Eilam Hoffman

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Saltburn | ShotOnWhat?

Supervising Sound Editor

Saltburn (2023)

Directed by: Emerald Fennell

Cinematography by: Linus Sandgren

Edited by: Victoria Boydell

Cameras: ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

No Time to Die | ShotOnWhat?

Tenet | ShotOnWhat?

Sound Effects Recording Mixer

Tenet (2020)

Directed by: Christopher Nolan

Cinematography by: Hoyte Van Hoytema

Edited by: Jennifer Lame

Cameras: ARRIFLEX 765 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision System 65 Camera

Lenses: Hasselblad Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Transformers: The Last Knight | ShotOnWhat?

Sound Effects Recordist: E2

Transformers: The Last Knight (2017)

Directed by: Michael Bay

Cinematography by: Jonathan Sela

Edited by: Roger Barton, Adam Gerstel, Debra Neil-Fisher, John Refoua, Mark Sanger, Calvin Wimmer

Cameras: ALEXA IMAX Camera, ARRIFLEX 416 Camera, Red Epic Dragon Camera, Red Epic Helium Camera

Lenses: ARRI Rental Prime 65 Lenses, Hawk Hawk65 Series Lenses, Hawk V-Lite 16 Lens, Hawk Vantage One Lenses, Leitz Summilux-C Series Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

All the Money in the World | ShotOnWhat?

Sound Effects Editor

All the Money in the World (2017)

Movie

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Claire Simpson

Cameras: ARRI ALEXA XT Series Cameras

Lenses: Panavision Super Speed Lenses

Dunkirk | ShotOnWhat?

Sound Effects Recording Mixer

Dunkirk (2017)

Directed by: Christopher Nolan

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Hasselblad Lenses, Panavision 65mm Prime Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Bright | ShotOnWhat?

Sound Designer

Bright (2017)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: Aaron Brock, Geoffrey O'Brien, Michael Tronick

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Series Cameras, ARRI Cameras

Lenses: Panavision Lenses

Fantastic Beasts and Where to Find Them | ShotOnWhat?

Sound Designer

Fantastic Beasts and Where to Find Them (2016)

Directed by: David Yates

Cinematography by: Philippe Rousselot

Edited by: Mark Day

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Legend of Tarzan | ShotOnWhat?

Sound Designer

The Legend of Tarzan (2016)

Directed by: David Yates

Cinematography by: Henry Braham

Edited by: Mark Day

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Leitz Summicron-C Series Lenses

Ben-Hur | ShotOnWhat?

Effects Recordist

Ben-Hur (2016)

Directed by: Timur Bekmambetov

Cinematography by: Oliver Wood

Edited by: Dody Dorn, Richard Francis-Bruce

Cameras: ARRI ALEXA Series Cameras, GoPro (Woodman Labs) Cameras, Red Digital Cinema Cameras

Editing System: Avid Editing System

Steve Jobs | ShotOnWhat?

Sound Design Editor

Steve Jobs (2015)

Directed by: Danny Boyle

Cinematography by: Alwin H. Küchler

Edited by: Elliot Graham

Cameras: ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus Camera, Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Standard Speed Prime Lenses

Editing System: Avid Editing System

Mission: Impossible - Rogue Nation | ShotOnWhat?

Sound Effects Recordist

Mission: Impossible - Rogue Nation (2015)

Directed by: Christopher McQuarrie

Cinematography by: Robert Elswit

Edited by: Eddie Hamilton

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Fujinon Premier Lenses, Panavision B Series Anamorphic Lenses

Editing System: Avid Editing System

The Theory of Everything | ShotOnWhat?

Sound Effects Editor

The Theory of Everything (2014)

Directed by: James Marsh

Cinematography by: Benoît Delhomme

Edited by: Jinx Godfrey

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRIFLEX 16SR3 Camera

Lenses: Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

Paddington | ShotOnWhat?

Sound Design Editor

Paddington (2014)

Directed by: Paul King

Cinematography by: Erik Wilson

Edited by: Mark Everson

Cameras: ARRI ALEXA Studio Camera, ARRI ALEXA XT Camera

Lenses: Cooke S4 Lenses

The Riot Club | ShotOnWhat?

Sound Effects Recordist

The Riot Club (2014)

Directed by: Lone Scherfig

Cinematography by: Sebastian Blenkov

Edited by: Jake Roberts

Fury | ShotOnWhat?

Sound Effects Recordist

Fury (2014)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: Jay Cassidy, Dody Dorn

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Vampire Academy | ShotOnWhat?

Sound Design Editor

Vampire Academy (2014)

Directed by: Mark Waters

Cinematography by: Tony Pierce-Roberts

Edited by: Chris Gill

Cameras: ARRI ALEXA Camera

Last Passenger | ShotOnWhat?

Sound Design Editor

Last Passenger (2013)

Directed by: Omid Nooshin

Cinematography by: Angus Hudson

Edited by: Joe Walker

Cameras: ARRI ALEXA Plus Camera

Lenses: Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Editing System: Avid Editing System

The Book Thief | ShotOnWhat?

Sound Effects Editor

The Book Thief (2013)

Directed by: Brian Percival

Cinematography by: Florian Ballhaus

Edited by: John Wilson

Cameras: ARRI ALEXA Camera, ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

Trance | ShotOnWhat?

Sound Effects Editor

Trance (2013)

Directed by: Danny Boyle

Cinematography by: Anthony Dod Mantle

Edited by: Jon Harris

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C500 Camera, indiePOV Camera

Lenses: ARRI / Fujinon Lenses, Canon Lenses, Hawk V-Lite Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Gravity | ShotOnWhat?

Sound Design Editor

Gravity (2013)

Directed by: Alfonso Cuarón

Cinematography by: Emmanuel Lubezki

Edited by: Alfonso Cuarón, Mark Sanger

Cameras: ARRI ALEXA Camera, ARRIFLEX 765 Camera

Lenses: ARRI / Zeiss Lenses, Panavision Primo Close Focus Spherical Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Fetih 1453 | ShotOnWhat?

Sound Effects Editor

Fetih 1453 (2012)

Directed by: Faruk Aksoy

Cinematography by: Hasan Gergin, Mirsad Herovic

Edited by: Erkan Ozekan

Cameras: ARRI Cameras, Phantom HD Gold Camera, Red One Camera

Dredd | ShotOnWhat?

Sound Effects Editor

Dredd (2012)

Directed by: Pete Travis

Cinematography by: Anthony Dod Mantle

Edited by: Mark Eckersley

Cameras: Phantom Flex Camera, Red One MX Camera, Silicon Imaging SI-2K Camera

Lenses: Zeiss Ultra Prime Lenses

Angels Crest | ShotOnWhat?

Sound Effects Editor

Angels Crest (2011)

Directed by: Gaby Dellal

Cinematography by: David Johnson

Edited by: Mick Audsley, Giles Bury

This Must Be the Place | ShotOnWhat?

Dialogue Editor

This Must Be the Place (2011)

Directed by: Paolo Sorrentino

Cinematography by: Luca Bigazzi

Edited by: Cristiano Travaglioli

Don 2 | ShotOnWhat?

Sound Effects Recordist: Cars

Don 2 (2011)

Directed by: Farhan Akhtar

Cinematography by: Jason West

Edited by: Ritish Soni, Anand Subaya

It's a Wonderful Afterlife | ShotOnWhat?

Temp Sound Editor

It's a Wonderful Afterlife (2010)

Directed by: Gurinder Chadha

Cinematography by: Dick Pope

Edited by: Oral Norrie Ottey

Nanny McPhee Returns | ShotOnWhat?

Temp Sound Editor

Nanny McPhee Returns (2010)

Directed by: Susanna White

Cinematography by: Mike Eley

Edited by: Sim Evan-Jones

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens

Editing System: Avid Editing System

Harry Potter and the Chamber of Secrets | ShotOnWhat?

Props

Harry Potter and the Chamber of Secrets (2002)

Directed by: Chris Columbus

Cinematography by: Roger Pratt

Edited by: Peter Honess

Die Another Day | ShotOnWhat?

Props

Die Another Day (2002)

Directed by: Lee Tamahori

Cinematography by: David Tattersall

Edited by: Andrew MacRitchie, Christian Wagner

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

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