Chun Seong Ng

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Greyhound | ShotOnWhat?

Cg Supervisor: Hydraulx VFX

Greyhound (2020)

Directed by: Aaron Schneider

Cinematography by: Shelly Johnson

Edited by: Mark Czyzewski, Sidney Wolinsky

Cameras: Panavision Millennium DXL Camera

Lenses: Panavision Sphero 65 Series Lenses

The Predator | ShotOnWhat?

Cg Supervisor: Hydraulx

The Predator (2018)

Directed by: Shane Black

Cinematography by: Larry Fong

Edited by: Harry B. Miller III

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras

Lenses: Panavision Ultra Speed MKII Lenses

"Stranger Things" Chapter Two: Trick or Treat, Freak | ShotOnWhat?

Cg Supervisor: Hydraulx

'Stranger Things' Chapter Two: Trick or Treat, Freak (2017)

Television Episode

Directed by: Matt Duffer, Ross Duffer

Cinematography by: Tim Ives

Edited by: Nat Fuller

Death Note | ShotOnWhat?

Cg Supervisor: Hydraulx

Death Note (2017)

Directed by: Adam Wingard

Cinematography by: David Tattersall

Edited by: Louis Cioffi

Cameras: Panasonic VariCam 35, Panasonic VariCam Camera

Lenses: Fujinon Lenses, Fujinon Premier Lenses, P+S Technik Skater Scope T5.6 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens

"Stranger Things" Chapter One: MADMAX | ShotOnWhat?

Cg Supervisor: Hydraulx

'Stranger Things' Chapter One: MADMAX (2017)

Television Episode

Directed by: Matt Duffer, Ross Duffer

Cinematography by: Tim Ives

Edited by: Kevin D. Ross

"Stranger Things" Chapter Three: The Pollywog | ShotOnWhat?

Cg Supervisor: Hydraulx

'Stranger Things' Chapter Three: The Pollywog (2017)

Television Episode

Directed by: Shawn Levy

Cinematography by: Tod Campbell

Edited by: Kevin D. Ross

"Stranger Things" Chapter Four: Will the Wise | ShotOnWhat?

Cg Supervisor: Hydraulx

'Stranger Things' Chapter Four: Will the Wise (2017)

Television Episode

Directed by: Shawn Levy

Cinematography by: Tod Campbell

Edited by: Nat Fuller

"Stranger Things" Chapter Five: Dig Dug | ShotOnWhat?

Cg Supervisor: Hydraulx

'Stranger Things' Chapter Five: Dig Dug (2017)

Television Episode

Directed by: Andrew Stanton

Cinematography by: Tim Ives

Edited by: Kevin D. Ross

"Stranger Things" Chapter Seven: The Lost Sister | ShotOnWhat?

Cg Supervisor: Hydraulx

'Stranger Things' Chapter Seven: The Lost Sister (2017)

Television Episode

Directed by: Rebecca Thomas

Cinematography by: David Franco

Edited by: Katheryn Naranjo

"Stranger Things" Chapter Eight: The Mind Flayer | ShotOnWhat?

Cg Supervisor: Hydraulx

'Stranger Things' Chapter Eight: The Mind Flayer (2017)

Television Episode

Directed by: Matt Duffer, Ross Duffer

Cinematography by: Tim Ives

Edited by: Nat Fuller

"Stranger Things" Chapter Six: The Spy | ShotOnWhat?

Cg Supervisor: Hydraulx

'Stranger Things' Chapter Six: The Spy (2017)

Television Episode

Directed by: Andrew Stanton

Cinematography by: Tim Ives

Edited by: Nat Fuller

"Stranger Things" Chapter Nine: The Gate | ShotOnWhat?

Cg Supervisor: Hydraulx

'Stranger Things' Chapter Nine: The Gate (2017)

Television Episode

Directed by: Matt Duffer, Ross Duffer

Cinematography by: Tim Ives

Edited by: Kevin D. Ross

Baywatch | ShotOnWhat?

Cg Supervisor: Hydraulx

Baywatch (2017)

Directed by: Seth Gordon

Cinematography by: Eric Steelberg

Edited by: Peter S. Elliot

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Geostorm | ShotOnWhat?

Modeling Supervisor: Hydraulx Vancouver

Geostorm (2017)

Directed by: Dean Devlin

Cinematography by: Roberto Schaefer

Edited by: Chris Lebenzon, John Refoua, Ron Rosen

Cameras: Red Epic Dragon Camera

Lenses: Angenieux Lenses, Cooke 5/i Lenses, Zeiss Ultra Prime Lenses

Stranger Things | ShotOnWhat?

Cg Supervisor: Hydraulx - 9 Episodes, 2017

Stranger Things (2016)

Television Series

Directed by: Matt Duffer, Ross Duffer, Shawn Levy, Andrew Stanton, Uta Briesewitz, Nimród Antal, Rebecca Thomas, Dan Trachtenberg

Cinematography by: Tim Ives, Caleb Heymann, Tod Campbell, Lachlan Milne, Brett Jutkiewicz, David Franco

Edited by: Dean Zimmerman, Nat Fuller, Kevin D. Ross, Katheryn Naranjo, Casey Cichocki

Cameras: ARRI ALEXA LF Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera

Lenses: Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

X-Men: Apocalypse | ShotOnWhat?

Modeling Supervisor: Hydraulx

X-Men: Apocalypse (2016)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera

Lenses: Leitz Summilux-C Series Lenses

Midnight Special | ShotOnWhat?

Visual Effects Designer

Midnight Special (2016)

Directed by: Jeff Nichols

Cinematography by: Adam Stone

Edited by: Julie Monroe

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

San Andreas | ShotOnWhat?

Modeling Supervisor: Hydraulx Vancouver

San Andreas (2015)

Directed by: Brad Peyton

Cinematography by: Steve Yedlin

Edited by: Bob Ducsay

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Into the Storm | ShotOnWhat?

Modeling Supervisor: Hydraulx Vancouver

Into the Storm (2014)

Directed by: Steven Quale

Cinematography by: Brian Pearson

Edited by: Eric A. Sears

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera

Lenses: Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Man of Steel | ShotOnWhat?

Lead Artist: MPC

Man of Steel (2013)

Directed by: Zack Snyder

Cinematography by: Amir Mokri

Edited by: David Brenner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Machete Kills | ShotOnWhat?

Modeling Supervisor: Hydraulx Vancouver

Machete Kills (2013)

Directed by: Robert Rodriguez

Cinematography by: Robert Rodriguez

Edited by: Rebecca Rodriguez, Robert Rodriguez

Cameras: ARRI ALEXA Plus Camera

The Secret Life of Walter Mitty | ShotOnWhat?

Modeling Supervisor: HyDrauLx

The Secret Life of Walter Mitty (2013)

Directed by: Ben Stiller

Cinematography by: Stuart Dryburgh

Edited by: Greg Hayden

Cameras: ARRICAM Lite (LT) Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses

Life of Pi | ShotOnWhat?

Digital Artist: The Moving Picture Company

Life of Pi (2012)

Directed by: Ang Lee

Cinematography by: Claudio Miranda

Edited by: Tim Squyres

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Sherlock Holmes: A Game of Shadows | ShotOnWhat?

Senior Modeler: MPC

Sherlock Holmes: A Game of Shadows (2011)

Directed by: Guy Ritchie

Cinematography by: Philippe Rousselot

Edited by: James Herbert

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex Camera, Phantom HD Camera, Phantom HD Gold Camera

Lenses: Panavision Primo Anamorphic Lenses

Take Shelter | ShotOnWhat?

Model/texture Artist: Hydraulx

Take Shelter (2011)

Directed by: Jeff Nichols

Cinematography by: Adam Stone

Edited by: Parke Gregg

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Lenses

Knight and Day | ShotOnWhat?

Modeler: Hydraulx

Knight and Day (2010)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Quincy Z. Gunderson, Michael McCusker

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Jonah Hex | ShotOnWhat?

Modeler: Hydraulx

Jonah Hex (2010)

Directed by: Jimmy Hayward

Cinematography by: Mitchell Amundsen

Edited by: Kent Beyda, Daniel P. Hanley, Tom Lewis, Fernando Villena

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Skyline | ShotOnWhat?

Senior Modeler

Skyline (2010)

Directed by: Colin Strause, Greg Strause

Cinematography by: Michael Watson

Edited by: Nicholas Wayman-Harris

Cameras: Red One MX Camera

Gulliver's Travels | ShotOnWhat?

Modeler: Hydraulx

Gulliver's Travels (2010)

Directed by: Rob Letterman

Cinematography by: David Tattersall

Edited by: Alan Edward Bell, Nicolas De Toth, Dean Zimmerman

Cameras: Canon EOS-1D Mark IV Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

2012 | ShotOnWhat?

Modeler: Hydraulx

2012 (2009)

Directed by: Roland Emmerich

Cinematography by: Dean Semler

Edited by: David Brenner, Peter S. Elliot

Cameras: Panavision Cameras, Panavision Genesis Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Visual Effects: Hydraulx

Avatar (2009)

Directed by: James Cameron

Cinematography by: Mauro Fiore

Edited by: James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses: Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Editing System: Adobe Premiere Editing System, Autodesk Smoke Editing System, Avid Editing System

X-Men Origins: Wolverine | ShotOnWhat?

Modeler: Hydraulx

X-Men Origins: Wolverine (2009)

Directed by: Gavin Hood

Cinematography by: Donald McAlpine

Edited by: Nicolas De Toth, Megan Gill

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Final Cut Pro Editing System

The Curious Case of Benjamin Button | ShotOnWhat?

Modeler: Hydraulx

The Curious Case of Benjamin Button (2008)

Directed by: David Fincher

Cinematography by: Claudio Miranda

Edited by: Kirk Baxter, Angus Wall

Cameras: ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera

Lenses: Zeiss DigiPrime Lenses

Editing System: Final Cut Pro Editing System

The Day the Earth Stood Still | ShotOnWhat?

Modeler: Hydraulx

The Day the Earth Stood Still (2008)

Directed by: Scott Derrickson

Cinematography by: David Tattersall

Edited by: Wayne Wahrman

Cameras: Panavision Cameras

Wanted | ShotOnWhat?

Modeler: Hydraulx

Wanted (2008)

Directed by: Timur Bekmambetov

Cinematography by: Mitchell Amundsen

Edited by: David Brenner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Camera

Lenses: Panavision Primo Primes Spherical Lenses

Bedtime Stories | ShotOnWhat?

Modeler: Hydraulx

Bedtime Stories (2008)

Directed by: Adam Shankman

Cinematography by: Michael Barrett

Edited by: Tom Costain, Michael Tronick

Cameras: Panavision Genesis Camera, Panavision Panaflex Camera

Lenses: Panavision Primo Anamorphic Lenses

Jumper | ShotOnWhat?

Modeler

Jumper (2008)

Directed by: Doug Liman

Cinematography by: Barry Peterson

Edited by: Saar Klein, Dean Zimmerman, Don Zimmerman

Cameras: Panavision Cameras, Red One Camera

Meet Dave | ShotOnWhat?

Modeler

Meet Dave (2008)

Directed by: Brian Robbins

Cinematography by: Clark Mathis

Edited by: Ned Bastille

The Incredible Hulk | ShotOnWhat?

Modeler: Hydraulx

The Incredible Hulk (2008)

Directed by: Louis Leterrier

Cinematography by: Peter Menzies Jr.

Edited by: Rick Shaine, Vincent Tabaillon, John Wright

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1Ds Camera, Panavision Cameras

Editing System: Avid Editing System

Aliens vs. Predator: Requiem | ShotOnWhat?

Modeling: Hydraulx

Aliens vs. Predator: Requiem (2007)

Directed by: Colin Strause, Greg Strause

Cinematography by: Daniel Pearl

Edited by: Dan Zimmerman

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