Erik L. Brown

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Star Wars: Episode IX - The Rise of Skywalker | ShotOnWhat?

First Assistant Camera: "a" Camera/steadicam Operator, Second Unit

Star Wars: Episode IX - The Rise of Skywalker (2019)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Stefan Grube

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Digital Lenses, Panavision Retro C Series Lenses, Panavision T Series Anamorphic Lenses

Skyscraper | ShotOnWhat?

First Assistant Camera: "a" Camera

Skyscraper (2018)

Directed by: Rawson Marshall Thurber

Cinematography by: Robert Elswit

Edited by: Julian Clarke, Michael L. Sale

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Suburbicon | ShotOnWhat?

First Assistant A Camera

Suburbicon (2017)

Directed by: George Clooney

Cinematography by: Robert Elswit

Edited by: Stephen Mirrione

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Phantom Thread | ShotOnWhat?

First Assistant Camera

Phantom Thread (2017)

Directed by: Paul Thomas Anderson

Cinematography by: Paul Thomas Anderson

Edited by: Dylan Tichenor

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Ultra Speed MKII Lenses, Zeiss Jena Lens, Zeiss Supreme Prime 65mm T1.5 Lens

Mission: Impossible - Rogue Nation | ShotOnWhat?

First Assistant Camera: "a" Camera

Mission: Impossible - Rogue Nation (2015)

Directed by: Christopher McQuarrie

Cinematography by: Robert Elswit

Edited by: Eddie Hamilton

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Fujinon Premier Lenses, Panavision B Series Anamorphic Lenses

Editing System: Avid Editing System

The Gambler | ShotOnWhat?

1st Assistant Camera: "a" Camera

The Gambler (2014)

Directed by: Rupert Wyatt

Cinematography by: Greig Fraser

Edited by: Pete Beaudreau

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Nightcrawler | ShotOnWhat?

First Assistant Camera

Nightcrawler (2014)

Directed by: Dan Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: ARRI ALEXA XT Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

Inherent Vice | ShotOnWhat?

First Assistant Camera

Inherent Vice (2014)

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Leslie Jones

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Cooke Speed Panchro Lenses, Panavision Super Speed Lenses

Editing System: Avid Editing System

R.I.P.D. | ShotOnWhat?

First Assistant Camera: "a" Camera / Steadicam Operator

R.I.P.D. (2013)

Directed by: Robert Schwentke

Cinematography by: Alwin H. Küchler

Edited by: Mark Helfrich

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

To the Wonder | ShotOnWhat?

First Assistant Camera

To the Wonder (2012)

Directed by: Terrence Malick

Cinematography by: Emmanuel Lubezki

Edited by: A.J. Edwards, Keith Fraase, Shane Hazen, Christopher Roldan, Mark Yoshikawa

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, Panavision Cameras, Red One MX Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Avid Editing System

The Master | ShotOnWhat?

First Assistant Camera

The Master (2012)

Directed by: Paul Thomas Anderson

Cinematography by: Mihai Malaimare Jr.

Edited by: Leslie Jones, Peter McNulty

Cameras: Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision 65mm Prime Lenses

Editing System: Avid Editing System

The Tree of Life | ShotOnWhat?

First Assistant Camera

The Tree of Life (2011)

Directed by: Terrence Malick

Cinematography by: Emmanuel Lubezki

Edited by: Hank Corwin, Jay Rabinowitz, Daniel Rezende, Billy Weber, Mark Yoshikawa

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Dalsa Evolution Camera, IMAX Cameras, Panavision System 65 Camera, Phantom HD Gold Camera, Red One Camera

Lenses: Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

A Little Bit of Heaven | ShotOnWhat?

First Assistant Camera: "a" Camera

A Little Bit of Heaven (2011)

Directed by: Nicole Kassell

Cinematography by: Russell Carpenter

Edited by: Stephen A. Rotter

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Town | ShotOnWhat?

First Assistant Camera: "b" Camera

The Town (2010)

Directed by: Ben Affleck

Cinematography by: Robert Elswit

Edited by: Dylan Tichenor

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

The Conspirator | ShotOnWhat?

First Assistant Camera: "a" Camera

The Conspirator (2010)

Directed by: Robert Redford

Cinematography by: Newton Thomas Sigel

Edited by: Craig McKay

Killers | ShotOnWhat?

First Assistant Camera: "a" Camera And Steadicam

Killers (2010)

Directed by: Robert Luketic

Cinematography by: Russell Carpenter

Edited by: Richard Francis-Bruce, Mary Jo Markey

Cameras: ARRIFLEX D-21 Camera

Lenses: Hawk V-Series Lenses

The Men Who Stare at Goats | ShotOnWhat?

First Assistant Camera: "b" Camera And Steadicam

The Men Who Stare at Goats (2009)

Directed by: Grant Heslov

Cinematography by: Robert Elswit

Edited by: Tatiana S. Riegel

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

21 | ShotOnWhat?

First Assistant Camera: "a" Camera And Steadicam

21 (2008)

Directed by: Robert Luketic

Cinematography by: Russell Carpenter

Edited by: Elliot Graham

Cameras: Pan-Arri 435 Camera, Panavision Genesis Camera

Lenses: Panavision Primo Anamorphic Lenses

Valkyrie | ShotOnWhat?

First Assistant Camera: "a" Camera

Valkyrie (2008)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: John Ottman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Charlie Wilson's War | ShotOnWhat?

First Assistant Camera: "b" Camera

Charlie Wilson's War (2007)

Directed by: Mike Nichols

Cinematography by: Stephen Goldblatt

Edited by: John Bloom, Antonia Van Drimmelen

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

American Dreamz | ShotOnWhat?

First Assistant Camera: "b" Camera

American Dreamz (2006)

Directed by: Paul Weitz

Cinematography by: Robert Elswit

Edited by: Myron Kerstein

School for Scoundrels | ShotOnWhat?

First Assistant Camera: "a" Camera And Steadicam

School for Scoundrels (2006)

Directed by: Todd Phillips

Cinematography by: Jonathan Brown

Edited by: Leslie Jones, Dan Schalk

The Black Dahlia | ShotOnWhat?

First Assistant Camera: "a" Camera And Steadicam, Los Angeles

The Black Dahlia (2006)

Directed by: Brian De Palma

Cinematography by: Vilmos Zsigmond

Edited by: Bill Pankow

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Deja Vu | ShotOnWhat?

First Assistant Camera: "b" Camera

Deja Vu (2006)

Directed by: Tony Scott

Cinematography by: Paul Cameron

Edited by: Jason Hellmann, Chris Lebenzon

The Family Stone | ShotOnWhat?

First Assistant Camera: "a" Camera, New York

The Family Stone (2005)

Directed by: Thomas Bezucha

Cinematography by: Jonathan Brown

Edited by: Jeffrey Ford

Charlie's Angels: Full Throttle | ShotOnWhat?

First Assistant Camera: "b" Camera

Charlie's Angels: Full Throttle (2003)

Directed by: McG

Cinematography by: Russell Carpenter

Edited by: Wayne Wahrman

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Anamorphic Lenses

The Human Stain | ShotOnWhat?

First Assistant Camera: Additional Photography

The Human Stain (2003)

Directed by: Robert Benton

Cinematography by: Jean-Yves Escoffier

Edited by: Christopher Tellefsen

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Ali | ShotOnWhat?

First Assistant Camera: "a" Camera And Steadicam

Ali (2001)

Directed by: Michael Mann

Cinematography by: Emmanuel Lubezki

Edited by: William Goldenberg, Lynzee Klingman, Stephen E. Rivkin, Stuart Waks

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Sony HDW-F900 Camera

Lenses: Panavision Primo Primes Spherical Lenses

O Brother, Where Art Thou? | ShotOnWhat?

First Assistant Steadicam

O Brother, Where Art Thou? (2000)

Directed by: Joel Coen, Ethan Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen, Tricia Cooke

Cameras: ARRIFLEX 535 B Camera

Lenses: Cooke S4 Lenses

Editing System: Final Cut Pro Editing System

Charlie's Angels | ShotOnWhat?

First Assistant Camera

Charlie's Angels (2000)

Directed by: McG

Cinematography by: Russell Carpenter

Edited by: Peter Teschner, Wayne Wahrman

Three Kings | ShotOnWhat?

First Assistant Camera: "b" Camera

Three Kings (1999)

Directed by: David O. Russell

Cinematography by: Newton Thomas Sigel

Edited by: Robert K. Lambert

Cameras: Panavision Cameras

Brokedown Palace | ShotOnWhat?

First Assistant Camera: "a" Camera

Brokedown Palace (1999)

Directed by: Jonathan Kaplan

Cinematography by: Newton Thomas Sigel

Edited by: Curtiss Clayton, Don Zimmerman

Everything That Rises | ShotOnWhat?

Camera Operator: "c" Camera

Everything That Rises (1998)

Television Movie

Directed by: Dennis Quaid

Cinematography by: Jack Conroy

Edited by: Glenn Farr

Cameras: ARRI Cameras

Fallen | ShotOnWhat?

First Assistant Camera: "b" Camera And Steadicam

Fallen (1998)

Directed by: Gregory Hoblit

Cinematography by: Newton Thomas Sigel

Edited by: Lawrence Jordan

The Horse Whisperer | ShotOnWhat?

First Assistant Camera: Montana Second Unit

The Horse Whisperer (1998)

Directed by: Robert Redford

Cinematography by: Robert Richardson

Edited by: Hank Corwin, Freeman A. Davies, Tom Rolf

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses

Editing System: Lightworks Editing System

The Right to Remain Silent | ShotOnWhat?

First Assistant Camera

The Right to Remain Silent (1996)

Television Movie

Directed by: Hubert de La Bouillerie

Cinematography by: Greg Gardiner

Edited by: Mike Murphy, Hubert de La Bouillerie

Soul of the Game | ShotOnWhat?

First Assistant Camera: "c" Camera

Soul of the Game (1996)

Television Movie

Directed by: Kevin Rodney Sullivan

Cinematography by: Sandi Sissel

Edited by: Victor Du Bois

The Quick and the Dead | ShotOnWhat?

First Assistant Camera: Second Unit

The Quick and the Dead (1995)

Directed by: Sam Raimi

Cinematography by: Dante Spinotti

Edited by: Pietro Scalia

Holy Matrimony | ShotOnWhat?

First Assistant Camera

Holy Matrimony (1994)

Directed by: Leonard Nimoy

Cinematography by: Bobby Bukowski

Edited by: Peter E. Berger

The Ballad of Little Jo | ShotOnWhat?

Additional First Assistant Camera

The Ballad of Little Jo (1993)

Directed by: Maggie Greenwald

Cinematography by: Declan Quinn

Edited by: Keith Reamer

Army of One | ShotOnWhat?

First Assistant Camera: "b" Camera

Army of One (1993)

Directed by: Vic Armstrong

Cinematography by: Daniel L. Turrett

Edited by: Paul Morton

Cameras: Todd-AO CineSpace 70 Camera

White Sands | ShotOnWhat?

First Assistant Camera

White Sands (1992)

Directed by: Roger Donaldson

Cinematography by: Peter Menzies Jr.

Edited by: Nicholas Beauman

Cameras: Panavision Cameras

Disorganized Crime | ShotOnWhat?

Second Assistant Camera

Disorganized Crime (1989)

Directed by: Jim Kouf

Cinematography by: Ronald Víctor García

Edited by: Frank Morriss, Dallas Puett

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