Yoel Godo

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Mission: Impossible - Dead Reckoning Part One | ShotOnWhat?

Digital Artist: BeloFX

Mission: Impossible - Dead Reckoning Part One (2023)

Directed by: Christopher McQuarrie

Cinematography by: Fraser Taggart

Edited by: Eddie Hamilton

Cameras: Sony CineAlta VENICE Camera

Knights of the Roundtable: King Arthur | ShotOnWhat?

Compositor: MPC

King Arthur: Legend of the Sword (2017)

Directed by: Guy Ritchie

Cinematography by: John Mathieson

Edited by: James Herbert

Cameras: ARRI ALEXA XT Camera

Pirates of the Caribbean: Dead Men Tell No Tales | ShotOnWhat?

Compositor: MPC

Pirates of the Caribbean: Dead Men Tell No Tales (2017)

Directed by: Joachim Rønning, Espen Sandberg

Cinematography by: Paul Cameron

Edited by: Roger Barton, Leigh Folsom Boyd

Cameras: ARRI ALEXA Mini Camera

Lenses: Panavision Primo Digital Lenses

X-Men: Apocalypse | ShotOnWhat?

Digital Compositor: MPC

X-Men: Apocalypse (2016)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera

Lenses: Leitz Summilux-C Series Lenses

A Monster Calls | ShotOnWhat?

Digital Compositor: MPC

A Monster Calls (2016)

Directed by: J.A. Bayona

Cinematography by: Oscar Faura

Edited by: Jaume Martí, Bernat Vilaplana

Cameras: ARRI ALEXA XT Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Lite Vintage´74 Lens, Hawk V-Plus Lenses

The Revenant | ShotOnWhat?

Digital Compositor: MPC

The Revenant (2015)

Directed by: Alejandro G. Iñárritu

Cinematography by: Emmanuel Lubezki

Edited by: Stephen Mirrione

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, Red Epic Dragon Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Pan | ShotOnWhat?

Digital Compositor: MPC

Pan (2015)

Directed by: Joe Wright

Cinematography by: John Mathieson, Seamus McGarvey

Edited by: William Hoy, Paul Tothill

Cameras: ARRI ALEXA XT Camera, Phantom Flex Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision PVintage Prime Lenses

Guardians of the Galaxy | ShotOnWhat?

Compositor: MPC

Guardians of the Galaxy (2014)

Directed by: James Gunn

Cinematography by: Ben Davis

Edited by: Fred Raskin, Hughes Winborne, Craig Wood

Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

Exodus: Gods and Kings | ShotOnWhat?

Digital Compositor: MPC

Exodus: Gods and Kings (2014)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Ali Degismis, Billy Rich

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Odd Thomas | ShotOnWhat?

Senior Cg Artist: BUF

Odd Thomas (2013)

Directed by: Stephen Sommers

Cinematography by: Mitchell Amundsen

Edited by: David Checel

Cameras: Red Epic Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses

Nymphomaniac: Vol. I | ShotOnWhat?

Visual Effects Supervisor: BUF

Nymphomaniac: Vol. I (2013)

Directed by: Lars von Trier

Cinematography by: Manuel Alberto Claro

Edited by: Morten Højbjerg, Jacob Secher Schulsinger, Molly Malene Stensgaard

Cameras: ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Lenses

Nymphomaniac: Vol. II | ShotOnWhat?

Visual Effects Supervisor: BUF

Nymphomaniac: Vol. II (2013)

Directed by: Lars von Trier

Cinematography by: Manuel Alberto Claro

Edited by: Morten Højbjerg, Jacob Secher Schulsinger, Molly Malene Stensgaard

Cameras: ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Super Speed Lenses

Total Recall | ShotOnWhat?

Senior Digital Artist: BUF

Total Recall (2012)

Directed by: Len Wiseman

Cinematography by: Paul Cameron

Edited by: Christian Wagner

Cameras: ARRIFLEX 35 III Camera, Red Epic Camera, Weisscam HS-2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Sur la piste du Marsupilami | ShotOnWhat?

Senior Digital Artist: BUF

Sur la piste du Marsupilami (2012)

Directed by: Alain Chabat

Cinematography by: Laurent Dailland

Edited by: Maryline Monthieux

Cameras: ARRICAM Lite (LT) Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Thor | ShotOnWhat?

Cg Senior Artist: BUF

Thor (2011)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

The Darkest Hour | ShotOnWhat?

Cg Artist

The Darkest Hour (2011)

Directed by: Chris Gorak

Cinematography by: Scott Kevan

Edited by: Priscilla Nedd-Friendly, Fernando Villena, Doobie White

Cameras: Sony CineAlta F35 Camera, Sony HDC-P1 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Arthur 3: la guerre des deux mondes | ShotOnWhat?

Senior CG Artist: BUF

Arthur 3: la guerre des deux mondes (2010)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Stéphane Garnier, Julien Rey

Les aventures extraordinaires d'Adèle Blanc-Sec | ShotOnWhat?

Setup Supervisor: BUF

Les aventures extraordinaires d'Adèle Blanc-Sec (2010)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Julien Rey

Enter the Void | ShotOnWhat?

Lead Cg Artist: BUF

Enter the Void (2009)

Directed by: Gaspar Noé

Cinematography by: Benoît Debie

Edited by: Marc Boucrot, Gaspar Noé, Jérôme Pesnel

Cameras: Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, Ikonoskop Cameras

Lenses: Zeiss Master Prime Lenses, Zeiss Ultra 16 Lenses

Knowing | ShotOnWhat?

Visual Effects: BUF

Knowing (2009)

Directed by: Alex Proyas

Cinematography by: Simon Duggan

Edited by: Richard Learoyd

Cameras: Red One Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Speed Racer | ShotOnWhat?

Cg Supervisor: BUF

Speed Racer (2008)

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: David Tattersall

Edited by: Roger Barton, Zach Staenberg

Cameras: Phantom HD Camera, Phantom V Series Camera, Sony CineAlta F23 Camera

Lenses: Zeiss DigiPrime Lenses

City of Ember | ShotOnWhat?

Digital Effect Artist: BUF

City of Ember (2008)

Directed by: Gil Kenan

Cinematography by: Xavier Grobet

Edited by: Adam P. Scott, Zach Staenberg

Astérix aux jeux olympiques | ShotOnWhat?

CG Artist: BUF Compagnie

Astérix aux jeux olympiques (2008)

Directed by: Frédéric Forestier, Thomas Langmann

Cinematography by: Thierry Arbogast

Edited by: Yannick Kergoat, Julien Rey, Vincent Tabaillon

Arthur and the Invisibles | ShotOnWhat?

CG Artist: BUF Compagnie

Arthur and the Invisibles (2006)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Karim Benhammouda, Yann Hervé, Vincent Tabaillon

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