Stereo Conversion Producer: Stereo D
The Wolverine (2013)
Directed by: James Mangold
Cinematography by: Ross Emery
Edited by: Michael McCusker
Cameras: ARRI ALEXA Camera
Stereo Conversion Producer: Stereo D
47 Ronin (2013)
Directed by: Carl Rinsch
Cinematography by: John Mathieson
Edited by: Stuart Baird
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Stereo Conversion Producer: Prime Focus
Immortals (2011)
Directed by: Tarsem Singh
Cinematography by: Brendan Galvin
Post Production Services: New Line Cinema
Semi-Pro (2008)
Directed by: Kent Alterman
Cinematography by: Shane Hurlbut
Post-production Services: New Line Cinema
Journey to the Center of the Earth (2008)
Directed by: Eric Brevig
Cinematography by: Chuck Shuman
Post Production Services: New Line Cinema
Be Kind Rewind (2008)
Directed by: Michel Gondry
Cinematography by: Ellen Kuras
Edited by: Jeff Buchanan
Post Production Services: New Line Cinema
Shoot 'Em Up (2007)
Directed by: Michael Davis
Cinematography by: Peter Pau
Edited by: Peter Amundson
Post Production Services: New Line Cinema
Hairspray (2007)
Directed by: Adam Shankman
Cinematography by: Bojan Bazelli
Edited by: Michael Tronick
Post Production Services: New Line Cinema
The King of Kong: A Fistful of Quarters (2007)
Directed by: Seth Gordon
Cinematography by: Seth Gordon
Edited by: Seth Gordon
Post Production Services: New Line Cinema
Love in the Time of Cholera (2007)
Directed by: Mike Newell
Cinematography by: Affonso Beato
Edited by: Mick Audsley
Post-production Services: New Line Cinema
The Golden Compass (2007)
Directed by: Chris Weitz
Cinematography by: Henry Braham
Post-production Services: New Line Cinema
Pan's Labyrinth (2006)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Bernat Vilaplana
Post Production Services: New Line Cinema
Little Children (2006)
Directed by: Todd Field
Cinematography by: Antonio Calvache
Edited by: Leo Trombetta
Post Production Services: New Line Cinema
Wedding Crashers (2005)
Directed by: David Dobkin
Cinematography by: Julio Macat
Edited by: Mark Livolsi
Stereo Conversion Producer: Prime Focus
Star Wars: Episode III - Revenge of the Sith (2005)
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDC-F950 Camera
Post-production Services: New Line Cinema
The New World (2005)
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Post Production Services: New Line Cinema
A History of Violence (2005)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Post Production Services: New Line Cinema
The Notebook (2004)
Directed by: Nick Cassavetes
Cinematography by: Robert Fraisse
Edited by: Alan Heim
Post Production Services: New Line Cinema
Elf (2003)
Directed by: Jon Favreau
Cinematography by: Greg Gardiner
Edited by: Dan Lebental
Cameras: Panavision Cameras
Post-production Services: New Line
The Lord of the Rings: The Return of the King (2003)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera
Editing System: Avid Editing System
Stereo Conversion Producer: Prime Focus
Star Wars: Episode II - Attack of the Clones (2002)
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDW-F900 Camera
Post Production Services: New Line Cinema
The Lord of the Rings: The Two Towers (2002)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Michael Horton
Lenses: Angenieux Lenses, Zeiss Ultra Prime Lenses
Stereo Conversion Producer: Prime Focus
Star Wars: Episode I - The Phantom Menace (1999)
Directed by: George Lucas
Cinematography by: David Tattersall
Lenses: Hawk C-Series Lenses
Stereo Conversion Producer: Prime Focus
The Wizard of Oz (1939)
Cinematography by: Harold Rosson
Edited by: Blanche Sewell
