Key Makeup Artist
The Iron Claw (2023)
Directed by: Sean Durkin
Cinematography by: Mátyás Erdély
Edited by: Matthew Hannam
Makeup Artist
'1923' The War Has Come Home (2023)
Directed by: Ben Richardson
Edited by: Chad Galster
Makeup Artist - 4 Episodes, 2022-2023
1923 (2022)
Cameras: ARRI Alexa 35 Camera, ARRI ALEXA Mini Camera
Prosthetic Makeup Artist
Avengers: Infinity War (2018)
Cinematography by: Trent Opaloch
Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Makeup Artist
Green Book (2018)
Directed by: Peter Farrelly
Cinematography by: Sean Porter
Edited by: Patrick J. Don Vito
Cameras: ARRI ALEXA Mini Camera
Lenses: Leitz Summilux-C Series Lenses
Makeup Artist: Second Unit
Logan (2017)
Directed by: James Mangold
Cinematography by: John Mathieson
Makeup Artist: New Orleans
Jurassic World (2015)
Directed by: Colin Trevorrow
Cinematography by: John Schwartzman
Edited by: Kevin Stitt
Key Makeup Artist: Additional Second Unit
Terminator Genisys (2015)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Edited by: Roger Barton
Cameras: ARRI ALEXA XT Plus Camera
Makeup Department Head
'Ravenswood' I'll Sleep When I'm Dead (2014)
Directed by: Mick Garris
Cinematography by: Peter B. Kowalski
Edited by: Charles Bornstein
Makeup Department Head
'Ravenswood' Along Came a Spider (2014)
Directed by: Joshua Butler
Cinematography by: Peter B. Kowalski
Edited by: Lois Blumenthal
Makeup Department Head
'Ravenswood' Home Is Where the Heart Is (Seriously Check the Floorboards) (2014)
Directed by: Janice Cooke
Cinematography by: Peter B. Kowalski
Edited by: Rick Tuber
Makeup Department Head
'Ravenswood' Revival (2014)
Directed by: Mick Garris
Cinematography by: Peter B. Kowalski
Edited by: Charles Bornstein
Makeup Department Head
'Ravenswood' My Haunted Heart (2014)
Directed by: Ron Lagomarsino
Edited by: Rick Tuber
Makeup Department Head
'Ravenswood' Scared to Death (2013)
Directed by: Norman Buckley
Cinematography by: Peter B. Kowalski
Edited by: Rick Tuber
Makeup Department Head
'Ravenswood' The Devil Has a Face (2013)
Directed by: Arlene Sanford
Cinematography by: Peter B. Kowalski
Edited by: Lois Blumenthal
Makeup Department Head
'Ravenswood' Believe (2013)
Directed by: Ron Lagomarsino
Edited by: Charles Bornstein
Makeup Artist
The Host (2013)
Directed by: Andrew Niccol
Cinematography by: Roberto Schaefer
Edited by: Thomas J. Nordberg
Cameras: ARRI ALEXA Camera
Makeup Department Head
'Ravenswood' Death and the Maiden (2013)
Directed by: Rob Hardy
Cinematography by: Peter B. Kowalski
Edited by: Rick Tuber
Makeup Artist
Dallas Buyers Club (2013)
Directed by: Jean-Marc Vallée
Cinematography by: Yves Bélanger
Cameras: ARRI ALEXA Camera
Lenses: ARRI / Zeiss Lenses
Makeup Department Head
'Ravenswood' Pilot (2013)
Directed by: Ron Lagomarsino
Edited by: Lois Blumenthal
Makeup Artist
Homefront (2013)
Directed by: Gary Fleder
Cinematography by: Theo van de Sande
Edited by: Padraic McKinley
Cameras: ARRI ALEXA Camera
Additional Makeup Artist
Hell Baby (2013)
Cinematography by: Charles Papert
Edited by: Kevin Oeser
Cameras: ARRI ALEXA Camera
Makeup Artist
Django Unchained (2012)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Additional Makeup Artist
The Twilight Saga: Breaking Dawn - Part 2 (2012)
Directed by: Bill Condon
Cinematography by: Guillermo Navarro
Editing System: Adobe Premiere Editing System, Avid Editing System
Additional Makeup Artist
The Lucky One (2012)
Directed by: Scott Hicks
Cinematography by: Alar Kivilo
Edited by: Scott Gray
Key Makeup Artist: Second Unit
Battleship (2012)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Additional Makeup Artist: New Orleans
'True Blood' In the Beginning (2012)
Directed by: Michael Ruscio
Cinematography by: David Klein
Edited by: Mark Hartzell
Additional Makeup Artist
The Twilight Saga: Breaking Dawn - Part 1 (2011)
Directed by: Bill Condon
Cinematography by: Guillermo Navarro
Edited by: Virginia Katz
Editing System: Avid Editing System
Creature Technician / Special Makeup Effects Artist
Green Lantern (2011)
Directed by: Martin Campbell
Cinematography by: Dion Beebe
Edited by: Stuart Baird
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Creature Technician / Makeup Artist
Battle Los Angeles (2011)
Directed by: Jonathan Liebesman
Cinematography by: Lukas Ettlin
Edited by: Christian Wagner
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera
Lenses: Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Makeup Department Head
The Lost Valentine (2011)
Directed by: Darnell Martin
Cinematography by: Frank Prinzi
Edited by: Michael D. Ornstein
Additional Makeup Artist
Skateland (2010)
Directed by: Anthony Burns
Cinematography by: Peter Simonite
Edited by: Robert Hoffman
Makeup Artist
'Army Wives' Need to Know Basis (2009)
Directed by: Allison Liddi-Brown
Cinematography by: Lloyd Ahern II
Edited by: Briana London
Makeup Artist
'Army Wives' Disengagement (2009)
Directed by: Peter Werner
Cinematography by: Robert LaBonge
Edited by: Briana London
Makeup Artist
'Army Wives' Fire in the Hole (2009)
Directed by: John Terlesky
Edited by: Sharon Silverman
Makeup Department Head
All American Orgy (2009)
Directed by: Andrew Drazek
Cinematography by: David McFarland
Edited by: Andrew Drazek
Key Hair Stylist / Key Makeup Artist, Mom In Commercial
Tripping Forward (2009)
Directed by: Marcus Nash
Cinematography by: Patrick Michael Dolan
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Makeup Artist
Year One (2009)
Directed by: Harold Ramis
Cinematography by: Alar Kivilo
Cameras: Panavision Cameras
Production Assistant
The Soloist (2009)
Directed by: Joe Wright
Cinematography by: Seamus McGarvey
Edited by: Paul Tothill
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Lightworks Editing System
Key Makeup Artist
Wild About Harry (2009)
Directed by: Gwen Wynne
Cinematography by: Chris Chomyn
Edited by: Joanne D'Antonio
Makeup Artist
'Army Wives' Fields of Fire (2009)
Directed by: Rob Spera
Cinematography by: Lloyd Ahern II
Edited by: Briana London
Makeup Artist
'Army Wives' Incoming (2009)
Directed by: Chris Peppe
Cinematography by: Lloyd Ahern II
Edited by: Sharon Silverman
Makeup Artist
'Army Wives' Shrapnel and Alibis (2009)
Directed by: Gloria Muzio
Cinematography by: Lloyd Ahern II
Makeup Artist
'Army Wives' As Time Goes By... (2009)
Directed by: Tom Verica
Cinematography by: Lloyd Ahern II
Edited by: Susan K. Weiler
Makeup Artist, Production Staff
'Army Wives' M.I.A. (2009)
Directed by: John T. Kretchmer
Cinematography by: Robert LaBonge
Edited by: Sharon Silverman
Makeup Artist
'Army Wives' Operation: Tango (2009)
Directed by: Lloyd Ahern II
Cinematography by: Robert LaBonge
Edited by: Briana London
Makeup Artist
'Army Wives' First Response (2009)
Directed by: Glenn Kershaw
Cinematography by: Robert LaBonge
Edited by: Susan K. Weiler
Makeup Artist
'Army Wives' Duty to Inform (2009)
Directed by: Emile B. Levisetti
Cinematography by: Lloyd Ahern II
Edited by: Sharon Silverman
Makeup Artist
'Army Wives' Onward Christian Soldier (2009)
Directed by: Carl Lawrence Ludwig
Edited by: Sharon Silverman
Makeup Artist
'Army Wives' Post and Prejudice (2009)
Directed by: Rob Spera
Cinematography by: Lloyd Ahern II
Edited by: Briana London
Makeup Artist
'Army Wives' Family Readiness (2009)
Directed by: Lloyd Ahern II
Cinematography by: Robert LaBonge
Edited by: Susan K. Weiler
Additional Makeup Artist: New Orleans - 1 Episode, 2012
True Blood (2008)
Directed by: Michael Lehmann, Scott Winant, Daniel Minahan, Howard Deutch, John Dahl, Michael Ruscio, Anthony Hemingway, Alan Ball, Lesli Linka Glatter, David Petrarca, Romeo Tirone, Stephen Moyer, Daniel Attias, Nick Gomez, Nancy Oliver, Marcos Siega, Michael Cuesta, Adam Davidson, Jeremy Podeswa, Gregg Fienberg, Simon Jayes, Angela Robinson, Lee Rose, Jesse Warn
Cinematography by: Romeo Tirone, David Klein, Matthew Jensen, Evans Brown, John B. Aronson, Checco Varese, Joseph E. Gallagher, Stephen St. John, Cort Fey, Amy Vincent, Uta Briesewitz
Edited by: Michael Ruscio, Louise Innes, Lynne Willingham, Mark Hartzell, Andy Keir, Carol Stutz, Peter B. Ellis, Debra F. Simone
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Moviecam Compact Camera, Red Epic Dragon Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses
Editing System: Avid Editing System
Makeup Artist - 15 Episodes, 2009, Production Staff - 1 Episode, 2009
Army Wives (2007)
Directed by: John T. Kretchmer, Rob Spera, Joanna Kerns, Chris Peppe, Kevin Dowling, James Bruce, Allison Liddi-Brown, Carl Lawrence Ludwig, John Terlesky, Glenn Kershaw, Lloyd Ahern II, Emile B. Levisetti, Brian McNamara, Stephen Gyllenhaal, Melanie Mayron, Jeff Melman, Perry Lang, Patrick R. Norris, Peter Werner, Gloria Muzio, Christine Moore, Alex Shevchenko, Michael Lange, Ben Younger, Tim Hunter, Tawnia McKiernan, Tom Verica, Donna Deitch, Matia Karrell, Anna Foerster, Thom Rainey, Susan E. Walter, Debbie Allen, Kelli Williams
Edited by: Briana London, Sharon Silverman, Susan K. Weiler, Kurt Courtland, Chris Peppe, Alan Cody, Peter B. Ellis, Lauren A. Schaffer, Christopher Cooke, Susan Vaill, Meghan Robertson
Cameras: Sony PMW-F3 Camera
Hair Department Production Assistant
Pirates of the Caribbean: At World's End (2007)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System