Film Camera Technical Advisor
The Fabelmans (2022)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Digital Imaging Technician: Second Unit
Black Panther (2018)
Directed by: Ryan Coogler
Cinematography by: Rachel Morrison
Digital Imaging Technician: Additional Photography
Star Trek Beyond (2016)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera
Digital Imaging Technician: Las Vegas
Jason Bourne (2016)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Digital Imaging Technician: Additional Photography
10 Cloverfield Lane (2016)
Directed by: Dan Trachtenberg
Cinematography by: Jeff Cutter
Edited by: Stefan Grube
Cameras: Red Epic Dragon Camera
Second Unit: Digital Imaging Technician
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Digital Imaging Technician
Jurassic World (2015)
Directed by: Colin Trevorrow
Cinematography by: John Schwartzman
Edited by: Kevin Stitt
D.i.t.: Santa Monica Unit
Star Wars: Episode VII - The Force Awakens (2015)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRI ALEXA Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens
Editing System: Avid Editing System
Digital Imaging Technician
'Sleepy Hollow' Bad Blood (2014)
Directed by: Ken Olin
Cinematography by: Tod Campbell
Edited by: Neil Felder
Digital Imaging Technician
'Sleepy Hollow' The Vessel (2014)
Directed by: Romeo Tirone
Cinematography by: Tod Campbell
Edited by: Scott Gamzon
Digital Imaging Technician
'Sleepy Hollow' The Indispensable Man (2014)
Directed by: Adam Kane
Cinematography by: Robert LaBonge
Edited by: Imelda Betiong
Digital Imaging Technician: Second Unit
Captain America: The Winter Soldier (2014)
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Camera Technician
300: Rise of an Empire (2014)
Directed by: Noam Murro
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
Digital Imaging Technician
'Sleepy Hollow' Necromancer (2013)
Directed by: Paul A. Edwards
Cinematography by: Robert LaBonge
Edited by: Scott Gamzon
Digital Imaging Technician
'Sleepy Hollow' Blood Moon (2013)
Directed by: Ken Olin
Cinematography by: Arthur Albert
Edited by: Barbara Gerard
Digital Imaging Technician
'Sleepy Hollow' The Sin Eater (2013)
Directed by: Ken Olin
Cinematography by: John R. Leonetti
Edited by: Imelda Betiong
Digital Imaging Technician
'Sleepy Hollow' Sanctuary (2013)
Directed by: Liz Friedlander
Cinematography by: John R. Leonetti
Edited by: Imelda Betiong
Digital Imaging Technician
'Sleepy Hollow' The Golem (2013)
Directed by: J. Miller Tobin
Cinematography by: Robert LaBonge
Edited by: Neil Felder
Digital Imaging Technician
Pain & Gain (2013)
Directed by: Michael Bay
Cinematography by: Ben Seresin
Cameras: Canon EOS-7D Camera, GoPro HD Hero3 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Gold Camera, Red Epic Camera
Editing System: Avid Editing System
Digital Imaging Technician: Reshoots
This Is the End (2013)
Cinematography by: Brandon Trost
Edited by: Zene Baker
Cameras: Panavision Cameras, Red Epic Camera
Digital Imaging Technician
The Great Gatsby (2013)
Directed by: Baz Luhrmann
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Red Camera Supervisor: Miniatures
Elysium (2013)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Cameras: Canon EOS-5D Mark II Camera, Red Epic Camera
Lenses: Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Digital Imaging Technician - 8 Episodes, 2013-2014
Sleepy Hollow (2013)
Directed by: Russell Lee Fine, Paul A. Edwards, Douglas Aarniokoski, Ken Olin, Marc Roskin, Dwight H. Little, Wendey Stanzler, Kate Dennis, Olatunde Osunsanmi, Jim O'Hanlon, Ernest R. Dickerson, Liz Friedlander, John F. Showalter, J. Miller Tobin, Len Wiseman, David Boyd, Nick Copus, Jeffrey G. Hunt, Adam Kane, Larry Teng, Romeo Tirone, Hanelle M. Culpepper, John R. Leonetti, Guillermo Navarro, Peter Weller, Sylvain White, Steven A. Adelson, Kellie Cyrus, Michael Goi, Darnell Martin
Cinematography by: Jan Richter-Friis, Tod Campbell, Bing Sokolsky, Glen Keenan, Niels Alpert, Robert LaBonge, John R. Leonetti, Arthur Albert, Teodoro Maniaci, Kramer Morgenthau
Edited by: Scott Gamzon, Andrew Coutts, Steve Haugen, Tim Brinker, Imelda Betiong, Neil Felder, John L. Roberts, Casey Brown, Michael Stern, Barbara Gerard, John Refoua, Casey O. Rohrs, David Dean, John Roberts, Kaja Fehr, Michael N. Knue
Cameras: Red Epic Camera
Chief Digital Imaging Technician
The Amazing Spider-Man (2012)
Directed by: Marc Webb
Cinematography by: John Schwartzman
Cameras: Red Epic Camera
Digital Imaging Technician: Additional Photography
Chasing Mavericks (2012)
Cinematography by: Bill Pope
Edited by: John Gilbert
Cameras: ARRI ALEXA Camera, Red Epic Camera
Digital Imaging Technician
'Shameless' Pilot (2011)
Directed by: Mark Mylod
Cinematography by: James M. Muro
Edited by: David Moritz
3D Systems Engineer / Digital Imaging Technician
Shark Night 3D (2011)
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Dennis Virkler
Cameras: Sony CineAlta F35 Camera
Lenses: Cooke CXX 15-40mm T2.0 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens
Editing System: Avid Editing System
Digital Imaging Technician
The Muppets (2011)
Directed by: James Bobin
Cinematography by: Don Burgess
Edited by: James Thomas
Cameras: Red Epic Camera, Red One MX Camera
Digital Imaging Technician - 1 Episode, 2011
Shameless (2011)
Directed by: Mark Mylod, Christopher Chulack, Iain B. MacDonald, John Wells, Anthony Hemingway, Mimi Leder, David Nutter, Sanaa Hamri, Peter Segal, Zetna Fuentes, John Dahl, Alex Graves, Gary B. Goldman, William H. Macy, Wendey Stanzler, Allison Liddi-Brown, Emmy Rossum, Adam Bernstein, Scott Frank, Todd Holland, Stephen Hopkins, Daisy von Scherler Mayer, Craig Zisk, Danny Cannon, Randall Einhorn, James M. Muro, Steve Shill, James Ponsoldt, Richie Keen, Michael Uppendahl, Nisha Ganatra, Ruben Garcia, Rob Hardy, Jake Schreier, Lynn Shelton, John M. Valerio, Regina King, Michael Morris, Kat Coiro, Erin Feeley, Anna Mastro, Jeffrey Reiner, Silver Tree, Shari Springer Berman, Robert Pulcini, Roberto Sneider, Loren S. Yaconelli
Cinematography by: Kevin McKnight, Rodney Charters, Anthony Hardwick, Loren S. Yaconelli, James M. Muro
Edited by: John M. Valerio, Regis Kimble, Tim Tommasino, Russell Denove, Mark Strand, Gregg Featherman, Kelley Dixon, Finnian Murray, Michael Stern, Thomas M. Bolger, Robert Bramwell, Omar Hassan-Reep, Shannon Mitchell, Kevin D. Ross, Mark Sadlek, Toby Yates, Julie Monroe, Jeffrey M. Werner, Sam Bollinger, David Moritz, Brent McReynolds, Chetin Chabuk
Cameras: ARRI ALEXA Camera, Red One MX Camera
Editing System: Avid Editing System
Digital Imaging Technician
'Pretty Little Liars' There's No Place Like Homecoming (2010)
Directed by: Norman Buckley
Cinematography by: Dana Gonzales
Edited by: Susanne Malles
Digital Imaging Technician
'Pretty Little Liars' The Homecoming Hangover (2010)
Directed by: Chris Grismer
Cinematography by: Dana Gonzales
Edited by: Michael S. Murphy
Digital Imaging Technician
'Pretty Little Liars' Reality Bites Me (2010)
Directed by: Wendey Stanzler
Cinematography by: Dana Gonzales
Edited by: Kaja Fehr
Digital Imaging Technician
'Pretty Little Liars' To Kill a Mocking Girl (2010)
Directed by: Elodie Keene
Cinematography by: Dana Gonzales
Edited by: Susanne Malles
Digital Imaging Technician
'Pretty Little Liars' Can You Hear Me Now? (2010)
Directed by: Norman Buckley
Cinematography by: Dana Gonzales
Edited by: Michael S. Murphy
Digital Imaging Technician
'Pretty Little Liars' The Jenna Thing (2010)
Directed by: Liz Friedlander
Cinematography by: Dana Gonzales
Edited by: Kaja Fehr
Digital Imaging Technician
'Pretty Little Liars' Please, Do Talk About Me When I'm Gone (2010)
Directed by: Arlene Sanford
Cinematography by: Dana Gonzales
Edited by: Kaja Fehr
Digital Imaging Technician - 7 Episodes, 2010
Pretty Little Liars (2010)
Directed by: Norman Buckley, Ron Lagomarsino, Chad Lowe, Arlene Sanford, Michael Grossman, Melanie Mayron, I. Marlene King, Wendey Stanzler, Chris Grismer, Roger Kumble, Zetna Fuentes, Patrick R. Norris, Arthur Anderson, Joanna Kerns, Oliver Goldstick, Joseph Dougherty, Lesli Linka Glatter, Elodie Keene, Janice Cooke, Bethany Rooney, Tripp Reed, Larry Reibman, Paula Hunziker, Kimberly McCullough, Jamie Babbit, Liz Friedlander, Dana Gonzales, Paul Lazarus, J. Miller Tobin, Dean White, Tim Hunter, Mick Garris, Joshua Butler, Nzingha Stewart, Michael Goi, Tawnia McKiernan, Troian Bellisario, Marta Cunningham
Cinematography by: Larry Reibman, Dana Gonzales, Buzz Feitshans IV, Craig Fikse, Robert LaBonge, Geoffrey Haley
Edited by: Robert Lattanzio, Lois Blumenthal, Melissa Gearhart, Susanne Malles, Jill D'Agnenica, Michael S. Murphy, Kaja Fehr, Jacqueline Cambas
Cameras: Red One MX Camera, Red Scarlet Camera
Lenses: Cooke S4/i Prime 300mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 20 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 28 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 100 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 135 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens
Editing System: Avid Editing System
Digital Imaging Technician
Get Him to the Greek (2010)
Directed by: Nicholas Stoller
Cinematography by: Robert D. Yeoman
Cameras: Panavision Cameras
