ARRI Lenses | 759 Titles
Hellboy II: The Golden Army (2008)
Directed by | Guillermo del Toro | Cinematography by | Guillermo Navarro | Editing by | Bernat Vilaplana
Cameras | ARRIFLEX 235 Camera, Moviecam Compact Camera
Lenses | Zeiss Ultra Prime Lenses
Ninja Assassin (2009)
Directed by | James McTeigue | Cinematography by | Karl Walter Lindenlaub | Editing by | Giancarlo Ganziano, Joseph Jett Sally
Lenses | Zeiss Master Prime Lenses
The Runaways (2010)
Directed by | Floria Sigismondi | Cinematography by | Benoît Debie | Editing by | Richard Chew
Cameras | ARRIFLEX 416 Camera
Lenses | Zeiss Master Prime Lenses
Violent Cop (2000)
Directed by | Wai-Man Cheng | Cinematography by | Yuen Man Fung | Editing by | Angie Lam
Cameras | ARRIFLEX 535 B Camera
Lenses | Angenieux Lenses, ARRI / Zeiss Lenses
The Fighter (2010)
The Girl with the Dragon Tattoo (2011)
Directed by | David Fincher | Cinematography by | Jeff Cronenweth | Editing by | Kirk Baxter, Angus Wall
Cameras | Red Epic Camera, Red One MX Camera
Lenses | Zeiss Master Prime Lenses
The Shawshank Redemption (1994)
Directed by | Frank Darabont | Cinematography by | Roger Deakins | Editing by | Richard Francis-Bruce
Cameras | ARRIFLEX 35 BL4 Camera, Moviecam Compact Camera
Lenses | ARRI / Zeiss Lenses
Frida (2002)
Directed by | Julie Taymor | Cinematography by | Rodrigo Prieto | Editing by | Françoise Bonnot
Cameras | ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses | Zeiss Ultra Prime Lenses
33 Days (2012)
Directed by | Jamal Shoorje | Cinematography by | Turaj Mansuri | Editing by | Hassan Ayoubi
Cameras | ARRIFLEX Camera
Lenses | ARRI / Zeiss Lenses
Dredd (2012)
Directed by | Pete Travis | Cinematography by | Anthony Dod Mantle | Editing by | Mark Eckersley
Lenses | Zeiss Ultra Prime Lenses
City Unplugged (1993)
Directed by | Ilkka Järvi-Laturi | Cinematography by | Rein Kotov | Editing by | Christopher Tellefsen
Cameras | ARRIFLEX Camera
Lenses | ARRI / Zeiss Lenses
A Better Life (2011)
Directed by | Chris Weitz | Cinematography by | Javier Aguirresarobe | Editing by | Peter Lambert
Cameras | ARRICAM Lite (LT) Camera
2 Days in New York (2012)
Directed by | Julie Delpy | Cinematography by | Lubomir Bakchev | Editing by | Isabelle Devinck
Cameras | ARRI ALEXA Camera, Sony HDW-750 Camera
Oldeuboi (2003)
Directed by | Chan-wook Park | Cinematography by | Chung-hoon Chung | Editing by | Sang-beom Kim
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
Kundun (1997)
Directed by | Martin Scorsese | Cinematography by | Roger Deakins | Editing by | Thelma Schoonmaker
Starring | Tenzin Thuthob Tsarong, Gyurme Tethong, Tulku Jamyang Kunga Tenzin, Tenzin Yeshi Paichang
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke Lenses, Cooke Super Cine Varotal 25-250mm f2.8 Lens, Zeiss Standard Speed Prime Lenses
Colombiana (2011)
Directed by | Olivier Megaton | Cinematography by | Romain Lacourbas | Editing by | Camille Delamarre
Mo’ Better Blues (1990)
Directed by | Spike Lee | Cinematography by | Ernest R. Dickerson | Editing by | Samuel D. Pollard
Cameras | ARRIFLEX 35 BL4 Camera
Lenses | Zeiss Super Speed Lenses
Hollow Man (2000)
Directed by | Paul Verhoeven | Cinematography by | Jost Vacano | Editing by | Mark Goldblatt, Ron Vignone
Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Moviecam Compact Camera
Lenses | Zeiss Standard Speed Prime Lenses
Seeking a Friend for the End of the World (2012)
Directed by | Lorene Scafaria | Cinematography by | Tim Orr | Editing by | Zene Baker
Cameras | ARRI ALEXA Plus Camera