Compositor: CIS Hollywood
G.I. Joe: The Rise of Cobra (2009)
Directed by: Stephen Sommers
Cinematography by: Mitchell Amundsen
Compositor: CIS Hollywood
Watchmen (2009)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Rotoscope/paint Artist: CIS Hollywood
Leatherheads (2008)
Directed by: George Clooney
Cinematography by: Newton Thomas Sigel
Edited by: Stephen Mirrione
Paint And Roto Artist: CIS Hollywood
The Express (2008)
Directed by: Gary Fleder
Cinematography by: Kramer Morgenthau
Compositor: CIS Hollywood
Meet Dave (2008)
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Compositor: CIS Hollywood
Speed Racer (2008)
Cinematography by: David Tattersall
Lenses: Zeiss DigiPrime Lenses
Compositor: CIS Hollywood
The Reaping (2007)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Colby Parker Jr.
Compositor: CIS Hollywood
Evan Almighty (2007)
Directed by: Tom Shadyac
Cinematography by: Ian Baker
Edited by: Scott Hill
Cameras: Panavision Cameras
Editing System: Lightworks Editing System
Compositor: CIS Hollywood
Rush Hour 3 (2007)
Directed by: Brett Ratner
Cinematography by: James M. Muro
Compositor: CIS Hollywood
Pirates of the Caribbean: At World's End (2007)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Compositor: CIS Hollywood
Enchanted (2007)
Directed by: Kevin Lima
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Compositor: CIS Hollywood
X-Men: The Last Stand (2006)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Compositor: CIS Hollywood / Rotoscope And Paint Artist: CIS Hollywood
The Fast and the Furious: Tokyo Drift (2006)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Paint And Roto Artist: CIS Hollywood
Idlewild (2006)
Directed by: Bryan Barber
Cinematography by: Pascal Rabaud
Edited by: Anne Goursaud
Lenses: Zeiss Ultra Prime Lenses
Compositor: CIS Hollywood
Pirates of the Caribbean: Dead Man's Chest (2006)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Compositor: CIS Hollywood
Ultraviolet (2006)
Directed by: Kurt Wimmer
Cinematography by: Arthur Wong
Edited by: William Yeh
Compositor: CIS Hollywood
Eight Below (2006)
Directed by: Frank Marshall
Cinematography by: Don Burgess
Edited by: Christopher Rouse
Compositor: CIS Hollywood
Poseidon (2006)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Peter Honess
Compositor: CIS Hollywood
The Shaggy Dog (2006)
Directed by: Brian Robbins
Cinematography by: Gabriel Beristain
Edited by: Ned Bastille
Paint And Roto Artist: CIS Hollywood
Ice Princess (2005)
Directed by: Tim Fywell
Cinematography by: David Hennings
Edited by: Janice Hampton
Paint And Roto Artist: CIS Hollywood
Constantine (2005)
Directed by: Francis Lawrence
Cinematography by: Philippe Rousselot
Edited by: Wayne Wahrman
Compositor: CIS Hollywood
Flightplan (2005)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Paint And Roto Artist: CIS Hollywood
Fantastic Four (2005)
Directed by: Tim Story
Cinematography by: Oliver Wood
Edited by: William Hoy
Paint And Roto Artist: CIS Hollywood
Team America: World Police (2004)
Directed by: Trey Parker
Cinematography by: Bill Pope
Edited by: Thomas M. Vogt
Cameras: ARRIFLEX 435 Camera, Pan-Arri 435 Camera
Paint And Roto Artist: CIS Hollywood
Van Helsing (2004)
Directed by: Stephen Sommers
Cinematography by: Allen Daviau
Editing System: Avid Editing System
Paint And Rotoscope Artist: CIS Hollywood
The Chronicles of Riddick (2004)
Directed by: David Twohy
Cinematography by: Hugh Johnson
Paint And Roto Artist: CIS Hollywood
The Bourne Supremacy (2004)
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Cameras: ARRI Cameras
Paint And Roto Artist: CIS Hollywood
Ocean's Twelve (2004)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Paint And Roto Artist: CIS Hollywood
Mean Girls (2004)
Directed by: Mark Waters
Cinematography by: Daryn Okada
Edited by: Wendy Greene Bricmont
Cameras: Panavision Cameras
Roto/paint Artist: CIS Hollywood
Paycheck (2003)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Paint/roto Artist
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Roto/paint Artist: CIS Hollywood
Scary Movie 3 (2003)
Directed by: David Zucker
Cinematography by: Mark Irwin
Roto/paint Artist: CIS Hollywood
The Matrix Revolutions (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
