Digital Restoration Artist
Trap (2024)
Directed by: M. Night Shyamalan
Cinematography by: Sayombhu Mukdeeprom
Edited by: Noemi Katharina Preiswerk
Cameras: ARRICAM Lite (LT) Camera
Film Restoration Artist
The Other Side of the Wind (2018)
Directed by: Orson Welles
Cinematography by: Gary Graver
Cameras: Éclair NPR Camera
Digital Restoration: Technicolor Hollywood/New York, Digital Restoration: Technicolor Hollywood/New York / Image Processing / Image Restoration
Stoker (2013)
Directed by: Chan-wook Park
Cinematography by: Chung-hoon Chung
Edited by: Nicolas De Toth
Digital Image Processing Artist
Source Code (2011)
Directed by: Duncan Jones
Cinematography by: Don Burgess
Edited by: Paul Hirsch
Lead Restoration Artist: Technicolor Restoration Services
Hugo (2011)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Camera
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Visual Effects Artist: Technicolor Digital Services
Traitor (2008)
Directed by: Jeffrey Nachmanoff
Cinematography by: James M. Muro
Edited by: Billy Fox
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Final Cut Pro Editing System
Visual Effects Artist: Technicolor Digital Services, Burbank
All the Days Before Tomorrow (2007)
Directed by: François Dompierre
Cinematography by: Gavin Kelly
Digital Compositor: Technicolor Digital Services
Pride (2007)
Directed by: Sunu Gonera
Cinematography by: Matthew F. Leonetti
Edited by: Billy Fox
Cameras: Moviecam Compact Camera
Digital Compositor: Technicolor Digital Services
The Kingdom (2007)
Directed by: Peter Berg
Cinematography by: Mauro Fiore
Digital Compositor
Stomp the Yard (2007)
Directed by: Sylvain White
Cinematography by: Scott Kevan
Edited by: David Checel
Digital Compositor: Technicolor Digital Services
Evan Almighty (2007)
Directed by: Tom Shadyac
Cinematography by: Ian Baker
Edited by: Scott Hill
Cameras: Panavision Cameras
Editing System: Lightworks Editing System
Digital Compositor: Technicolor Digital Services
Trick 'r Treat (2007)
Directed by: Michael Dougherty
Cinematography by: Glen MacPherson
Edited by: Robert Ivison
Digital Compositor: Technicolor Digital Services
Sydney White (2007)
Directed by: Joe Nussbaum
Cinematography by: Mark Irwin
Edited by: Danny Saphire
Visual Effects: Technicolor Digital Services
The Nanny Diaries (2007)
Cinematography by: Terry Stacey
Edited by: Robert Pulcini
Digital Compositor: Technicolor Digital Services
Things We Lost in the Fire (2007)
Directed by: Susanne Bier
Cinematography by: Tom Stern
Digital Artist: Technicolor Digital Services
Wild Hogs (2007)
Directed by: Walt Becker
Cinematography by: Robbie Greenberg
Cameras: Panavision Cameras
Digital Compositor: Amalgamated Pixels Inc.
Peaceful Warrior (2006)
Directed by: Victor Salva
Cinematography by: Sharone Meir
Edited by: Ed Marx
Digital Compositor: Technicolor Digital Services
The Departed (2006)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses
Editing System: Lightworks Editing System
Digital Compositor
Step Up (2006)
Directed by: Anne Fletcher
Cinematography by: Michael Seresin
Edited by: Nancy Richardson
Cameras: ARRICAM Studio (ST) Camera
Digital Compositor: Technicolor Digital Services
Beerfest (2006)
Directed by: Jay Chandrasekhar
Cinematography by: Frank G. DeMarco
Edited by: Lee Haxall
Compositor
Accepted (2006)
Directed by: Steve Pink
Cinematography by: Matthew F. Leonetti
Edited by: Scott Hill
Cameras: Moviecam Cameras
Digital Effects Artist
The Big Bounce (2004)
Directed by: George Armitage
Cinematography by: Jeffrey L. Kimball
Digital Painter: Furious FX
The Chronicles of Riddick (2004)
Directed by: David Twohy
Cinematography by: Hugh Johnson
Digital Compositor , Restoration Artist: Cinesite
Ray (2004)
Directed by: Taylor Hackford
Cinematography by: Pawel Edelman
Edited by: Paul Hirsch
Digital Effects Artist
Never Die Alone (2004)
Directed by: Ernest R. Dickerson
Cinematography by: Matthew Libatique
Edited by: Stephen Lovejoy
Digital Artist
She Hate Me (2004)
Directed by: Spike Lee
Cinematography by: Matthew Libatique
Edited by: Barry Alexander Brown
Cameras: Aaton A-Minima Camera, ARRI Cameras
Digital Effects Artist
The Last Samurai (2003)
Directed by: Edward Zwick
Cinematography by: John Toll
Digital Artist
X2: X-Men United (2003)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Digital Effects Artist
Spy Kids 3-D: Game Over (2003)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Digital Paint Artist: Cinesite
Freddy vs. Jason (2003)
Directed by: Ronny Yu
Cinematography by: Fred Murphy
Edited by: Mark Stevens
Digital Effects Artist
The League of Extraordinary Gentlemen (2003)
Directed by: Stephen Norrington
Cinematography by: Dan Laustsen
Edited by: Paul Rubell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Effects Artist
S.W.A.T. (2003)
Directed by: Clark Johnson
Cinematography by: Gabriel Beristain
Edited by: Michael Tronick
Digital Artist
The Rules of Attraction (2002)
Directed by: Roger Avary
Cinematography by: Robert Brinkmann
Edited by: Sharon Rutter
Cameras: ARRIFLEX 535 Camera
Editing System: Final Cut Pro Editing System
Digital Effects Artist
Solaris (2002)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Steven Soderbergh
Digital Artist
Secretary (2002)
Directed by: Steven Shainberg
Cinematography by: Steven Fierberg
Edited by: Pam Wise
Digital Effects Artist
Path to War (2002)
Directed by: John Frankenheimer
Edited by: Richard Francis-Bruce
Digital Artist / Digital Painter
Spirit: Stallion of the Cimarron (2002)
