Jody Rogers

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First Man | ShotOnWhat?

Visual Effects

First Man (2018)

Directed by: Damien Chazelle

Cinematography by: Linus Sandgren

Edited by: Tom Cross

Cameras: Aaton A-Minima Camera, Aaton Penelope Camera, Aaton Xterà Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera, ARRIFLEX 435 Camera, IMAX MSM 9802 Camera

Lenses: CamTec Vintage Series Ultra Prime Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Hasselblad Lenses, Kowa Cine Prominar Anamorphic Lenses

The Mummy | ShotOnWhat?

Visual Effects Editor

The Mummy (2017)

Directed by: Alex Kurtzman

Cinematography by: Ben Seresin

Edited by: Gina Hirsch, Paul Hirsch, Andrew Mondshein

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: ARRI Rental Prime 65 Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Joy | ShotOnWhat?

Visual Effects Editor

Joy (2015)

Directed by: David O. Russell

Cinematography by: Linus Sandgren

Edited by: Alan Baumgarten, Jay Cassidy, Tom Cross, Christopher Tellefsen

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Ultra Prime Lenses

Fury | ShotOnWhat?

Visual Effects Editor

Fury (2014)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: Jay Cassidy, Dody Dorn

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

The Hangover Part III | ShotOnWhat?

Visual Effects Editor

The Hangover Part III (2013)

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Jeff Groth, Debra Neil-Fisher

Cameras: ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Battleship | ShotOnWhat?

Visual Effects Editor

Battleship (2012)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Billy Rich, Paul Rubell

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Robin Hood | ShotOnWhat?

Visual Effects Editor

Robin Hood (2010)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera

Lenses: Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Surrogates | ShotOnWhat?

Visual Effects Editor

Surrogates (2009)

Directed by: Jonathan Mostow

Cinematography by: Oliver Wood

Edited by: Kevin Stitt

The Mummy: Tomb of the Dragon Emperor | ShotOnWhat?

Visual Effects Editor

The Mummy: Tomb of the Dragon Emperor (2008)

Directed by: Rob Cohen

Cinematography by: Simon Duggan

Edited by: Kelly Matsumoto, Joel Negron

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Jumper | ShotOnWhat?

Visual Effects Editor

Jumper (2008)

Directed by: Doug Liman

Cinematography by: Barry Peterson

Edited by: Saar Klein, Dean Zimmerman, Don Zimmerman

Cameras: Panavision Cameras, Red One Camera

X-Men: The Last Stand | ShotOnWhat?

Visual Effects Editor

X-Men: The Last Stand (2006)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Goldblatt, Mark Helfrich, Julia Wong

The Matrix Reloaded | ShotOnWhat?

Visual Effects Editor

The Matrix Reloaded (2003)

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: Bill Pope

Edited by: Zach Staenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Matrix Revolutions | ShotOnWhat?

Visual Effects Editor

The Matrix Revolutions (2003)

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: Bill Pope

Edited by: Zach Staenberg

Cameras: Pan-Arri 435es Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Planet of the Apes | ShotOnWhat?

Visual Effects Editor

Planet of the Apes (2001)

Directed by: Tim Burton

Cinematography by: Philippe Rousselot

Edited by: Chris Lebenzon

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Hollow Man | ShotOnWhat?

Visual Effects Editor

Hollow Man (2000)

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Mark Goldblatt, Ron Vignone

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Moviecam Compact Camera

Lenses: Zeiss Standard Speed Prime Lenses

The Ninth Gate | ShotOnWhat?

Visual Effects Editor: SPI

The Ninth Gate (1999)

Directed by: Roman Polanski

Cinematography by: Darius Khondji

Edited by: Hervé de Luze

Lost in Space | ShotOnWhat?

Visual Effects Editor Compositor: Mill Film Ltd.

Lost in Space (1998)

Directed by: Stephen Hopkins

Cinematography by: Peter Levy

Edited by: Ray Lovejoy

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Babe: Pig in the City | ShotOnWhat?

Visual Effects

Babe: Pig in the City (1998)

Directed by: George Miller

Cinematography by: Andrew Lesnie

Edited by: Jay Friedkin, Margaret Sixel

Waking Ned Devine | ShotOnWhat?

Supervising Visual Effects Editor: Mill Film

Waking Ned Devine (1998)

Directed by: Kirk Jones

Cinematography by: Henry Braham

Edited by: Alan Strachan

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision Primo Anamorphic Lenses

Starship Troopers | ShotOnWhat?

Visual Effects Editor: Sony Pictures Imageworks Inc.

Starship Troopers (1997)

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Mark Goldblatt, Caroline Ross

Cameras: ARRIFLEX 35 BL3 Camera, ARRIFLEX 535 B Camera, Moviecam Compact Camera

Lenses: Zeiss Lenses

Phenomenon | ShotOnWhat?

Visual Effects Editor: SPI

Phenomenon (1996)

Directed by: Jon Turteltaub

Cinematography by: Phedon Papamichael

Edited by: Bruce Green

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Hot Shots! | ShotOnWhat?

Visual Effects Editor

Hot Shots! (1991)

Directed by: Jim Abrahams

Cinematography by: Bill Butler

Edited by: Jane Kurson, Eric A. Sears

Freddy's Dead: The Final Nightmare | ShotOnWhat?

Visual Effects Editor: DQI

Freddy's Dead: The Final Nightmare (1991)

Directed by: Rachel Talalay

Cinematography by: Declan Quinn

Edited by: Janice Hampton

The Abyss | ShotOnWhat?

Assistant Visual Effects Editor

The Abyss (1989)

Directed by: James Cameron

Cinematography by: Mikael Salomon

Edited by: Conrad Buff IV, Joel Goodman, Steven Quale, Howard E. Smith

Cameras: ARRIFLEX 35 BL3 Camera, Panavision System 65 Camera

Big Business | ShotOnWhat?

Special Visual Effects

Big Business (1988)

Directed by: Jim Abrahams

Cinematography by: Dean Cundey

Edited by: Harry Keramidas

Short Circuit 2 | ShotOnWhat?

Visual Editor

Short Circuit 2 (1988)

Directed by: Kenneth Johnson

Cinematography by: John McPherson

Edited by: Conrad Buff IV

Scrooged | ShotOnWhat?

Visual Effects Editor

Scrooged (1988)

Directed by: Richard Donner

Cinematography by: Michael Chapman

Edited by: Fredric Steinkamp, William Steinkamp

Cameras: Panavision Panaflex Gold Camera

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