Kodak 65mm Scanning
Murder on the Orient Express (2017)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Mick Audsley
Digital Film Bureau Manager
Wrath of the Titans (2012)
Directed by: Jonathan Liebesman
Cinematography by: Ben Davis
Edited by: Martin Walsh
Digital Film Bureau Manager
Snow White and the Huntsman (2012)
Directed by: Rupert Sanders
Cinematography by: Greig Fraser
Digital Film Bureau Manager
Contraband (2012)
Directed by: Baltasar Kormákur
Cinematography by: Barry Ackroyd
Edited by: Elísabet Ronaldsdóttir
Cameras: Aaton Penelope Camera
Digital Film Bureau Manager
The Woman in Black (2012)
Directed by: James Watkins
Cinematography by: Tim Maurice-Jones
Edited by: Jon Harris
Digital Film Bureau Manager: Deluxe 142
The Iron Lady (2011)
Directed by: Phyllida Lloyd
Cinematography by: Elliot Davis
Edited by: Justine Wright
Digital Film Bureau Manager
360 (2011)
Directed by: Fernando Meirelles
Cinematography by: Adriano Goldman
Edited by: Daniel Rezende
Digital Film Bureau Manager: Deluxe 142 Features
One Day (2011)
Directed by: Lone Scherfig
Cinematography by: Benoît Delhomme
Edited by: Barney Pilling
Digital Film Bureau Manager
Tyrannosaur (2011)
Directed by: Paddy Considine
Cinematography by: Erik Wilson
Edited by: Pia Di Ciaula
Cameras: Canon EOS-5D Mark II Camera, Red One MX Camera
Lenses: Cooke Speed Panchro Lenses
Digital Film Bureau Manager
The Best Exotic Marigold Hotel (2011)
Directed by: John Madden
Cinematography by: Ben Davis
Edited by: Chris Gill
Digital Film Bureau Manager
Wuthering Heights (2011)
Directed by: Andrea Arnold
Cinematography by: Robbie Ryan
Edited by: Nicolas Chaudeurge
Digital Film Bureau Manager
The Decoy Bride (2011)
Directed by: Sheree Folkson
Cinematography by: Nanu Segal
Edited by: Dan Farrell
Digital Film Bureau Manager
The Eagle (2011)
Directed by: Kevin Macdonald
Cinematography by: Anthony Dod Mantle
Edited by: Justine Wright
Digital Film Bureau Manager: Deluxe 142 Features
Albert Nobbs (2011)
Directed by: Rodrigo García
Cinematography by: Michael McDonough
Edited by: Steven Weisberg
Cameras: Red One MX Camera
Digital Film Bureau Manager
Scott Pilgrim vs. the World (2010)
Directed by: Edgar Wright
Cinematography by: Bill Pope
Digital Film Bureau Manager
Prince of Persia: The Sands of Time (2010)
Directed by: Mike Newell
Cinematography by: John Seale
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
Digital Film Bureau Manager
The Special Relationship (2010)
Directed by: Richard Loncraine
Cinematography by: Barry Ackroyd
Edited by: Melanie Oliver
Cameras: ARRICAM Lite (LT) Camera
Digital Film Bureau Manager
Green Zone (2010)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Digital Film Bureau Manager: Ascent 142 Features
Never Let Me Go (2010)
Directed by: Mark Romanek
Cinematography by: Adam Kimmel
Edited by: Barney Pilling
Digital Film Bureau Manager: Ascent 142 Features
Fish Tank (2009)
Directed by: Andrea Arnold
Cinematography by: Robbie Ryan
Edited by: Nicolas Chaudeurge
Digital Film Bureau Manager: Scanning And Laser Record
The Disappearance of Alice Creed (2009)
Directed by: J Blakeson
Cinematography by: Philipp Blaubach
Edited by: Mark Eckersley
Digital Film Bureau Manager
44 Inch Chest (2009)
Directed by: Malcolm Venville
Cinematography by: Daniel Landin
Edited by: Rick Russell
Cameras: ARRICAM Lite (LT) Camera
Digital Film Bureau Manager: Ascent 142 Features
Vampire Killers (2009)
Directed by: Phil Claydon
Cinematography by: David Higgs
Edited by: James Herbert
Cameras: Red One Camera
Digital Film Bureau Manager
Glorious 39 (2009)
Directed by: Stephen Poliakoff
Cinematography by: Danny Cohen
Edited by: Jason Krasucki
Cameras: ARRICAM Lite (LT) Camera
Digital Film Bureau Manager: Scanning And Laser Record
Quantum of Solace (2008)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Digital Film Bureau Manager, Digital Film Bureau Manager: Scanning And Laser Record
Telstar: The Joe Meek Story (2008)
Directed by: Nick Moran
Cinematography by: Peter Wignall
Edited by: Alex Marsh
Digital Film Bureau Manager
RocknRolla (2008)
Directed by: Guy Ritchie
Cinematography by: David Higgs
Edited by: James Herbert
Cameras: ARRIFLEX D-20 Camera
Digital Film Bureau Manager: Scanning And Laser Record
The Crimson Wing: Mystery of the Flamingos (2008)
Cinematography by: Matthew Aeberhard
Edited by: Nicolas Chaudeurge
Digital Film Bureau Manager: Scanning And Laser Record
The Escapist (2008)
Directed by: Rupert Wyatt
Cinematography by: Philipp Blaubach
Edited by: Joe Walker
Digital Film Bureau Manager: Scanning
Fred Claus (2007)
Directed by: David Dobkin
Cinematography by: Remi Adefarasin
Edited by: Mark Livolsi
Lenses: Zeiss Ultra Prime Lenses
Digital Film Bureau Manager: Scanning And Laser Record
The Baker (2007)
Directed by: Gareth Lewis
Cinematography by: Sean Bobbitt
Edited by: Alan Strachan
Cameras: ARRI Cameras
Digital Intermediate Film Bureau: Soho Images
Black Book (2006)
Directed by: Paul Verhoeven
Cinematography by: Karl Walter Lindenlaub
Digital Film Bureau Manager: Scanning And Laser Record
The History Boys (2006)
Directed by: Nicholas Hytner
Cinematography by: Andrew Dunn
Edited by: John Wilson
Digital Film Bureau Manager: Laser Record
The Brothers Grimm (2005)
Directed by: Terry Gilliam
Cinematography by: Newton Thomas Sigel
Edited by: Lesley Walker
Digital Film Bureau Manager: Laser Record
Tideland (2005)
Directed by: Terry Gilliam
Cinematography by: Nicola Pecorini
Edited by: Lesley Walker
