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Prometheus (2012)

Motion Picture | 3D | Color | 1.66:1, 2.39:1 | 124 Minutes

Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Pietro Scalia

Starring | Noomi Rapace, Logan Marshall-Green, Michael Fassbender, Charlize Theron

Cameras | ARRI ALEXA Camera, Red Epic Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses

Box of Moon Light (1996)

Motion Picture | 2D | Color | 1.66:1 | 112 Minutes

Directed by | Tom DiCillo | Cinematography by | Paul Ryan | Editing by | Camilla Toniolo

Starring | John Turturro, Sam Rockwell, Catherine Keener, Lisa Blount

Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera

Lenses | Zeiss Standard Speed Prime Lenses, Zeiss Super Speed Lenses

Lost in Translation (2003)

Motion Picture | 2D | Color | 1.85:1 | 102 Minutes

Directed by | Sofia Coppola | Cinematography by | Lance Acord | Editing by | Sarah Flack

Starring | Bill Murray, Scarlett Johansson, Giovanni Ribisi, Anna Faris

Cameras | Aaton 35-III Camera, Moviecam Compact Camera

Lenses | Angenieux Lenses, Zeiss Super Speed Lenses

It’s All About Love (2003)

Motion Picture | 2D | Color | 2.35:1 | 104 Minutes

It’s All About Love | ShotOnWhat?

Directed by | Thomas Vinterberg | Cinematography by | Anthony Dod Mantle | Editing by | Valdís Óskarsdóttir

Starring | Joaquin Phoenix, Claire Danes, Sean Penn, Douglas Henshall

Cameras | Moviecam Superlight Camera

Lenses | Zeiss Lenses, Zeiss Ultra Prime Lenses

The Green Hornet (2011)

Motion Picture | 3D | Color | 2.35:1 | 119 Minutes

The Green Hornet | ShotOnWhat?

Directed by | Michel Gondry | Cinematography by | John Schwartzman | Editing by | Michael Tronick

Starring | Seth Rogen, Jay Chou, Christoph Waltz, Cameron Diaz

Cameras | Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Barmy (2012)

Motion Picture | 2D | Color | 1.85:1 | 82 Minutes

Barmy | ShotOnWhat?

Directed by | Russell Bailey | Cinematography by | Alan Vidali | Editing by | Russell Bailey

Starring | Napoleon Ryan, Sherill Turner, Liz Osborn, Evan Schwartz

Cameras | Red One MX Camera

Lenses | Zeiss Ultra Prime Lenses

Friday Night (2002)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Friday Night | ShotOnWhat?

Directed by | Claire Denis | Cinematography by | Agnès Godard | Editing by | Nelly Quettier

Starring | Valérie Lemercier, Vincent Lindon, Hélène de Saint-Père, Hélène Fillières

Cameras | Aaton 35-III Camera, Aaton A-Minima Camera

Lenses | Zeiss Standard Speed Prime Lenses, Zeiss Ultra Prime Lenses

Lawless (2012)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Directed by | John Hillcoat | Cinematography by | Benoît Delhomme | Editing by | Dylan Tichenor

Starring | Tom Hardy, Shia LaBeouf, Guy Pearce, Jason Clarke

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Vicky Cristina Barcelona (2008)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Directed by | Woody Allen | Cinematography by | Javier Aguirresarobe | Editing by | Alisa Lepselter

Starring | Rebecca Hall, Scarlett Johansson, Javier Bardem, Christopher Evan Welch

Cameras | ARRICAM Lite (LT) Camera

Lenses | Zeiss Master Prime Lenses

Wild Wild West (1999)

Motion Picture | 2D | Color | 106 Minutes

Directed by | Barry Sonnenfeld | Cinematography by | Michael Ballhaus | Editing by | Jim Miller

Starring | Will Smith, Kevin Kline, Kenneth Branagh, Salma Hayek

Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera, VistaVision Cameras

Lenses | Zeiss Variable Prime VP1 16-30 mm T2.2 Lens, Zeiss Variable Prime VP2 29-60 mm T2.2 Lens, Zeiss Variable Prime VP3 55-150 mm T2.2 Lens

8 Mile (2002)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Curtis Hanson | Cinematography by | Rodrigo Prieto | Editing by | Craig Kitson, Jay Rabinowitz

Starring | Eminem, Brittany Murphy, Kim Basinger, Mekhi Phifer

Cameras | Moviecam Compact Camera, Moviecam Superlight Camera

Lenses | Zeiss Ultra Prime Lenses

Children of Men (2006)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 109 Minutes

Directed by | Alfonso Cuarón | Cinematography by | Emmanuel Lubezki | Editing by | Alfonso Cuarón, Alex Rodríguez

Starring | Julianne Moore, Clive Owen, Chiwetel Ejiofor, Michael Caine

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses | Zeiss Master Prime Lenses

Passion in the Desert (1997)

Motion Picture | 2D | Color | 1.85:1 | 91 Minutes

Directed by | Lavinia Currier | Cinematography by | Aleksey Rodionov | Editing by | Nicolas Gaster

Starring | Ben Daniels, Michel Piccoli, Paul M. Meston, Kenneth Collard

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 535 Camera

Lenses | Cooke Cinetal Lenses, Zeiss Standard Speed Prime Lenses

Alex Rider: Operation Stormbreaker (2006)

Motion Picture | 2D | Color | 2.39:1 | 93 Minutes

Directed by | Geoffrey Sax | Cinematography by | Chris Seager | Editing by | Andrew MacRitchie

Starring | Alex Pettyfer, Mickey Rourke, Sophie Okonedo, Sarah Bolger

Cameras | ARRIFLEX 435 Camera

Lenses | Angenieux Lenses, ARRI / Zeiss Lenses

Carancho (2010)

Motion Picture | Color | 107 Minutes

Directed by | Pablo Trapero | Cinematography by | Julián Apezteguia | Editing by | Ezequiel Borovinsky, Pablo Trapero

Starring | Ricardo Darín, Martina Gusman, Carlos Weber, José Luis Arias

Cameras | Red One Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Zeiss Ultra Prime Lenses

Let the Right One In (2008)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 114 Minutes

Directed by | Tomas Alfredson | Cinematography by | Hoyte Van Hoytema | Editing by | Tomas Alfredson, Dino Jonsäter

Starring | Kåre Hedebrant, Lina Leandersson, Per Ragnar, Henrik Dahl

Cameras | ARRIFLEX 535 B Camera

Lenses | Zeiss Super Speed Lenses

The Lovely Bones (2009)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 135 Minutes

Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jabez Olssen

Starring | Rachel Weisz, Mark Wahlberg, Saoirse Ronan, Susan Sarandon

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Iconix HD-RH1 Camera, Red One Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Hak hap (1996)

Motion Picture | 2D | Color | 1.85:1 | 99 Minutes

Directed by | Daniel Lee | Cinematography by | Tony Cheung | Editing by | Ka Tai Cheung, Ka-Fai Cheung, Ettie M. Feldman

Starring | Jet Li, Ching Wan Lau, Karen Mok, Françoise Yip

Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 535 Camera

Lenses | Angenieux Lenses, ARRI / Zeiss Lenses

Hansel & Gretel: Witch Hunters (2013)

Motion Picture | 3D | 2K Project | Color | 88 Minutes

Directed by | Tommy Wirkola | Cinematography by | Michael Bonvillain | Editing by | Jim Page

Starring | Jeremy Renner, Gemma Arterton, Peter Stormare, Famke Janssen

Cameras | ARRI ALEXA Camera, ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Master Prime Lenses

Jing wu ying xiong (1994)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

Directed by | Gordon Chan | Cinematography by | Derek Wan | Editing by | Ki-Hop Chan, Chak-Man Cheng

Starring | Jet Li, Shinobu Nakayama, Siu-Ho Chin, Billy Chow

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses | Angenieux Lenses, ARRI / Zeiss Lenses

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