Visual Effects
Joy (2015)
Directed by: David O. Russell
Cinematography by: Linus Sandgren
Lenses: Zeiss Ultra Prime Lenses
Visual Effects Artist
This Is Where I Leave You (2014)
Directed by: Shawn Levy
Cinematography by: Terry Stacey
Edited by: Dean Zimmerman
Cameras: ARRI ALEXA XT Camera
Visual Effects
Gone Girl (2014)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Edited by: Kirk Baxter
Cameras: Red Epic Dragon Camera
Lenses: Leitz Summilux-C Series Lenses
Editing System: Adobe Premiere Editing System
Visual Effects Artist
Transcendence (2014)
Directed by: Wally Pfister
Cinematography by: Jess Hall
Edited by: David Rosenbloom
Visual Effects
Last Vegas (2013)
Directed by: Jon Turteltaub
Cinematography by: David Hennings
Edited by: David Rennie
Cameras: ARRI ALEXA Camera
Co-producer, Visual Effects Supervisor
The Canyons (2013)
Directed by: Paul Schrader
Cinematography by: John DeFazio
Edited by: Tim Silano
Cameras: ARRI ALEXA Camera, Canon EOS-7D Camera
Visual Effects
Percy Jackson: Sea of Monsters (2013)
Directed by: Thor Freudenthal
Cinematography by: Shelly Johnson
Edited by: Mark Goldblatt
Visual Effects
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Compositor: Prana Animation
Hitchcock (2012)
Directed by: Sacha Gervasi
Cinematography by: Jeff Cronenweth
Edited by: Pamela Martin
Cameras: Red Epic Camera
Executive Producer, Visual Effects Supervisor
Bloodwork (2012)
Directed by: Eric Wostenberg
Cinematography by: Vinit Borrison
Edited by: Olena Kuhtaryeva
Visual Effects
Red Riding Hood (2011)
Directed by: Catherine Hardwicke
Cinematography by: Mandy Walker
Digital Intermediate Colorist, Executive Producer, Visual Effects Supervisor: Filmworks/FX
Pete Smalls Is Dead (2010)
Directed by: Alexandre Rockwell
Cinematography by: Kai Orion
Visual Effects
Marmaduke (2010)
Directed by: Tom Dey
Cinematography by: Greg Gardiner
Edited by: Don Zimmerman
Visual Effects
Knight and Day (2010)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Digital Effects Supervisor: Filmworks/FX
The Tourist (2010)
Directed by: Florian Henckel von Donnersmarck
Cinematography by: John Seale
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Visual Effects
Date Night (2010)
Directed by: Shawn Levy
Cinematography by: Dean Semler
Edited by: Dean Zimmerman
Cameras: Panavision Genesis Camera
Executive Producer
Stay Cool (2009)
Directed by: Michael Polish
Cinematography by: M. David Mullen
Edited by: Cary Gries
Visual Effects Supervisor: Filmworks/FX, Inc.
The Smell of Success (2009)
Directed by: Michael Polish
Cinematography by: M. David Mullen
Edited by: Cary Gries
Executive Producer
Not Since You (2009)
Directed by: Jeff Stephenson
Cinematography by: Helge Gerull
Edited by: Avril Beukes
Visual Effects Supervisor: Filmworks/FX, Inc.
Shrink (2009)
Directed by: Jonas Pate
Edited by: Luis Carballar
Cameras: Panavision Cameras
Visual Effects Supervisor
You Don't Mess with the Zohan (2008)
Directed by: Dennis Dugan
Cinematography by: Michael Barrett
Edited by: Tom Costain
Cameras: Panavision Genesis Camera
Additional Visual Effects: Filmworks/FX
City of Ember (2008)
Directed by: Gil Kenan
Cinematography by: Xavier Grobet
Visual Effects Production Coordinator: Cos Fx Films, Inc.
Juno (2007)
Directed by: Jason Reitman
Cinematography by: Eric Steelberg
Edited by: Dana E. Glauberman
Digital Intermediate Colorist
Finishing the Game: The Search for a New Bruce Lee (2007)
Directed by: Justin Lin
Cinematography by: Tom Clancey
Edited by: Greg Louie
Visual Effects Supervisor
Cougar Club (2007)
Directed by: Christopher Duddy
Cinematography by: Dennis J. Laine
Edited by: Sam Seig
Digital Effects Supervisor: Filmworks/FX Inc.
Apocalypto (2006)
Directed by: Mel Gibson
Cinematography by: Dean Semler
Edited by: John Wright
CG Supervisor: Filmworks FX Inc. / Visual Effects Artist: Filmworks FX Inc.
Rescue Dawn (2006)
Directed by: Werner Herzog
Cinematography by: Peter Zeitlinger
Edited by: Joe Bini
Lead Artist: Filmworks/FX Inc.
The Librarian: Quest for the Spear (2004)
Directed by: Peter Winther
Cinematography by: Alan Caso
Edited by: Ron Rosen
3D Artist: Digital Filmworks
The Terminal (2004)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Visual Effects
Picture Perfect (2002)
Directed by: Bill O'Donnell
Cinematography by: Kenneth Montgomery
Senior Animator: Amalgamated Pixels
Donnie Darko (2001)
Directed by: Richard Kelly
Cinematography by: Steven Poster
Senior Animator: Amalgamated Pixels
Ghosts of Mars (2001)
Directed by: John Carpenter
Cinematography by: Gary B. Kibbe
Edited by: Paul C. Warschilka
Digital Artist: Amalgamated Pixels
The Cell (2000)
Directed by: Tarsem Singh
Cinematography by: Paul Laufer
Digital Artist
The Matrix (1999)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Cameras: Pan-Arri 435 Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics Cameras
Lenses: Panavision Lenses
Digital Artist
Fight Club (1999)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Edited by: James Haygood
Cameras: Panavision Panaflex Platinum Camera
