Chris Milani

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Avengers: Endgame | ShotOnWhat?

Best Boy Electric

Avengers: Endgame (2019)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera

Lenses: Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Avengers: Infinity War | ShotOnWhat?

Best Boy / Electric

Avengers: Infinity War (2018)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Captain America: Civil War | ShotOnWhat?

Best Boy Electric

Captain America: Civil War (2016)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

Terminator Genisys | ShotOnWhat?

Best Boy Electric

Terminator Genisys (2015)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Roger Barton

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision Anamorphic Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Avengers: Age of Ultron | ShotOnWhat?

Best Boy: Reshoots

Avengers: Age of Ultron (2015)

Directed by: Joss Whedon

Cinematography by: Ben Davis

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

Boyhood | ShotOnWhat?

Additional Crew

Boyhood (2014)

Directed by: Richard Linklater

Cinematography by: Lee Daniel, Shane F. Kelly

Edited by: Sandra Adair

Cameras: Moviecam Compact Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Zeiss Super Speed Lenses

Editing System: Avid Editing System

Captain America: The Winter Soldier | ShotOnWhat?

Best Boy Electric

Captain America: The Winter Soldier (2014)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens

Ender's Game | ShotOnWhat?

Best Boy

Ender's Game (2013)

Directed by: Gavin Hood

Cinematography by: Donald McAlpine

Edited by: Lee Smith, Zach Staenberg

Cameras: Red Epic Camera

Project X | ShotOnWhat?

Best Boy: Electric

Project X (2012)

Directed by: Nima Nourizadeh

Cinematography by: Ken Seng

Edited by: Jeff Groth

Cameras: Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F23 Camera, Sony PMW-EX3 Camera

Lenses: Canon Lenses

Django Unchained | ShotOnWhat?

Electrician

Django Unchained (2012)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Fred Raskin

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

This Is 40 | ShotOnWhat?

Electrician

This Is 40 (2012)

Directed by: Judd Apatow

Cinematography by: Phedon Papamichael

Edited by: David L. Bertman, Jay Deuby, Brent White

Cameras: ARRI ALEXA Camera

Journey 2: The Mysterious Island | ShotOnWhat?

Electrician

Journey 2: The Mysterious Island (2012)

Directed by: Brad Peyton

Cinematography by: David Tattersall

Edited by: David Rennie

Cameras: Phantom HD Camera, Red Digital Cinema Cameras, Red One Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera

Warrior | ShotOnWhat?

Best Boy Electric

Warrior (2011)

Directed by: Gavin O'Connor

Cinematography by: Masanobu Takayanagi

Edited by: Sean Albertson, Matt Chesse, John Gilroy, Aaron Marshall

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

Editing System: Avid Editing System

Love & Other Drugs | ShotOnWhat?

Best Boy Electric

Love & Other Drugs (2010)

Directed by: Edward Zwick

Cinematography by: Steven Fierberg

Edited by: Steven Rosenblum

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses

State of Play | ShotOnWhat?

Best Boy: Electric

State of Play (2009)

Directed by: Kevin Macdonald

Cinematography by: Rodrigo Prieto

Edited by: Justine Wright

Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

ExTerminators | ShotOnWhat?

Gaffer

ExTerminators (2009)

Directed by: John Inwood

Cinematography by: Robby Baumgartner

Edited by: Gordon Grinberg

Indiana Jones and the Kingdom of the Crystal Skull | ShotOnWhat?

Best Boy Electric: Second Unit

Indiana Jones and the Kingdom of the Crystal Skull (2008)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

"Breaking Bad" Pilot | ShotOnWhat?

Electrician

'Breaking Bad' Pilot (2008)

Television Episode

Directed by: Vince Gilligan

Cinematography by: John Toll

Edited by: Lynne Willingham

Breaking Bad | ShotOnWhat?

Electrician - 1 Episode, 2008

Breaking Bad (2008)

Television Series

Cinematography by: Michael Slovis, Reynaldo Villalobos, Arthur Albert, Peter Reniers, Nelson Cragg, John Toll, Marshall Adams

Edited by: Kelley Dixon, Skip Macdonald, Lynne Willingham, Chris McCaleb, Sharidan Williams-Sotelo

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Canon EOS-7D Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Canon Lenses, Cooke S4 Lenses

There Will Be Blood | ShotOnWhat?

Best Boy Electrician

There Will Be Blood (2007)

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Dylan Tichenor

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Pathé 43 mm (Modified by Dan Sasaki) Lens

Babel | ShotOnWhat?

Best Boy Electric: Morocco

Babel (2006)

Directed by: Alejandro G. Iñárritu

Cinematography by: Rodrigo Prieto

Edited by: Douglas Crise, Stephen Mirrione

Cameras: ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

The Ring Two | ShotOnWhat?

Rigging Electrician

The Ring Two (2005)

Directed by: Hideo Nakata

Cinematography by: Gabriel Beristain

Edited by: Michael N. Knue

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 18mm T2.0 Lens, Cooke S4 Prime 25mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens

The Three Burials of Melquiades Estrada | ShotOnWhat?

Company Electric

The Three Burials of Melquiades Estrada (2005)

Directed by: Tommy Lee Jones

Cinematography by: Chris Menges

Edited by: Roberto Silvi

Don't Come Knocking | ShotOnWhat?

Best Boy Electric

Don't Come Knocking (2005)

Directed by: Wim Wenders

Cinematography by: Franz Lustig

Edited by: Peter Przygodda, Oli Weiss

Hidalgo | ShotOnWhat?

Rigging Electrician

Hidalgo (2004)

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Robert Dalva

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Criminal | ShotOnWhat?

Best Boy Electric

Criminal (2004)

Directed by: Gregory Jacobs

Cinematography by: Chris Menges

Edited by: Douglas Crise, Stephen Mirrione

21 Grams | ShotOnWhat?

Lamp Operator

21 Grams (2003)

Directed by: Alejandro G. Iñárritu

Cinematography by: Rodrigo Prieto

Edited by: Stephen Mirrione

Cameras: Moviecam Superlight Camera

Lenses: Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

8 Mile | ShotOnWhat?

Electrician

8 Mile (2002)

Directed by: Curtis Hanson

Cinematography by: Rodrigo Prieto

Edited by: Craig Kitson, Jay Rabinowitz

Cameras: Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Zeiss Ultra Prime Lenses

Swordfish | ShotOnWhat?

Electrician

Swordfish (2001)

Directed by: Dominic Sena

Cinematography by: Paul Cameron

Edited by: Stephen E. Rivkin

Armageddon | ShotOnWhat?

Electrician

Armageddon (1998)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Mark Goldblatt, Chris Lebenzon, Glen Scantlebury

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Soul of the Game | ShotOnWhat?

Electrician

Soul of the Game (1996)

Television Movie

Directed by: Kevin Rodney Sullivan

Cinematography by: Sandi Sissel

Edited by: Victor Du Bois

3 Ninjas Knuckle Up | ShotOnWhat?

Electrician

3 Ninjas Knuckle Up (1995)

Directed by: Sang-ok Shin

Cinematography by: Eugene D. Shlugleit

Edited by: Pamela Choules

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Fist of the North Star | ShotOnWhat?

Rigging Best Boy Electric

Fist of the North Star (1995)

Directed by: Tony Randel

Cinematography by: Jacques Haitkin

Edited by: Sonny Baskin

Relentless IV: Ashes to Ashes | ShotOnWhat?

Best Boy/electric

Relentless IV: Ashes to Ashes (1994)

Direct to Video

Directed by: Oley Sassone

Cinematography by: Russ Brandt

Edited by: Glenn Garland

Teresa's Tattoo | ShotOnWhat?

Best Boy Electric

Teresa's Tattoo (1994)

Directed by: Julie Cypher

Cinematography by: Sven Kirsten

Edited by: Christopher Rouse

Return of the Living Dead III | ShotOnWhat?

Best Boy

Return of the Living Dead III (1993)

Directed by: Brian Yuzna

Cinematography by: Gerry Lively

Edited by: Christopher Roth

Warlock: The Armageddon | ShotOnWhat?

Electrician

Warlock: The Armageddon (1993)

Directed by: Anthony Hickox

Cinematography by: Gerry Lively

Edited by: Christopher Cibelli, James D.R. Hickox

Cameras: ARRIFLEX 35mm Cameras

Best of the Best II | ShotOnWhat?

Electrician

Best of the Best II (1993)

Directed by: Robert Radler

Cinematography by: Fred Tammes

Edited by: Bert Lovitt, Florent Retz

Waxwork II: Lost in Time | ShotOnWhat?

Production Assistant

Waxwork II: Lost in Time (1992)

Directed by: Anthony Hickox

Cinematography by: Gerry Lively

Edited by: Christopher Cibelli

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