Assistant Editor
The Hateful Eight (2015)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Cameras: ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens
Editing System: Avid Editing System
Visual Effects Editor: Rhythm & Hues
R.I.P.D. (2013)
Directed by: Robert Schwentke
Cinematography by: Alwin H. Küchler
Edited by: Mark Helfrich
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Visual Effects Editor: Rhythm & Hues Studios
Chronicle (2012)
Directed by: Josh Trank
Cinematography by: Matthew Jensen
Edited by: Elliot Greenberg
Visual Effects Editor: Rhythm & Hues Studios
Moneyball (2011)
Directed by: Bennett Miller
Cinematography by: Wally Pfister
Edited by: Christopher Tellefsen
Visual Effects Editor: Rhythm & Hues
Alvin and the Chipmunks: Chipwrecked (2011)
Directed by: Mike Mitchell
Cinematography by: Thomas E. Ackerman
Edited by: Peter Amundson
Visual Effects Editor: Rhythm & Hues
Hop (2011)
Directed by: Tim Hill
Cinematography by: Peter Lyons Collister
Animator: Rhythm & Hues, Visual Effects: Rhythm & Hues
Red Riding Hood (2011)
Directed by: Catherine Hardwicke
Cinematography by: Mandy Walker
Visual Effects Editor: Rhythm & Hues
Hot Tub Time Machine (2010)
Directed by: Steve Pink
Cinematography by: Jack N. Green
Cameras: Panavision Cameras
Visual Effects Editor: Rhythm & Hues
Percy Jackson & the Olympians: The Lightning Thief (2010)
Directed by: Chris Columbus
Cinematography by: Stephen Goldblatt
Edited by: Peter Honess
Visual Effects Editor: Rhythm & Hues
Marmaduke (2010)
Directed by: Tom Dey
Cinematography by: Greg Gardiner
Edited by: Don Zimmerman
Visual Effects Editor: Rhythm & Hues
Little Fockers (2010)
Directed by: Paul Weitz
Cinematography by: Remi Adefarasin
Cameras: ARRI Cameras
Visual Effects Editor: Rhythm & Hues
Land of the Lost (2009)
Directed by: Brad Silberling
Cinematography by: Dion Beebe
Edited by: Peter Teschner
Cameras: Panavision Cameras
Visual Effects Editor: Rhythm & Hues
Alvin and the Chipmunks: The Squeakquel (2009)
Directed by: Betty Thomas
Cinematography by: Anthony B. Richmond
Edited by: Matt Friedman
Lenses: Cooke S4 Lenses
Visual Effects Editor: Rhythm & Hues
The Golden Compass (2007)
Directed by: Chris Weitz
Cinematography by: Henry Braham
Editor: Rhythm & Hues
Night at the Museum (2006)
Directed by: Shawn Levy
Cinematography by: Guillermo Navarro
Edited by: Don Zimmerman
Editor: Rhythm & Hues
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
Directed by: Andrew Adamson
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera
Editing System: Avid Editing System
Visual Effects Editor
Looney Tunes: Back in Action (2003)
Directed by: Joe Dante
Cinematography by: Dean Cundey
Visual Effects Editor: Rhythm + Hues
Scooby-Doo (2002)
Directed by: Raja Gosnell
Cinematography by: David Eggby
Edited by: Kent Beyda
Cameras: Panavision Cameras
Optical Lineup
The Man from Elysian Fields (2001)
Directed by: George Hickenlooper
Cinematography by: Kramer Morgenthau
Edited by: Michael Brown
Optical Digital Lineup: The Image Resolution, Inc.
Novocaine (2001)
Directed by: David Atkins
Cinematography by: Vilko Filac
Edited by: Melody London
Optical Digital Lineup
CQ (2001)
Directed by: Roman Coppola
Cinematography by: Robert D. Yeoman
Edited by: Leslie Jones
Visual Effects Editor: Rhythm & Hues
Babe: Pig in the City (1998)
Directed by: George Miller
Cinematography by: Andrew Lesnie
Visual Effects Editor: Digital Domain
Titanic (1997)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Visual Effects: The Chandler Group
Honey, I Blew Up the Kid (1992)
Directed by: Randal Kleiser
Cinematography by: John Hora
Lenses: Canon K35 Prime Lenses
Visual Effects Editorial Supervisor: The Chandler Group
Freddy's Dead: The Final Nightmare (1991)
Directed by: Rachel Talalay
Cinematography by: Declan Quinn
Edited by: Janice Hampton
Visual Effects Optical Line-up
Fletch Lives (1989)
Directed by: Michael Ritchie
Cinematography by: John McPherson
Edited by: Richard A. Harris
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Visual Effects Optical Line-up
The Abyss (1989)
Directed by: James Cameron
Cinematography by: Mikael Salomon
Visual Effects Optical Line-up
Big Business (1988)
Directed by: Jim Abrahams
Cinematography by: Dean Cundey
Edited by: Harry Keramidas
Optical Lineup
Who Framed Roger Rabbit (1988)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Edited by: Arthur Schmidt
Lenses: Panavision Lenses
Visual Effects Editor
Masters of the Universe (1987)
Directed by: Gary Goddard
Cinematography by: Hanania Baer
Edited by: Anne V. Coates
Visual Effects Optical Line-up
Big Trouble in Little China (1986)
Directed by: John Carpenter
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
Optical Line-up: Entertainment Effects Group
Brainstorm (1983)
Directed by: Douglas Trumbull
Cinematography by: Richard Yuricich
Visual Effects Assistant Editor
Never Say Never Again (1983)
Directed by: Irvin Kershner
Cinematography by: Douglas Slocombe
Edited by: Ian Crafford
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Assistant Effects Editor: EEG
Blade Runner (1982)
Directed by: Ridley Scott
Cinematography by: Jordan Cronenweth
Special Editorial
Star Trek: The Motion Picture (1979)
Directed by: Robert Wise
Cinematography by: Richard H. Kline
Edited by: Todd C. Ramsay
Visual Effects Editor: Warner Brothers Imaging Technology - Directors Cut
Woodstock (1970)
Directed by: Michael Wadleigh
Cinematography by: Malcolm Hart, Don Lenzer, Michael Margetts, David Myers, Richard Pearce, Michael Wadleigh, Alfred Wertheimer
Edited by: Jere Huggins, Thelma Schoonmaker, Martin Scorsese, Michael Wadleigh, Stanley Warnow, Yeu-Bun Yee
Cameras: Éclair NPR Camera
Editing System: Steenbeck Editing System
