
Edited by: John Smith
Foley Recordist
Gamer (2009)
Cinematography by: Ekkehart Pollack
Cameras: ARRIFLEX 435 Camera, Red One Camera
Editing System: Final Cut Pro Editing System
Adr And Foley Recordist
Polytechnique (2009)
Directed by: Denis Villeneuve
Cinematography by: Pierre Gill
Edited by: Richard Comeau
Foley Recordist
A Perfect Getaway (2009)
Directed by: David Twohy
Cinematography by: Mark Plummer
Edited by: Tracy Adams
Foley Recordist
A Dog Year (2009)
Directed by: George LaVoo
Cinematography by: Frederick Elmes
Cameras: ARRI Cameras
Foley Recordist
Alabama Moon (2009)
Directed by: Tim McCanlies
Cinematography by: Jimmy Lindsey
Edited by: Mark Coffey
Adr And Foley Recordist
Babine (2008)
Directed by: Luc Picard
Cinematography by: Jérôme Sabourin
Edited by: Gaétan Huot
Adr And Foley Recordist
Gomorrah (2008)
Directed by: Matteo Garrone
Cinematography by: Marco Onorato
Edited by: Marco Spoletini
Cameras: ARRICAM Lite (LT) Camera
Lenses: Zeiss Ultra Prime Lenses
Sound Recordist
Dinosaurs Alive (2007)
Cinematography by: William Reeve
Edited by: Stephen L. Johnson
Foley Recordist / Foley Supervisor
Rendition (2007)
Directed by: Gavin Hood
Cinematography by: Dion Beebe
Edited by: Megan Gill
Adr Foley Recordist
Home of the Brave (2006)
Directed by: Irwin Winkler
Cinematography by: Tony Pierce-Roberts
Edited by: Clayton Halsey
Adr Foley Recordist
The Barbarian Invasions (2003)
Directed by: Denys Arcand
Cinematography by: Guy Dufaux
Edited by: Isabelle Dedieu
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Adr Foley Recordist
Mambo Italiano (2003)
Directed by: Émile Gaudreault
Cinematography by: Serge Ladouceur
Edited by: Richard Comeau
Foley Recordist
Stardom (2000)
Directed by: Denys Arcand
Cinematography by: Guy Dufaux
Edited by: Isabelle Dedieu
Additional Adr Recording / Foley Re-recording
The Old Man and the Sea (1999)
Directed by: Aleksandr Petrov
Cinematography by: Sergey Reshetnikov
Edited by: Denis Papillon
Foley Recordist
The Red Violin (1998)
Directed by: François Girard
Cinematography by: Alain Dostie
Edited by: Gaétan Huot
Sound Effects Recordist
Tommy Tricker and the Stamp Traveller (1988)
Directed by: Michael Rubbo
Cinematography by: Andreas Poulsson
Edited by: André Corriveau
