Utility Sound Technician
Killers of the Flower Moon (2023)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Bell & Howell 2709 Camera, Phantom Flex4K Camera, Sony CineAlta VENICE Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke Speed Panchro Lenses, Panavision T Series Anamorphic Lenses
Editing System: Lightworks Editing System
Boom Operator
American Fiction (2023)
Directed by: Cord Jefferson
Cinematography by: Cristina Dunlap
Edited by: Hilda Rasula
Cameras: ARRI ALEXA Mini LF Camera
Lenses: Tribe7 Blackwing7 Lenses
Boom Operator
CODA (2021)
Directed by: Sian Heder
Cinematography by: Paula Huidobro
Edited by: Geraud Brisson
Cameras: Sony CineAlta VENICE Camera
Lenses: ARRI Signature Prime Lenses
Boom Operator: Reshoots
Measure of a Man (2018)
Directed by: Jim Loach
Cinematography by: Denson Baker
Edited by: Dany Cooper
Cameras: ARRI ALEXA Camera
Boom Operator: Second Unit
Ghostbusters (2016)
Directed by: Paul Feig
Cinematography by: Robert D. Yeoman
Cameras: ARRI ALEXA XT Camera
Sound Utility
Hail, Caesar! (2016)
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
Editing System: Adobe Premiere Editing System
Boom Operator
Ted 2 (2015)
Directed by: Seth MacFarlane
Cinematography by: Michael Barrett
Edited by: Jeff Freeman
Cameras: Sony CineAlta F65 Camera
Boom Operator: Boston Unit
Spotlight (2015)
Directed by: Tom McCarthy
Cinematography by: Masanobu Takayanagi
Edited by: Tom McArdle
Cameras: ARRI ALEXA XT Camera
Sound Utility
Inherent Vice (2014)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Leslie Jones
Editing System: Avid Editing System
Sound Utility
Sex Tape (2014)
Directed by: Jake Kasdan
Cinematography by: Tim Suhrstedt
Cameras: ARRI ALEXA XT Camera
Sound Utility
The Heat (2013)
Directed by: Paul Feig
Cinematography by: Robert D. Yeoman
Editing System: Avid Editing System
Boom Operator
Body of Proof (2011)
Directed by: Christine Moore, Nelson McCormick, Eric Laneuville, John Terlesky, Michael Grossman, Paul Holahan, Matthew Gross, Alex Zakrzewski, Stephen Cragg, Nathan Hope, Dwight H. Little, David Platt, John Polson, John Putch, Kate Woods, Kenneth Fink, David Solomon, Tom Verica, Milan Cheylov, Ralph Hemecker, Sam Hill, David Von Ancken, Michael W. Watkins
Cinematography by: Patrick Cady
Edited by: Lynne Willingham, Jennifer Barbot, Randy Jon Morgan, Paul Trejo, Tirsa Hackshaw, Eric Litman, Louise Innes, Chris G. Willingham, Susan Godfrey, Tom McQuade
Cameras: ARRI ALEXA Camera
Boom Operator: Second Unit
Knight and Day (2010)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Cable Person
Shutter Island (2010)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX 765 Camera, ARRIFLEX D-21 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Editing System: Lightworks Editing System
Boom Operator: Los Angeles / Utility Sound: Los Angeles
It's Complicated (2009)
Directed by: Nancy Meyers
Cinematography by: John Toll
Utility Sound Technician
There Will Be Blood (2007)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Utility Sound Technician
Walk Hard: The Dewey Cox Story (2007)
Directed by: Jake Kasdan
Cinematography by: Uta Briesewitz
Cameras: Panavision Genesis Camera
Additional Boom Operator / Sound Utility
Dan in Real Life (2007)
Directed by: Peter Hedges
Cinematography by: Lawrence Sher
Edited by: Sarah Flack
Sound Utility
Memoirs of a Geisha (2005)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Pietro Scalia
Sound Utility
Walk the Line (2005)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Edited by: Michael McCusker
Sound Utility
The Ladykillers (2004)
Cinematography by: Roger Deakins
Editing System: Final Cut Pro Editing System
Utility Sound: Rhode Island
The Last Shot (2004)
Directed by: Jeff Nathanson
Cinematography by: John Lindley
Edited by: David Rosenbloom
Cable Person: Massachusetts
The Human Stain (2003)
Directed by: Robert Benton
Cinematography by: Jean-Yves Escoffier
Edited by: Christopher Tellefsen
Sound Utility
Intolerable Cruelty (2003)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 Camera
Editing System: Final Cut Pro Editing System
Sound Utility
Mystic River (2003)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Edited by: Joel Cox
Editing System: Avid Editing System
Sound Utility
What's the Worst That Could Happen? (2001)
Directed by: Sam Weisman
Cinematography by: Anastas N. Michos
Cameras: Panavision Cameras
Sound Utility
The Animal (2001)
Directed by: Luke Greenfield
Cinematography by: Peter Lyons Collister
Sound Utility
The Love Letter (1999)
Directed by: Peter Ho-Sun Chan
Cinematography by: Tami Reiker
Edited by: Jacqueline Cambas
