Sound Mixer
'It's Always Sunny in Philadelphia' Thunder Gun 4: Maximum Cool (2019)
Cinematography by: John Tanzer
Sound Mixer
'It's Always Sunny in Philadelphia' Dee Day (2019)
Cinematography by: John Tanzer
Edited by: Trevor Penna
Sound Mixer
'It's Always Sunny in Philadelphia' The Gang Texts (2019)
Directed by: Heath Cullens
Cinematography by: John Tanzer
Sound Mixer
'It's Always Sunny in Philadelphia' The Janitor Always Mops Twice (2019)
Directed by: Heath Cullens
Cinematography by: John Tanzer
Sound Mixer
'It's Always Sunny in Philadelphia' A Woman's Right to Chop (2019)
Cinematography by: John Tanzer
Sound Mixer
'It's Always Sunny in Philadelphia' Paddy's Has a Jumper (2019)
Cinematography by: John Tanzer
Sound Mixer
'It's Always Sunny in Philadelphia' Waiting for Big Mo (2019)
Cinematography by: John Tanzer
Sound Mixer
'It's Always Sunny in Philadelphia' The Gang Solves Global Warming (2019)
Cinematography by: John Tanzer
Sound Mixer: LA Unit
'Episodes' The Final Episode (2017)
Directed by: Jeffrey Klarik
Cinematography by: Rob Kitzmann
Edited by: Nigel Williams
Sound Mixer: LA Unit
'Episodes' Episode Five (2017)
Directed by: Jeffrey Klarik
Cinematography by: Rob Kitzmann
Edited by: Nigel Williams
Sound Mixer: LA Unit
'Episodes' Episode Three (2017)
Directed by: Jeffrey Klarik
Cinematography by: Rob Kitzmann
Edited by: Nigel Williams
Sound Mixer: Mocap Unit
Suicide Squad (2016)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Edited by: John Gilroy
Additional Sound Utility
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Utility Sound
Terminator Genisys (2015)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Edited by: Roger Barton
Cameras: ARRI ALEXA XT Plus Camera
Sound Mixer: Second Unit
Captain America: The Winter Soldier (2014)
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Boom Operator: Additional Photography
Sabotage (2014)
Directed by: David Ayer
Cinematography by: Bruce McCleery
Edited by: Dody Dorn
Sound Mixer
'CSI: Crime Scene Investigation' Road to Recovery (2014)
Directed by: Alec Smight
Cinematography by: Christian Sebaldt
Edited by: Barrie Wise
Sound Mixer
'CSI: Crime Scene Investigation' The Twin Paradox (2014)
Directed by: Philip Conserva
Cinematography by: Crescenzo G.P. Notarile
Edited by: Ian S. Tan
Sound Mixer
'CSI: Crime Scene Investigation' Girls Gone Wilder (2014)
Directed by: Frank Waldeck
Cinematography by: Christian Sebaldt
Edited by: Louis Bravo
Sound Mixer
'CSI: Crime Scene Investigation' The Book of Shadows (2014)
Directed by: Brad Tanenbaum
Cinematography by: Crescenzo G.P. Notarile
Edited by: Barrie Wise
Sound Mixer
'CSI: Crime Scene Investigation' Bad Blood (2014)
Directed by: Louis Shaw Milito
Cinematography by: Crescenzo G.P. Notarile
Sound Mixer
'CSI: Crime Scene Investigation' Buzz Kill (2014)
Directed by: Frank Waldeck
Cinematography by: Christian Sebaldt
Edited by: Barrie Wise
Sound Mixer / Sound Utility
'CSI: Crime Scene Investigation' Dead in His Tracks (2014)
Directed by: Alec Smight
Sound Mixer / Sound Utility
'CSI: Crime Scene Investigation' Kitty (2014)
Directed by: Eagle Egilsson
Sound Mixer / Sound Utility
'CSI: Crime Scene Investigation' Consumed (2014)
Directed by: Karen Gaviola
Edited by: Louis Bravo
Sound Mixer / Sound Utility
'CSI: Crime Scene Investigation' The Fallen (2014)
Directed by: Louis Shaw Milito
Sound Mixer
'CSI: Crime Scene Investigation' Long Road Home (2014)
Directed by: Philip Conserva
Cinematography by: Christian Sebaldt
Edited by: Ian S. Tan
Sound Mixer
'CSI: Crime Scene Investigation' Uninvited (2014)
Directed by: Brad Tanenbaum
Cinematography by: Crescenzo G.P. Notarile
Edited by: Louis Bravo
Sound Mixer
'CSI: Crime Scene Investigation' Killer Moves (2014)
Directed by: Alec Smight
Cinematography by: Crescenzo G.P. Notarile
Edited by: Barrie Wise
Sound Mixer
'CSI: Crime Scene Investigation' Love for Sale (2014)
Directed by: Frank Waldeck
Cinematography by: Christian Sebaldt
Edited by: Louis Bravo
Sound Mixer
'CSI: Crime Scene Investigation' Boston Brakes (2014)
Directed by: Eagle Egilsson
Cinematography by: Christian Sebaldt
Edited by: Barrie Wise
Sound Mixer
'CSI: Crime Scene Investigation' Keep Calm and Carry-On (2014)
Directed by: Brad Tanenbaum
Cinematography by: Crescenzo G.P. Notarile
Edited by: Louis Bravo
Sound Mixer
'CSI: Crime Scene Investigation' The Lost Reindeer (2013)
Directed by: Frank Waldeck
Cinematography by: Christian Sebaldt
Edited by: Ian S. Tan
Sound Mixer
'CSI: Crime Scene Investigation' Girls Gone Wild (2013)
Directed by: Alec Smight
Cinematography by: Crescenzo G.P. Notarile
Edited by: Barrie Wise
Sound Mixer
'CSI: Crime Scene Investigation' Check In and Check Out (2013)
Directed by: Louis Shaw Milito
Cinematography by: Christian Sebaldt
Edited by: Louis Bravo
Sound Mixer
'CSI: Crime Scene Investigation' Under a Cloud (2013)
Directed by: Brad Tanenbaum
Cinematography by: Ken Glassing
Edited by: Barrie Wise
Sound Mixer
'CSI: Crime Scene Investigation' Helpless (2013)
Directed by: Karen Gaviola
Cinematography by: Crescenzo G.P. Notarile
Edited by: Ian S. Tan
Sound Mixer
'CSI: Crime Scene Investigation' Frame by Frame (2013)
Directed by: Alec Smight
Cinematography by: Crescenzo G.P. Notarile
Edited by: Ian S. Tan
Sound Mixer
'CSI: Crime Scene Investigation' Passed Pawns (2013)
Directed by: Philip Conserva
Cinematography by: Christian Sebaldt
Edited by: Louis Bravo
Sound Mixer
'CSI: Crime Scene Investigation' Last Supper (2013)
Directed by: Frank Waldeck
Cinematography by: Christian Sebaldt
Edited by: Barrie Wise
Sound Mixer
'CSI: Crime Scene Investigation' Torch Song (2013)
Directed by: Brad Tanenbaum
Cinematography by: Crescenzo G.P. Notarile
Edited by: Louis Bravo
Sound Mixer / Sound Utility
'CSI: Crime Scene Investigation' Skin in the Game (2013)
Directed by: Alec Smight
Cinematography by: Crescenzo G.P. Notarile
Edited by: Barrie Wise
Sound Mixer / Sound Utility
'CSI: Crime Scene Investigation' The Devil and D.B. Russell (2013)
Directed by: Alec Smight
Cinematography by: Crescenzo G.P. Notarile
Edited by: Barrie Wise
Sound Mixer / Sound Utility
'CSI: Crime Scene Investigation' Ghosts of the Past (2013)
Directed by: Brad Tanenbaum
Cinematography by: Christian Sebaldt
Edited by: Louis Bravo
Sound Mixer / Sound Utility
'CSI: Crime Scene Investigation' Sheltered (2013)
Directed by: Louis Shaw Milito
Cinematography by: Crescenzo G.P. Notarile
Edited by: Louis Bravo
Sound Mixer / Sound Utility
'CSI: Crime Scene Investigation' Backfire (2013)
Directed by: Frank Waldeck
Cinematography by: Christian Sebaldt
Edited by: Barrie Wise
Sound Mixer / Sound Utility
'CSI: Crime Scene Investigation' Fearless (2013)
Directed by: Eagle Egilsson
Cinematography by: Crescenzo G.P. Notarile
Edited by: Ian S. Tan
Sound Mixer / Sound Utility
'CSI: Crime Scene Investigation' Dead of the Class (2013)
Directed by: Alec Smight
Cinematography by: Christian Sebaldt
Edited by: Ian S. Tan
Sound Mixer / Sound Utility
'CSI: Crime Scene Investigation' Last Woman Standing (2013)
Directed by: Brad Tanenbaum
Cinematography by: Crescenzo G.P. Notarile
Edited by: Barrie Wise
Sound Mixer / Sound Utility
'CSI: Crime Scene Investigation' Forget Me Not (2013)
Directed by: Karen Gaviola
Cinematography by: Christian Sebaldt
Edited by: Louis Bravo
Sound Mixer / Sound Utility
'CSI: Crime Scene Investigation' Exile (2013)
Directed by: Jeffrey G. Hunt
Cinematography by: Crescenzo G.P. Notarile
Edited by: Ian S. Tan
Sound Mixer / Sound Utility
'CSI: Crime Scene Investigation' In Vino Veritas (2013)
Directed by: Louis Shaw Milito
Cinematography by: Christian Sebaldt
Edited by: Barrie Wise
Sound Mixer / Sound Utility
'CSI: Crime Scene Investigation' Double Fault (2013)
Directed by: Brad Tanenbaum
Cinematography by: Crescenzo G.P. Notarile
Edited by: Louis Bravo
Sound Mixer / Sound Utility
'CSI: Crime Scene Investigation' Dead Air (2013)
Directed by: Philip Conserva
Cinematography by: Christian Sebaldt
Edited by: Ian S. Tan
Sound Utility: Reshoots
Underworld Awakening (2012)
Cinematography by: Scott Kevan
Edited by: Jeff McEvoy
Cameras: Red Epic Camera
Sound Utility
The Dark Knight Rises (2012)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera
Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Cable Person
Ruby Sparks (2012)
Cinematography by: Matthew Libatique
Edited by: Pamela Martin
Lenses: Cooke Speed Panchro Lenses
Sound Mixer / Sound Utility
'CSI: Crime Scene Investigation' Risky Business Class (2012)
Directed by: Frank Waldeck
Cinematography by: Crescenzo G.P. Notarile
Edited by: Barrie Wise
Sound Mixer / Sound Utility
'CSI: Crime Scene Investigation' Strip Maul (2012)
Directed by: Alec Smight
Cinematography by: Christian Sebaldt
Edited by: Louis Bravo
Sound Mixer / Sound Utility
'CSI: Crime Scene Investigation' CSI on Fire (2012)
Directed by: Jeffrey G. Hunt
Cinematography by: Crescenzo G.P. Notarile
Edited by: Ian S. Tan
Sound Mixer / Sound Utility
'CSI: Crime Scene Investigation' Fallen Angels (2012)
Directed by: Louis Shaw Milito
Cinematography by: Christian Sebaldt
Edited by: Barrie Wise
Sound Mixer / Sound Utility
'CSI: Crime Scene Investigation' Pick and Roll (2012)
Directed by: Alec Smight
Cinematography by: Crescenzo G.P. Notarile
Edited by: Louis Bravo
Sound Mixer / Sound Utility
'CSI: Crime Scene Investigation' Play Dead (2012)
Directed by: Eagle Egilsson
Cinematography by: Christian Sebaldt
Edited by: Ian S. Tan
Sound Mixer / Sound Utility
'CSI: Crime Scene Investigation' It Was a Very Good Year (2012)
Directed by: Frank Waldeck
Cinematography by: Crescenzo G.P. Notarile
Edited by: Barrie Wise
Sound Mixer / Sound Utility
'CSI: Crime Scene Investigation' Wild Flowers (2012)
Directed by: Brad Tanenbaum
Cinematography by: Christian Sebaldt
Edited by: Louis Bravo
Sound Mixer / Sound Utility
'CSI: Crime Scene Investigation' Code Blue Plate Special (2012)
Directed by: Louis Shaw Milito
Cinematography by: Crescenzo G.P. Notarile
Edited by: Ian S. Tan
Sound Utility
'CSI: Crime Scene Investigation' Homecoming (2012)
Directed by: Alec Smight
Cinematography by: Crescenzo G.P. Notarile
Edited by: Barrie Wise
Sound Utility
'CSI: Crime Scene Investigation' Karma to Burn (2012)
Directed by: Alec Smight
Cinematography by: Christian Sebaldt
Edited by: Barrie Wise
Sound Utility
'CSI: Crime Scene Investigation' Dune and Gloom (2012)
Directed by: Jeffrey G. Hunt
Cinematography by: Christian Sebaldt
Edited by: Louis Bravo
Sound Utility
'CSI: Crime Scene Investigation' Altered Stakes (2012)
Directed by: David Semel
Cinematography by: Crescenzo G.P. Notarile
Edited by: Ian S. Tan
Sound Utility
'CSI: Crime Scene Investigation' Split Decisions (2012)
Directed by: Brad Tanenbaum
Cinematography by: Christian Sebaldt
Edited by: Barrie Wise
Sound Utility
'CSI: Crime Scene Investigation' Malice in Wonderland (2012)
Directed by: Alec Smight
Cinematography by: Crescenzo G.P. Notarile
Edited by: Louis Bravo
Sound Utility
'CSI: Crime Scene Investigation' Trends with Benefits (2012)
Directed by: Louis Shaw Milito
Cinematography by: Christian Sebaldt
Edited by: Ian S. Tan
Sound Utility
'CSI: Crime Scene Investigation' CSI Unplugged (2012)
Directed by: Jeffrey G. Hunt
Cinematography by: Crescenzo G.P. Notarile
Edited by: Barrie Wise
Sound Utility
'CSI: Crime Scene Investigation' Stealing Home (2012)
Directed by: Alec Smight
Cinematography by: Christian Sebaldt
Edited by: Louis Bravo
Sound Utility
'CSI: Crime Scene Investigation' Seeing Red (2012)
Directed by: Frank Waldeck
Cinematography by: Crescenzo G.P. Notarile
Edited by: Ian S. Tan
Additional Sound Utility
Mission: Impossible - Ghost Protocol (2011)
Directed by: Brad Bird
Cinematography by: Robert Elswit
Edited by: Paul Hirsch
Cameras: ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Sound Utility
'CSI: Crime Scene Investigation' In a Dark, Dark House (2011)
Directed by: Jeffrey G. Hunt
Cinematography by: Christian Sebaldt
Edited by: Barrie Wise
Sound Utility
'CSI: Crime Scene Investigation' Cello and Goodbye (2011)
Directed by: Alec Smight
Cinematography by: Crescenzo G.P. Notarile
Edited by: Ian S. Tan
Sound Utility
'CSI: Crime Scene Investigation' Father of the Bride (2011)
Directed by: Frank Waldeck
Cinematography by: Christian Sebaldt
Edited by: Augie Robles
Sound Utility
'CSI: Crime Scene Investigation' Unleashed (2011)
Directed by: Brad Tanenbaum
Cinematography by: Christian Sebaldt
Edited by: Barrie Wise
Sound Utility
'CSI: Crime Scene Investigation' Hitting for the Cycle (2011)
Directed by: Alec Smight
Cinematography by: Cort Fey
Edited by: Ian S. Tan
Sound Utility
'CSI: Crime Scene Investigation' The List (2011)
Directed by: Louis Shaw Milito
Cinematography by: Christian Sebaldt
Sound Utility
'CSI: Crime Scene Investigation' Turn On, Tune In, Drop Dead (2011)
Directed by: Paul McCrane
Cinematography by: Cort Fey
Edited by: Barrie Wise
Sound Utility
'CSI: Crime Scene Investigation' Targets of Obsession (2011)
Directed by: Alec Smight
Cinematography by: Christian Sebaldt
Edited by: Ian S. Tan
Sound Utility
'CSI: Crime Scene Investigation' All That Cremains (2011)
Directed by: Jeffrey G. Hunt
Cinematography by: Cort Fey
Edited by: Augie Robles
Sound Utility
'CSI: Crime Scene Investigation' The Two Mrs. Grissoms (2011)
Directed by: Steven Felder
Cinematography by: Christian Sebaldt
Edited by: Barrie Wise
Sound Utility
'CSI: Crime Scene Investigation' Man Up (2011)
Directed by: Alec Smight
Cinematography by: Christian Sebaldt
Edited by: Augie Robles
Sound Utility
'CSI: Crime Scene Investigation' A Kiss Before Frying (2011)
Directed by: Brad Tanenbaum
Cinematography by: Cort Fey
Edited by: Ian S. Tan
Sound Mixer: LA Unit - 3 Episodes, 2017
Episodes (2011)
Cinematography by: Rob Kitzmann
Cameras: ARRI ALEXA Camera
Boom Operator - 1 Episode, 2014
Wilfred (2011)
Additional Boom Operator: Second Unit / Additional Sound Mixer: Dailies
Green Zone (2010)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Sound Utility
'CSI: Crime Scene Investigation' 418/427 (2010)
Directed by: Frank Waldeck
Cinematography by: Cort Fey
Edited by: Barrie Wise
Sound Utility
'CSI: Crime Scene Investigation' Wild Life (2010)
Directed by: Charles Haid
Cinematography by: Christian Sebaldt
Edited by: Ian S. Tan
Sound Utility
'CSI: Crime Scene Investigation' Fracked (2010)
Directed by: Martha Coolidge
Cinematography by: Cort Fey
Edited by: Augie Robles
Sound Utility
'CSI: Crime Scene Investigation' Bump and Grind (2010)
Directed by: Michael Nankin
Cinematography by: Christian Sebaldt
Edited by: Barrie Wise
Sound Utility
'CSI: Crime Scene Investigation' Cold Blooded (2010)
Directed by: Louis Shaw Milito
Cinematography by: Christian Sebaldt
Edited by: Augie Robles
Sound Utility
'CSI: Crime Scene Investigation' House of Hoarders (2010)
Directed by: Alec Smight
Cinematography by: Cort Fey
Edited by: Ian S. Tan
Sound Utility
'CSI: Crime Scene Investigation' Sqweegel (2010)
Directed by: Jeffrey G. Hunt
Cinematography by: Christian Sebaldt
Edited by: Ian S. Tan
Sound Utility
'CSI: Crime Scene Investigation' Pool Shark (2010)
Directed by: Michael Nankin
Cinematography by: Cort Fey
Sound Utility
'CSI: Crime Scene Investigation' Blood Moon (2010)
Directed by: Brad Tanenbaum
Cinematography by: Cort Fey
Edited by: Barrie Wise
Sound Utility
'CSI: Crime Scene Investigation' Shock Waves (2010)
Directed by: Alec Smight
Cinematography by: Christian Sebaldt
Edited by: Barrie Wise
Sound Utility
'CSI: Crime Scene Investigation' Meat Jekyll (2010)
Directed by: Alec Smight
Cinematography by: Christian Sebaldt
Edited by: Augie Robles
Sound Utility
'CSI: Crime Scene Investigation' Doctor Who (2010)
Directed by: Jeffrey G. Hunt
Cinematography by: Cort Fey
Edited by: John Ganem
Sound Utility
'CSI: Crime Scene Investigation' Lost & Found (2010)
Directed by: Frank Waldeck
Cinematography by: Christian Sebaldt
Edited by: Barrie Wise
Sound Utility
'CSI: Crime Scene Investigation' Take My Life, Please (2010)
Directed by: Martha Coolidge
Cinematography by: Cort Fey
Sound Utility
'CSI: Crime Scene Investigation' World's End (2010)
Directed by: Alec Smight
Cinematography by: Christian Sebaldt
Edited by: John Ganem
Sound Utility
'CSI: Crime Scene Investigation' Field Mice (2010)
Directed by: Brad Tanenbaum
Cinematography by: Cort Fey
Edited by: Barrie Wise
Sound Utility
'CSI: Crime Scene Investigation' Irradiator (2010)
Directed by: Michael Nankin
Cinematography by: Christian Sebaldt
Edited by: Augie Robles
Sound Utility
'CSI: Crime Scene Investigation' The Panty Sniffer (2010)
Directed by: Louis Shaw Milito
Cinematography by: Cort Fey
Edited by: John Ganem
Sound Utility
'CSI: Crime Scene Investigation' Neverland (2010)
Directed by: Alec Smight
Cinematography by: Christian Sebaldt
Edited by: Barrie Wise
Sound Utility
'CSI: Crime Scene Investigation' Unshockable (2010)
Directed by: Kenneth Fink
Cinematography by: Cort Fey
Edited by: Augie Robles
Sound Utility
'CSI: Crime Scene Investigation' Internal Combustion (2010)
Directed by: Brad Tanenbaum
Cinematography by: Christian Sebaldt
Edited by: John Ganem
Sound Utility
'CSI: Crime Scene Investigation' Long Ball (2010)
Directed by: Alec Smight
Cinematography by: Cort Fey
Edited by: Barrie Wise
Sound Utility
'CSI: Crime Scene Investigation' Sin City Blue (2010)
Directed by: Louis Shaw Milito
Cinematography by: Christian Sebaldt
Edited by: Augie Robles
Sound Utility
'CSI: Crime Scene Investigation' Appendicitement (2009)
Directed by: Kenneth Fink
Cinematography by: Christian Sebaldt
Edited by: Barrie Wise
Sound Utility
'CSI: Crime Scene Investigation' Lover's Lanes (2009)
Directed by: Andrew Bernstein
Cinematography by: Christian Sebaldt
Edited by: John Ganem
Sound Utility
'CSI: Crime Scene Investigation' The Lost Girls (2009)
Directed by: Alec Smight
Cinematography by: Cort Fey
Edited by: Augie Robles
Sound Utility
'CSI: Crime Scene Investigation' Death and the Maiden (2009)
Directed by: Brad Tanenbaum
Cinematography by: Cort Fey
Edited by: Barrie Wise
Sound Utility
'CSI: Crime Scene Investigation' Bloodsport (2009)
Directed by: Jeffrey G. Hunt
Cinematography by: Christian Sebaldt
Edited by: Augie Robles
Sound Utility
'CSI: Crime Scene Investigation' Coup de Grace (2009)
Directed by: Paris Barclay
Cinematography by: Cort Fey
Edited by: John Ganem
Sound Utility
'CSI: Crime Scene Investigation' Working Stiffs (2009)
Directed by: Naren Shankar
Cinematography by: Christian Sebaldt
Edited by: Barrie Wise
Sound Utility
'CSI: Crime Scene Investigation' Ghost Town (2009)
Directed by: Alec Smight
Cinematography by: Cort Fey
Edited by: Augie Robles
Sound Utility
'CSI: Crime Scene Investigation' Family Affair (2009)
Directed by: Kenneth Fink
Cinematography by: Christian Sebaldt
Edited by: John Ganem
Sound Utility
'CSI: Crime Scene Investigation' Hog Heaven (2009)
Directed by: Louis Shaw Milito
Cinematography by: Christian Sebaldt
Edited by: John Ganem
Sound Utility
'CSI: Crime Scene Investigation' All In (2009)
Directed by: Paris Barclay
Cinematography by: Nelson Cragg
Edited by: Augie Robles
Sound Utility
'CSI: Crime Scene Investigation' The Gone Dead Train (2009)
Directed by: Alec Smight
Cinematography by: Nelson Cragg
Edited by: Barrie Wise
Sound Utility
'CSI: Crime Scene Investigation' If I Had a Hammer... (2009)
Directed by: Brad Tanenbaum
Cinematography by: Christian Sebaldt
Edited by: Augie Robles
Sound Utility
'CSI: Crime Scene Investigation' A Space Oddity (2009)
Directed by: Michael Nankin
Cinematography by: Nelson Cragg
Edited by: John Ganem
Sound Utility
'CSI: Crime Scene Investigation' Mascara (2009)
Directed by: William Friedkin
Cinematography by: Nelson Cragg
Edited by: Augie Robles
Sound Utility
'CSI: Crime Scene Investigation' The Descent of Man (2009)
Directed by: Christopher Leitch
Cinematography by: Christian Sebaldt
Edited by: Barrie Wise
Sound Utility
'CSI: Crime Scene Investigation' No Way Out (2009)
Directed by: Alec Smight
Cinematography by: Christian Sebaldt
Edited by: John Ganem
Sound Utility
'CSI: Crime Scene Investigation' Turn, Turn, Turn (2009)
Directed by: Richard J. Lewis
Cinematography by: Nelson Cragg
Edited by: Barrie Wise
Sound Utility
'CSI: Crime Scene Investigation' Kill Me if You Can (2009)
Directed by: Nathan Hope
Cinematography by: Christian Sebaldt
Sound Utility
'CSI: Crime Scene Investigation' Miscarriage of Justice (2009)
Directed by: Louis Shaw Milito
Cinematography by: Nelson Cragg
Edited by: John Ganem
Sound Utility
'CSI: Crime Scene Investigation' Deep Fried and Minty Fresh (2009)
Directed by: Alec Smight
Cinematography by: Christian Sebaldt
Edited by: Barrie Wise
Sound Utility
'CSI: Crime Scene Investigation' Disarmed and Dangerous (2009)
Directed by: Kenneth Fink
Cinematography by: Nelson Cragg
Sound Utility
'CSI: Crime Scene Investigation' One to Go (2009)
Directed by: Alec Smight
Cinematography by: Nelson Cragg
Edited by: Barrie Wise
Sound Utility
'CSI: Crime Scene Investigation' The Grave Shift (2009)
Directed by: Richard J. Lewis
Cinematography by: Christian Sebaldt
Edited by: John Ganem
Production Sound Mixer
Telstar: The Joe Meek Story (2008)
Directed by: Nick Moran
Cinematography by: Peter Wignall
Edited by: Alex Marsh
Boom Operator: Splinter Unit
Mamma Mia! (2008)
Directed by: Phyllida Lloyd
Cinematography by: Haris Zambarloukos
Edited by: Lesley Walker
Editing System: Lightworks Editing System
Boom Operator
Telling Lies (2008)
Directed by: Antara Bhardwaj
Cinematography by: Ravi Yadav
Edited by: Sanjeev Mirajkar
Additional Boom Operator / Sound Recordist: Second Unit
The Bank Job (2008)
Directed by: Roger Donaldson
Cinematography by: Michael Coulter
Edited by: John Gilbert
Cable Person, Sound Utility
'CSI: Crime Scene Investigation' 19 Down (2008)
Directed by: Kenneth Fink
Cinematography by: Christian Sebaldt
Boom Operator: Second Unit
Stardust (2007)
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Edited by: Jon Harris
Boom Operator: Second Unit
28 Weeks Later (2007)
Directed by: Juan Carlos Fresnadillo
Cinematography by: Enrique Chediak
Edited by: Chris Gill
Sound Mixer
Cashback (2006)
Directed by: Sean Ellis
Cinematography by: Angus Hudson
Cameras: Moviecam Compact Camera
Boom Operator
Spirit Trap (2005)
Directed by: David Smith
Cinematography by: Nick Sawyer
Edited by: Simon Cozens
Boom Operator: Second Unit
Nanny McPhee (2005)
Directed by: Kirk Jones
Cinematography by: Henry Braham
Playback Operator
Pride & Prejudice (2005)
Directed by: Joe Wright
Cinematography by: Roman Osin
Edited by: Paul Tothill
Lenses: Cooke S4 Lenses
Editing System: Lightworks Editing System
Sound Mixer - 8 Episodes, 2019
It's Always Sunny in Philadelphia (2005)
Directed by: Matt Shakman, Fred Savage, Daniel Attias, Randall Einhorn, Todd Biermann, Richie Keen, Heath Cullens, Jerry Levine, Kat Coiro, John Fortenberry, Jamie Babbit, Rob McElhenney, Maurice Marable, Josh Drisko, LP, Glenn Howerton
Cameras: Panasonic AG-DVX100 Camera
Second Boom Operator
The Calcium Kid (2004)
Directed by: Alex De Rakoff
Cinematography by: David M. Dunlap
Boom Operator: Second Unit
King Arthur (2004)
Directed by: Antoine Fuqua
Cinematography by: Slawomir Idziak
Boom Operator: Additional Photography
Shaun of the Dead (2004)
Directed by: Edgar Wright
Cinematography by: David M. Dunlap
Edited by: Chris Dickens
Cameras: ARRI Cameras
Additional Boom Operator
Bridget Jones: The Edge of Reason (2004)
Directed by: Beeban Kidron
Cinematography by: Adrian Biddle
Edited by: Greg Hayden
Additional Boom Operator
Alfie (2004)
Directed by: Charles Shyer
Cinematography by: Ashley Rowe
Edited by: Padraic McKinley
Cameras: ARRIFLEX 535 B Camera, Moviecam Compact Camera
Cable Operator / Third Sound
I'll Be There (2003)
Directed by: Craig Ferguson
Cinematography by: Ian Wilson
Edited by: Sheldon Kahn
Sound Utility / Sound Mixer / Cable Person - 117 Episodes, 2008-2014
CSI: Crime Scene Investigation (2000)
Directed by: Kenneth Fink, Richard J. Lewis, Alec Smight, Danny Cannon, Brad Tanenbaum, Jeffrey G. Hunt, Louis Shaw Milito, Frank Waldeck, Philip Conserva, Martha Coolidge, David Grossman, Duane Clark, Bill Eagles, Terrence O'Hara, Paris Barclay, Michael Nankin, Eagle Egilsson, Lou Antonio, Thomas J. Wright, Charles Correll, Peter Markle, Deran Sarafian, Michael Slovis, Christopher Leitch, Karen Gaviola, Matt Earl Beesley, Rob Bailey, Quentin Tarantino, William Friedkin, Nathan Hope, Paul McCrane, Michael Shapiro, Michael W. Watkins, Jefery Levy, Allison Liddi-Brown, John Patterson, Oz Scott, Roy H. Wagner, Tucker Gates, Félix Enríquez Alcalá, Nelson McCormick, J. Miller Tobin, Andrew Baron, Jean de Segonzac, Bryan Spicer, Dean White, Jeff Woolnough, Andrew Bernstein, Naren Shankar, Charles Haid, Steven Felder, David Semel, Kevin Bray, Timothy Beavers, Alrick Riley, Claudia Yarmy
Cinematography by: Christian Sebaldt, Crescenzo G.P. Notarile, Frank Byers, Michael Barrett, Michael Slovis, Nathan Hope, Cort Fey, Jonathan West, Nelson Cragg, James L. Carter, Roy H. Wagner, David Stockton, Robert Gantz, Scott Galinsky, Ken Glassing, Matthew Jensen, Gale Tattersall, Gary B. Kibbe, Eliot Rockett, Christopher Faloona
Edited by: John Ganem, Alec Smight, Barrie Wise, Ian S. Tan, Augie Robles, Louis Bravo, Tom McQuade, Ray Daniels III, Lou Angelo, J. Benjamin Chulay, Augie Hess, Randy Jon Morgan, Claudia Finkle, Alex Mackie
