Supervising Sound Editor - 7 Episodes, 2023
Lessons in Chemistry (2023)
TV Mini Series
Edited by: Matthew Barbato, Geraud Brisson, Laura Zempel, Jack Cunningham, Daniel Martens, Lilly Wild
Cameras: ARRI ALEXA Mini LF Camera
Supervising Sound Editor
Good Boys (2019)
Movie
Directed by: Gene Stupnitsky
Cinematography by: Jonathan Furmanski
Edited by: Daniel Gabbe
Lenses: Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 135 mm T1.9 Lens, Zeiss Master Anamorphic 180 mm T2.8 Lens, Zeiss Master Anamorphic 28 mm T1.9 Lens, Zeiss Master Anamorphic 35 mm T1.9 Lens, Zeiss Master Anamorphic 40 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 60 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens
Supervising Sound Editor
The Hollars (2016)
Directed by: John Krasinski
Cinematography by: Eric Alan Edwards
Edited by: Heather Persons
Cameras: ARRI ALEXA Plus 4:3 Camera
Supervising Sound Editor
Trumbo (2015)
Directed by: Jay Roach
Cinematography by: Jim Denault
Edited by: Alan Baumgarten
Cameras: ARRI ALEXA XT Camera
Supervising Sound Editor
Labor Day (2013)
Directed by: Jason Reitman
Cinematography by: Eric Steelberg
Edited by: Dana E. Glauberman
Cameras: Red Epic Camera
Supervising Sound Editor
The Way Way Back (2013)
Cinematography by: John Bailey
Edited by: Tatiana S. Riegel
Cameras: ARRI ALEXA Camera
Supervising Sound Editor
Seeking a Friend for the End of the World (2012)
Directed by: Lorene Scafaria
Cinematography by: Tim Orr
Edited by: Zene Baker
Cameras: ARRI ALEXA Plus Camera
Supervising Sound Editor
The Perks of Being a Wallflower (2012)
Directed by: Stephen Chbosky
Cinematography by: Andrew Dunn
Edited by: Mary Jo Markey
Sound Editor
You and I (2011)
Directed by: Roland Joffé
Cinematography by: Philip Robertson
Edited by: Richard Nord
Supervising Sound Editor
Judy Moody and the Not Bummer Summer (2011)
Directed by: John Schultz
Cinematography by: Shawn Maurer
Edited by: John Pace
Supervising Sound Editor
Jeff, Who Lives at Home (2011)
Cinematography by: Jas Shelton
Edited by: Jay Deuby
Cameras: Red One MX Camera
Supervising Sound Editor
Young Adult (2011)
Directed by: Jason Reitman
Cinematography by: Eric Steelberg
Edited by: Dana E. Glauberman
Cameras: ARRI ALEXA Camera
Lenses: Cooke S4 Lenses
Supervising Sound Editor
Red State (2011)
Directed by: Kevin Smith
Cinematography by: David Klein
Edited by: Kevin Smith
Cameras: Canon EOS-7D Camera, Red One MX Camera
Re-recording Mixer
Road to Nowhere (2010)
Directed by: Monte Hellman
Cinematography by: Josep M. Civit
Edited by: Céline Ameslon
Supervising Adr Editor
Jennifer's Body (2009)
Directed by: Karyn Kusama
Cinematography by: M. David Mullen
Edited by: Plummy Tucker
Supervising Sound Editor
Up in the Air (2009)
Directed by: Jason Reitman
Cinematography by: Eric Steelberg
Edited by: Dana E. Glauberman
Supervising Sound Editor
17 Again (2009)
Directed by: Burr Steers
Cinematography by: Tim Suhrstedt
Edited by: Padraic McKinley
Cameras: Panavision Panaflex Platinum Camera
Supervising Sound Editor: EarCandy
Halloween II (2009)
Directed by: Rob Zombie
Cinematography by: Brandon Trost
Cameras: ARRI Cameras
Supervising Sound Editor
Love Happens (2009)
Directed by: Brandon Camp
Cinematography by: Eric Alan Edwards
Edited by: Dana E. Glauberman
Supervising Sound Editor
Assassination of a High School President (2008)
Directed by: Brett Simon
Cinematography by: M. David Mullen
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lenses
Supervising Sound Editor
Days of Wrath (2008)
Directed by: Celia Fox
Cinematography by: Steven Fierberg
Supervising Sound Editor
Rambo (2008)
Directed by: Sylvester Stallone
Cinematography by: Glen MacPherson
Edited by: Sean Albertson
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Ultra Prime Lenses
Supervising Sound Editor
King of California (2007)
Directed by: Mike Cahill
Cinematography by: Jim Whitaker
Edited by: Glenn Garland
Supervising Sound Editor
Lars and the Real Girl (2007)
Directed by: Craig Gillespie
Cinematography by: Adam Kimmel
Edited by: Tatiana S. Riegel
Lenses: Cooke S4 Lenses
Supervising Sound Editor
Juno (2007)
Directed by: Jason Reitman
Cinematography by: Eric Steelberg
Edited by: Dana E. Glauberman
Supervising Sound Editor
Halloween (2007)
Directed by: Rob Zombie
Cinematography by: Phil Parmet
Edited by: Glenn Garland
Supervising Sound Editor
Captivity (2007)
Directed by: Roland Joffé
Cinematography by: Daniel Pearl
Edited by: Richard Nord
Supervising Sound Editor
Happy Endings (2005)
Directed by: Don Roos
Cinematography by: Clark Mathis
Edited by: David Codron
Editing System: Final Cut Pro Editing System
Supervising Sound Editor
Down in the Valley (2005)
Directed by: David Jacobson
Cinematography by: Enrique Chediak
Supervising Sound Editor
Thank You for Smoking (2005)
Directed by: Jason Reitman
Cinematography by: Jim Whitaker
Edited by: Dana E. Glauberman
Supervising Sound Editor
The Devil's Rejects (2005)
Directed by: Rob Zombie
Cinematography by: Phil Parmet
Edited by: Glenn Garland
Sound Editor / Supervising Sound Editor
The Last Confederate: The Story of Robert Adams (2005)
Cinematography by: Shawn Lewallen
Sound Effects Editor
Ray (2004)
Directed by: Taylor Hackford
Cinematography by: Pawel Edelman
Edited by: Paul Hirsch
Sound Effects Editor
13 Going on 30 (2004)
Directed by: Gary Winick
Cinematography by: Don Burgess
Edited by: Susan Littenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Effects Editor
I'll Be There (2003)
Directed by: Craig Ferguson
Cinematography by: Ian Wilson
Edited by: Sheldon Kahn
Co-supervising Sound Editor
Open Range (2003)
Directed by: Kevin Costner
Cinematography by: James M. Muro
Sound Effects Editor
Blue Crush (2002)
Directed by: John Stockwell
Cinematography by: David Hennings
Edited by: Emma E. Hickox
Sound Editor
Avenging Angelo (2002)
Directed by: Martyn Burke
Cinematography by: Ousama Rawi
Edited by: David Codron
Sound Effects Editor
City by the Sea (2002)
Directed by: Michael Caton-Jones
Cinematography by: Karl Walter Lindenlaub
Edited by: Jim Clark
Cameras: Panavision Cameras
Sound Effects Editor
The Bourne Identity (2002)
Directed by: Doug Liman
Cinematography by: Oliver Wood
Edited by: Saar Klein
Sound Effects Editor
We Were Soldiers (2002)
Directed by: Randall Wallace
Cinematography by: Dean Semler
Edited by: William Hoy
Cameras: Panavision Panaflex Camera
Sound Effects Editor
Black Hawk Down (2001)
Directed by: Ridley Scott
Cinematography by: Slawomir Idziak
Edited by: Pietro Scalia
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
Sound Effects Editor
I Am Sam (2001)
Directed by: Jessie Nelson
Cinematography by: Elliot Davis
Edited by: Richard Chew
Foley Editor
Baby Boy (2001)
Directed by: John Singleton
Cinematography by: Charles Mills
Edited by: Bruce Cannon
Sound Effects Editor
3000 Miles to Graceland (2001)
Directed by: Demian Lichtenstein
Cinematography by: David Franco
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Effects Editor
Mission to Mars (2000)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Paul Hirsch
Sound Editor
The Corruptor (1999)
Directed by: James Foley
Cinematography by: Juan Ruiz Anchía
Edited by: Howard E. Smith
Sound Effects Editor
Any Given Sunday (1999)
Directed by: Oliver Stone
Cinematography by: Salvatore Totino
Sound Editor
Deterrence (1999)
Directed by: Rod Lurie
Cinematography by: Frank Perl
Edited by: Alan Roberts
Sound Editor
The Locusts (1997)
Directed by: John Patrick Kelley
Cinematography by: Phedon Papamichael
Sound Effects Editor
Love! Valour! Compassion! (1997)
Directed by: Joe Mantello
Cinematography by: Alik Sakharov
Edited by: Colleen Sharp
Sound Editor
Wish Upon a Star (1996)
Directed by: Blair Treu
Cinematography by: Brian Sullivan
Edited by: David Blangsted
