Compositor: Image Engine
The Unforgivable (2021)
Directed by: Nora Fingscheidt
Cinematography by: Guillermo Navarro
Cameras: Red Helium 8K Camera
Lenses: Angenieux Lenses, ARRI Lenses
Digital Compositor
Black Panther (2018)
Directed by: Ryan Coogler
Cinematography by: Rachel Morrison
Compositing Artist: Digital Domain, Digital Compositor
Spider-Man: Homecoming (2017)
Directed by: Jon Watts
Cinematography by: Salvatore Totino
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Digital Compositor
The Fate of the Furious (2017)
Directed by: F. Gary Gray
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Digital Compositor
Pirates of the Caribbean: Dead Men Tell No Tales (2017)
Cinematography by: Paul Cameron
Cameras: ARRI ALEXA Mini Camera
Lenses: Panavision Primo Digital Lenses
Digital Compositor
King Arthur: Legend of the Sword (2017)
Directed by: Guy Ritchie
Cinematography by: John Mathieson
Edited by: James Herbert
Cameras: ARRI ALEXA XT Camera
Compositor: Scanline VFX / Digital Compositor
Batman v Superman: Dawn of Justice (2016)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: David Brenner
Digital Compositor
Pan (2015)
Directed by: Joe Wright
Cameras: ARRI ALEXA XT Camera, Phantom Flex Camera
Digital Compositor
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Digital Compositor
'Once Upon a Time' Snow Drifts (2014)
Directed by: Ron Underwood
Cinematography by: Stephen Jackson
Digital Compositor
'Once Upon a Time' It's Not Easy Being Green (2014)
Directed by: Mario Van Peebles
Edited by: Mark Goldman
Digital Compositor
'Once Upon a Time' The Jolly Roger (2014)
Directed by: Ernest R. Dickerson
Edited by: Geofrey Hildrew
Digital Compositor
'Once Upon a Time' Bleeding Through (2014)
Directed by: Romeo Tirone
Cinematography by: Stephen Jackson
Edited by: Scot J. Kelly
Digital Compositor
'Once Upon a Time' A Curious Thing (2014)
Directed by: Ralph Hemecker
Cinematography by: Stephen Jackson
Edited by: Scot J. Kelly
Digital Compositor
'Once Upon a Time' Kansas (2014)
Directed by: Gwyneth Horder-Payton
Cinematography by: Stephen Jackson
Edited by: Geofrey Hildrew
Digital Compositor
'Once Upon a Time' There's No Place Like Home (2014)
Directed by: Ralph Hemecker
Cinematography by: Stephen Jackson
Digital Compositor
The Interview (2014)
Cinematography by: Brandon Trost
Cameras: ARRI ALEXA Plus 4:3 Camera
Digital Compositor
Night at the Museum: Secret of the Tomb (2014)
Directed by: Shawn Levy
Cinematography by: Guillermo Navarro
Edited by: Dean Zimmerman
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Digital Compositor
'Once Upon a Time' Think Lovely Thoughts (2013)
Directed by: David Solomon
Cinematography by: Stephen Jackson
Digital Compositor
'Once Upon a Time' The Heart of the Truest Believer (2013)
Directed by: Ralph Hemecker
Cinematography by: Stephen Jackson
Edited by: Geofrey Hildrew
Digital Compositor
'Once Upon a Time' Lost Girl (2013)
Directed by: Ron Underwood
Cinematography by: Stephen Jackson
Edited by: Scot J. Kelly
Digital Compositor
'Once Upon a Time' Quite a Common Fairy (2013)
Directed by: Alex Zakrzewski
Cinematography by: Tony Mirza
Edited by: Paul Mendoza
Digital Compositor
'Once Upon a Time' Nasty Habits (2013)
Directed by: David Boyd
Cinematography by: Stephen Jackson
Edited by: Mark Goldman
Digital Compositor
'Once Upon a Time' Ariel (2013)
Directed by: Ciaran Donnelly
Cinematography by: Stephen Jackson
Edited by: Paul Mendoza
Digital Compositor
Phantom (2013)
Directed by: Todd Robinson
Cinematography by: Byron Werner
Edited by: Terel Gibson
Cameras: Red Epic Camera
Lenses: Angenieux Optimo Zoom Lenses
Rotoscope Artist: The Embassy
Elysium (2013)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Cameras: Canon EOS-5D Mark II Camera, Red Epic Camera
Lenses: Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Digital Compositor
'Once Upon a Time' Save Henry (2013)
Directed by: Andy Goddard
Edited by: Paul Mendoza
Compositor: The Embassy
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Digital Compositor
'Once Upon a Time' Dark Hollow (2013)
Directed by: Guy Ferland
Cinematography by: Stephen Jackson
Edited by: Richard Glazerman
Digital Compositor
'Once Upon a Time' Good Form (2013)
Directed by: Jon Amiel
Cinematography by: Stephen Jackson
Edited by: Geofrey Hildrew
Digital Compositor
'The Killing' Ghosts of the Past (2012)
Directed by: Ed Bianchi
Cinematography by: Gregory Middleton
Edited by: Amy E. Duddleston
Digital Compositor
'The Killing' Openings (2012)
Directed by: Kevin Bray
Cinematography by: Gregory Middleton
Edited by: Joel T. Pashby
Digital Compositor
'The Killing' Keylela (2012)
Directed by: Nicole Kassell
Cinematography by: Gregory Middleton
Edited by: Elizabeth Kling
Digital Compositor
'The Killing' Off the Reservation (2012)
Directed by: Veena Sud
Cinematography by: Peter Wunstorf
Edited by: Amy E. Duddleston
Digital Compositor
'The Killing' Sayonara, Hiawatha (2012)
Directed by: Phil Abraham
Cinematography by: Gregory Middleton
Edited by: Joel T. Pashby
Digital Compositor
'The Killing' 72 Hours (2012)
Directed by: Nicole Kassell
Cinematography by: Gregory Middleton
Edited by: Elizabeth Kling
Digital Compositor
'The Killing' Bulldog (2012)
Directed by: Ed Bianchi
Cinematography by: Gregory Middleton
Edited by: Amy E. Duddleston
Digital Compositor
'The Killing' Donnie or Marie (2012)
Directed by: Keith Gordon
Cinematography by: Gregory Middleton
Edited by: Joel T. Pashby
Digital Compositor - 17 Episodes, 2013-2014
Once Upon a Time (2011)
Directed by: Ralph Hemecker, Ron Underwood, Dean White, Romeo Tirone, Steve Pearlman, Gwyneth Horder-Payton, Billy Gierhart, David Solomon, Milan Cheylov, Alrick Riley, Eagle Egilsson, David Barrett, Paul A. Edwards, Guy Ferland, Mario Van Peebles, Geofrey Hildrew, Jon Amiel, Morgan Beggs, Mick Garris, Sharat Raju, Greg Beeman, Mark Mylod, Victor Nelli Jr., Anthony Hemingway, Bryan Spicer, Michael Waxman, David Boyd, Ciaran Donnelly, Andy Goddard, Alex Zakrzewski, Ernest R. Dickerson, Adam Horowitz, Mairzee Almas, Norman Buckley, Rob Duncan, Eriq La Salle, Jennifer Lynch, Craig Powell, Alex Kalymnios, Michael Schultz, Tara Nicole Weyr, Kate Woods, Tessa Blake, Nina Lopez-Corrado, Steve Miner, Antonio Negret, Lana Parrilla, Ellen S. Pressman
Edited by: Geofrey Hildrew, Mark Goldman, Joe Talbot Hall, Scot J. Kelly, Richard Glazerman, Paul Mendoza, Jon Koslowsky, Kathryn Panian, Robert Lanford, Adam Lemnah, Chris Conlee, Adam K. Tiller, Jim Towne, Julie Monroe, Henk Van Eeghen, Luke Brown, Lindsay Armstrong
Cameras: ARRI ALEXA Camera, Blackmagic Cinema Camera
Digital Compositor - 8 Episodes, 2012
The Killing (2011)
Directed by: Ed Bianchi, Nicole Kassell, Phil Abraham, Daniel Attias, Keith Gordon, Agnieszka Holland, Lodge Kerrigan, Brad Anderson, Patty Jenkins, Jonathan Demme, Jennifer Getzinger, Gwyneth Horder-Payton, Kevin Bray, Veena Sud, Tricia Brock, Michael Rymer, Kari Skogland, Coky Giedroyc, Gregory Middleton
Edited by: Elizabeth Kling, Joel T. Pashby, Amy E. Duddleston, Sarah Boyd, Howard Leder, Philip Fowler
