Michael L. Fink

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Life of Pi | ShotOnWhat?

Senior Visual Effects Supervisor: BUF Compagnie

Life of Pi (2012)

Directed by: Ang Lee

Cinematography by: Claudio Miranda

Edited by: Tim Squyres

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

The Tree of Life | ShotOnWhat?

Senior Visual Effects Supervisor: Prime Focus: VFX

The Tree of Life (2011)

Directed by: Terrence Malick

Cinematography by: Emmanuel Lubezki

Edited by: Hank Corwin, Jay Rabinowitz, Daniel Rezende, Billy Weber, Mark Yoshikawa

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Dalsa Evolution Camera, IMAX Cameras, Panavision System 65 Camera, Phantom HD Gold Camera, Red One Camera

Lenses: Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Sucker Punch | ShotOnWhat?

Senior Visual Effects Supervisor: Prime Focus VFX

Sucker Punch (2011)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: William Hoy

Cameras: Panavision Cameras

TRON | ShotOnWhat?

Senior Visual Effects Supervisor: Prime Focus: VFX

Tron (2010)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: James Haygood

Cameras: Phantom HD Camera, Sony CineAlta F35 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Senior Executive: Prime Focus

Avatar (2009)

Directed by: James Cameron

Cinematography by: Mauro Fiore

Edited by: James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses: Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Editing System: Adobe Premiere Editing System, Autodesk Smoke Editing System, Avid Editing System

Tropic Thunder | ShotOnWhat?

Visual Effects Supervisor

Tropic Thunder (2008)

Directed by: Ben Stiller

Cinematography by: John Toll

Edited by: Greg Hayden

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Golden Compass | ShotOnWhat?

Second Unit Director , Senior Visual Effects Supervisor

The Golden Compass (2007)

Directed by: Chris Weitz

Cinematography by: Henry Braham

Edited by: Anne V. Coates, Peter Honess, Kevin Tent

Cameras: Panavision Cameras, Panavision Genesis Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

Superman Returns | ShotOnWhat?

Second Unit Director: Baseball Unit, Los Angeles

Superman Returns (2006)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Elliot Graham, John Ottman

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Adobe Premiere Editing System, Avid Editing System

Constantine | ShotOnWhat?

Second Unit Director , Visual Effects Supervisor

Constantine (2005)

Directed by: Francis Lawrence

Cinematography by: Philippe Rousselot

Edited by: Wayne Wahrman

X2 | ShotOnWhat?

Visual Effects Supervisor

X2: X-Men United (2003)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Elliot Graham, John Ottman

Road to Perdition | ShotOnWhat?

Visual Effects Supervisor: Second Unit

Road to Perdition (2002)

Directed by: Sam Mendes

Cinematography by: Conrad L. Hall

Edited by: Jill Bilcock

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Lightworks Editing System

Clockstoppers | ShotOnWhat?

Visual Effects Supervisor

Clockstoppers (2002)

Directed by: Jonathan Frakes

Cinematography by: Tim Suhrstedt

Edited by: Peter E. Berger, Jeff Canavan

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics Cameras

Lenses: Panavision Primo Primes Spherical Lenses

Moonlight Mile | ShotOnWhat?

Visual Effects Supervisor

Moonlight Mile (2002)

Directed by: Brad Silberling

Cinematography by: Phedon Papamichael

Edited by: Lisa Zeno Churgin

Cameras: Panavision Panaflex Camera

Lenses: Panavision C Series Anamorphic Lenses

The Mothman Prophecies | ShotOnWhat?

Visual Effects Consultant: Cinesite

The Mothman Prophecies (2002)

Directed by: Mark Pellington

Cinematography by: Fred Murphy

Edited by: Brian Berdan

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Lenses

Vanilla Sky | ShotOnWhat?

Visual Effects Supervisor: Cinesite

Vanilla Sky (2001)

Directed by: Cameron Crowe

Cinematography by: John Toll

Edited by: Joe Hutshing, Mark Livolsi

Cameras: Panavision Panaflex Gold Camera

Lenses: Panavision Primo Primes Spherical Lenses

X-Men | ShotOnWhat?

Visual Effects Supervisor

X-Men (2000)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Steven Rosenblum, Kevin Stitt, John Wright

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Anamorphic Lenses

Lethal Weapon 4 | ShotOnWhat?

Visual Effects Supervisor

Lethal Weapon 4 (1998)

Directed by: Richard Donner

Cinematography by: Andrzej Bartkowiak

Edited by: Dallas Puett, Kevin Stitt, Eric Strand, Frank J. Urioste

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Contact | ShotOnWhat?

Senior Visual Effects Supervisor: Warner Digital

Contact (1997)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Arthur Schmidt

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses

Mars Attacks! | ShotOnWhat?

Visual Effects Supervisor

Mars Attacks! (1996)

Directed by: Tim Burton

Cinematography by: Peter Suschitzky

Edited by: Chris Lebenzon

Eraser | ShotOnWhat?

Visual Effects Supervisor: Warner Digital Studios

Eraser (1996)

Directed by: Chuck Russell

Cinematography by: Adam Greenberg

Edited by: Michael Tronick

Cameras: Aaton 35-III Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

Braveheart | ShotOnWhat?

Visual Effects Supervisor: R/Greenberg Associates West

Braveheart (1995)

Directed by: Mel Gibson

Cinematography by: John Toll

Edited by: Steven Rosenblum

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Lightworks Editing System

Baby's Day Out | ShotOnWhat?

Visual Effects Supervisor

Baby's Day Out (1994)

Directed by: Patrick Read Johnson

Cinematography by: Thomas E. Ackerman

Edited by: David Rawlins

Batman Returns | ShotOnWhat?

Visual Effects Supervisor

Batman Returns (1992)

Directed by: Tim Burton

Cinematography by: Stefan Czapsky

Edited by: Bob Badami, Chris Lebenzon

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision Primo Primes Spherical Lenses

Harley Davidson and the Marlboro Man | ShotOnWhat?

Visual Effects Supervisor

Harley Davidson and the Marlboro Man (1991)

Directed by: Simon Wincer

Cinematography by: David Eggby

Edited by: Corky Ehlers

Cameras: Panavision Cameras

RoboCop 2 | ShotOnWhat?

Optical Wrangler

RoboCop 2 (1990)

Directed by: Irvin Kershner

Cinematography by: Mark Irwin

Edited by: Armen Minasian, Lee Smith, Deborah Zeitman

Bird on a Wire | ShotOnWhat?

Computer Visuals Consultant

Bird on a Wire (1990)

Directed by: John Badham

Cinematography by: Robert Primes

Edited by: Frank Morriss, Dallas Puett

The Adventures of Buckaroo Banzai Across the 8th Dimension | ShotOnWhat?

Special Visual Effects Supervisor

The Adventures of Buckaroo Banzai Across the 8th Dimension (1984)

Directed by: W.D. Richter

Cinematography by: Fred J. Koenekamp

Edited by: George Bowers, Richard Marks

WarGames | ShotOnWhat?

Visual Effects Supervisor

WarGames (1983)

Directed by: John Badham

Cinematography by: William A. Fraker

Edited by: Tom Rolf

Cameras: Panavision Cameras

Blade Runner | ShotOnWhat?

Action Prop Supervisor

Blade Runner (1982)

Directed by: Ridley Scott

Cinematography by: Jordan Cronenweth

Edited by: Marsha Nakashima, Terry Rawlings

Cameras: Mitchell FC 65mm Camera, Panavision Panaflex Gold Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Super Panavision 70 Series Lenses, Panavision Super Speed Lenses

The China Syndrome | ShotOnWhat?

Electronic Consultant

The China Syndrome (1979)

Directed by: James Bridges

Cinematography by: James Crabe

Edited by: David Rawlins

Star Trek: The Motion Picture | ShotOnWhat?

Effects Props And Miniatures

Star Trek: The Motion Picture (1979)

Directed by: Robert Wise

Cinematography by: Richard H. Kline

Edited by: Todd C. Ramsay

The Wizard of Oz | ShotOnWhat?

Stereo Conversion Supervisor - 3D Version 2013

The Wizard of Oz (1939)

Directed by: Victor Fleming, George Cukor, Mervyn LeRoy, Norman Taurog, Richard Thorpe, King Vidor

Cinematography by: Harold Rosson

Edited by: Blanche Sewell

Cameras: Bell & Howell 2709 Camera, Technicolor 3-Strip Camera

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