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Zeiss Super Speed Lenses | 133 Titles

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Raging Bull (1980)

Motion Picture | 2D | Film Project | Black & White, Color | 129 Minutes

Directed by | Martin Scorsese | Cinematography by | Michael Chapman | Editing by | Thelma Schoonmaker

Starring | Robert De Niro, Cathy Moriarty, Joe Pesci

Cameras | ARRIFLEX 35 BL Camera

Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses

Clockers (1995)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 128 Minutes

Directed by | Spike Lee | Cinematography by | Malik Hassan Sayeed | Editing by | Sam Pollard

Starring | Harvey Keitel, John Turturro, Delroy Lindo

Cameras | ARRIFLEX 535 Camera, Moviecam Compact Camera

Lenses | Angenieux HR Zoom Lenses, Zeiss Super Speed Lenses

The Squid and the Whale (2005)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 81 Minutes

Directed by | Noah Baumbach | Cinematography by | Robert D. Yeoman | Editing by | Tim Streeto

Starring | Owen Kline, Jeff Daniels, Laura Linney

Cameras | ARRIFLEX 16SR3 Camera

Lenses | Zeiss Super Speed Lenses

Arrival (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 116 Minutes

Directed by | Denis Villeneuve | Cinematography by | Bradford Young | Editing by | Joe Walker

Starring | Amy Adams, Jeremy Renner, Forest Whitaker

Cameras | ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera

Lenses | CamTec Vintage Series Ultra Prime Lenses, Kowa Cine Prominar Spherical Lenses, Zeiss Super Speed Lenses

Some Kind of Heaven (2020)

Documentary | 2D | Color | 1.33:1 (4x3) | 81 Minutes

Directed by | Lance Oppenheim | Cinematography by | David Bolen | Editing by | Daniel Garber, Lance Oppenheim

Starring | Dennis Dean, Lynn Henry, Anne Kincer

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Optimo Style 16-40 mm T2.8 Lens, Angenieux Optimo Style 30-76 mm T2.8 Lens, Zeiss Super Speed Lenses

Bliss (2019)

Motion Picture | 2D | Color | 2.39:1 | 80 Minutes

Directed by | Joe Begos | Cinematography by | Mike Testin | Editing by | Josh Ethier

Starring | Dora Madison, Tru Collins, Rhys Wakefield

Lenses | Zeiss Super Speed Lenses

Terminator 2: Judgment Day (1991)

Motion Picture | 2D | Film Project | Color | 137 Minutes

Directed by | James Cameron | Cinematography by | Adam Greenberg | Editing by | Conrad Buff IV, Dody Dorn, Mark Goldblatt, Richard A. Harris

Starring | Arnold Schwarzenegger, Linda Hamilton, Edward Furlong, Robert Patrick

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera

Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses

The Beach House (2019)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 88 Minutes

Directed by | Jeffrey A. Brown | Cinematography by | Owen Levelle | Editing by | Aaron Crozier

Starring | Liana Liberato, Noah Le Gros, Jake Weber, Maryann Nagel

Cameras | ARRI ALEXA Mini Camera

Lenses | Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

This Is My Desire (2020)

Motion Picture | 2D | 2K Project | Color | 1.66:1 | 116 Minutes

Directed by | Arie Esiri, Chuko Esiri | Cinematography by | Arseni Khachaturan | Editing by | Andrew Stephen Lee

Starring | Emmanuel Adeji, Mary Agholor, Kemi Lala Akindoju, Lala Akindoju

Cameras | ARRIFLEX 16SR3 Advanced Camera, ARRIFLEX 16SR3 HS Camera

Lenses | Zeiss Lenses, Zeiss Super Speed Lenses, Zeiss Super Speeds Mk III Lenses

The Night of the Virgin (2016)

Motion Picture | 2D | 2K Project | Color | 2.70:1 | 116 Minutes

Directed by | Roberto San Sebastián | Cinematography by | Adrián Hernández | Editing by | Ibon Belandia

Starring | Javier Bódalo, Miriam Martín, Víctor Amilibia, Ignatius Farray

Cameras | ARRI ALEXA Camera, Sony PXW-FS7 Camera

Lenses | Zeiss Super Speeds Mk I 50 mm T1.4 Lens, Zeiss Super Speeds Mk I Lenses

Incredible Violence (2018)

Motion Picture | 2D | Color | 92 Minutes

Directed by | G. Patrick Condon | Cinematography by | Ian Vatcher | Editing by | Justin Oakey

Starring | M.J. Kehler, Stephen Oates, Michael Worthman, Kimberley Drake

Cameras | ARRI ALEXA Plus 4:3 Camera

Lenses | Clairmont 100 mm T3.4 Lens, Clairmont 32 mm T2.3 Lens, Clairmont 40 mm T2.3 Lens, Clairmont 50 mm T2.3 Lens, Clairmont 75 mm T2.8 Lens, Zeiss Super Speeds Mk III 18 mm T1.3 Lens, Zeiss Super Speeds Mk III 25 mm T1.3 Lens, Zeiss Super Speeds Mk III 50 mm T1.3 Lens

Boyhood (2014)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 165 Minutes

Directed by | Richard Linklater | Cinematography by | Lee Daniel, Shane F. Kelly | Editing by | Sandra Adair

Starring | Ellar Coltrane, Patricia Arquette, Ethan Hawke, Elijah Smith

Cameras | Moviecam Compact Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses, Zeiss Super Speed Lenses

Monsters. (2019)

Motion Picture | 2D | 3.4K Project | Color | 1.85:1 | 116 Minutes

Directed by | Marius Olteanu | Cinematography by | Luchian Ciobanu | Editing by | Ion Ioachim Stroe

Starring | Judith State, Cristian Popa, Alexandru Potocean, Serban Pavlu

Cameras | ARRI AMIRA Premium Camera

Lenses | Zeiss Super Speeds Mk II Lenses

Solo: A Star Wars Story (2018)

Motion Picture | 2D, 3D | 4K Project | Color | 2.39:1 | 135 Minutes

Directed by | Ron Howard | Cinematography by | Bradford Young | Editing by | Pietro Scalia

Starring | Alden Ehrenreich, Woody Harrelson, Emilia Clarke, Donald Glover

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses | ARRI Rental Prime DNA Lenses, CamTec Falcon Full Frame Lenses, Zeiss Super Speed Lenses

The Shining (1980)

Motion Picture | 2D | Film Project | Color | 1.37:1, 1.66:1, 1.85:1 | 146 Minutes

Directed by | Stanley Kubrick | Cinematography by | John Alcott | Editing by | Ray Lovejoy

Starring | Jack Nicholson, Shelley Duvall, Danny Lloyd, Scatman Crothers

Cameras | ARRIFLEX 35 BL Camera

Lenses | Cooke Varotal 20-100mm T3.1 Zoom Lens, Zeiss Super Speed Lenses

Taxi Driver (1976)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 114 Minutes

Directed by | Martin Scorsese | Cinematography by | Michael Chapman | Editing by | Tom Rolf, Melvin Shapiro

Starring | Robert De Niro, Jodie Foster, Cybill Shepherd, Albert Brooks

Cameras | ARRIFLEX 35 BL Camera

Lenses | Zeiss Super Speed Lenses

A Beautiful Mind (2001)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 135 Minutes

Directed by | Ron Howard | Cinematography by | Roger Deakins | Editing by | Daniel P. Hanley, Mike Hill

Starring | Russell Crowe, Ed Harris, Jennifer Connelly, Christopher Plummer

Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera

Lenses | Cooke S4 Lenses, Zeiss Standard Speed Prime Lenses, Zeiss Super Speed Lenses

Master of None (2015)

Television Series | 2D | 4K Project | Color | 2.39:1 | 30 Minutes

| Cinematography by | Mark Schwartzbard | Editing by | Jennifer Lilly, Suzy Elmiger, Daniel Haworth

Starring | Aziz Ansari, Eric Wareheim, Lena Waithe, Noël Wells

Cameras | Panasonic VariCam 35

Lenses | Angenieux HR Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses

Amores Perros (2000)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 154 Minutes

Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Luis Carballar, Alejandro G. Iñárritu, Fernando Pérez Unda

Starring | Emilio Echevarría, Gael García Bernal, Goya Toledo, Álvaro Guerrero

Cameras | Moviecam Superlight Camera

Lenses | Angenieux HR Zoom Lenses, Zeiss Super Speed Lenses

Under solen (1998)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

Directed by | Colin Nutley | Cinematography by | Jens Fischer | Editing by | Perry Schaffer

Starring | Rolf Lassgård, Helena Bergström, Johan Widerberg, Gunilla Röör

Cameras | Aaton 35-III Camera, Moviecam Compact Camera

Lenses | Canon Lenses, Zeiss Super Speed Lenses

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