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Babel (2006)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 143 Minutes

Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Douglas Crise, Stephen Mirrione

Starring | Brad Pitt, Cate Blanchett, Gael García Bernal, Mohamed Akhzam

Cameras | ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

I Am Number Four (2011)

Motion Picture | 2D | Color | 1.85:1 | 111 Minutes

I Am Number Four | ShotOnWhat?

Directed by | D.J. Caruso | Cinematography by | Guillermo Navarro | Editing by | Vince Filippone, Jim Page

Starring | Alex Pettyfer, Timothy Olyphant, Dianna Agron, Teresa Palmer

Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Jane Eyre (2011)

Motion Picture | 2D | Color | 1.85:1 | 120 Minutes

Directed by | Cary Joji Fukunaga | Cinematography by | Adriano Goldman | Editing by | Melanie Oliver

Starring | Mia Wasikowska, Michael Fassbender, Jamie Bell, Su Elliot

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Blindness (2008)

Motion Picture | 2D | Color | 1.85:1 | 121 Minutes

Blindness | ShotOnWhat?

Directed by | Fernando Meirelles | Cinematography by | César Charlone | Editing by | Daniel Rezende

Starring | Julianne Moore, Mark Ruffalo, Gael García Bernal, Yûsuke Iseya

Cameras | Aaton 35-III Camera, Aaton A-Minima Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Sony DCR-PC110 Camera

Lenses | Canon Lenses, Fujinon Lenses, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses

I Killed My Mother (2009)

Motion Picture | 2D | Color, Black and White | 96 Minutes

I Killed My Mother | ShotOnWhat?

Directed by | Xavier Dolan | Cinematography by | Stéphanie Anne Weber Biron | Editing by | Hélène Girard

Starring | Anne Dorval, Xavier Dolan, François Arnaud, Suzanne Clément

Cameras | Red One Camera

Lenses | Zeiss Super Speed Lenses, Zeiss Super Speeds Mk III Lenses

The Affair of the Necklace (2001)

Motion Picture | 2D | Color | 2.39:1 | 118 Minutes

Directed by | Charles Shyer | Cinematography by | Ashley Rowe | Editing by | David Moritz

Starring | Hilary Swank, Simon Baker, Jonathan Pryce, Adrien Brody

Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera

Lenses | Angenieux HR Zoom Lenses, ARRI Shift & Tilt System Lens, Zeiss Ultra Prime Lenses

Haunted – 3D (2011)

Motion Picture | 3D | Color | 143 Minutes

Haunted – 3D | ShotOnWhat?

Directed by | Vikram Bhatt | Cinematography by | Pravin Bhatt | Editing by | Kuldip K. Mehan

Starring | Tia Bajpai, Krishna Bhatt, Krishna Bhatt, Mimoh Chakraborty

Cameras | Silicon Imaging SI-2K Camera

Lenses | Zeiss Ultra 16 Lenses

Struck by Lightning (2012)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Struck by Lightning | ShotOnWhat?

Directed by | Brian Dannelly | Cinematography by | Bobby Bukowski | Editing by | Tia Nolan

Starring | Chris Colfer, Rebel Wilson, Christina Hendricks, Dermot Mulroney

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses

Fred Claus (2007)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Fred Claus | ShotOnWhat?

Directed by | David Dobkin | Cinematography by | Remi Adefarasin | Editing by | Mark Livolsi

Starring | Vince Vaughn, Paul Giamatti, Elizabeth Banks, John Michael Higgins

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Ultra Prime Lenses

In Time (2011)

Motion Picture | 2D | Color | 2.35:1 | 109 Minutes

In Time | ShotOnWhat?

Directed by | Andrew Niccol | Cinematography by | Roger Deakins | Editing by | Zach Staenberg

Starring | Justin Timberlake, Amanda Seyfried, Cillian Murphy, Olivia Wilde

Cameras | ARRI ALEXA Camera

Lenses | Zeiss Master Prime Lenses

Waiting for Guffman (1996)

Motion Picture | 2D | Color | 1.85:1 | 84 Minutes

Waiting for Guffman | ShotOnWhat?

Directed by | Christopher Guest | Cinematography by | Roberto Schaefer | Editing by | Andy Blumenthal

Starring | Christopher Guest, Fred Willard, Catherine O'Hara, Parker Posey

Cameras | Aaton Cameras, Aaton XTR Prod Camera

Lenses | Canon Lenses, Zeiss Super Speed Lenses, Zeiss Super Speeds Mk II Lenses

The Maiden Heist (2009)

Motion Picture | 2D | Color | 2.35:1 | 90 Minutes

Directed by | Peter Hewitt | Cinematography by | Ueli Steiger | Editing by | Carole Kravetz Aykanian

Starring | Christopher Walken, Joseph McKenna, Wynn Everett, Patricia B. Till

Cameras | Moviecam Compact MK2 Camera, Moviecam Superlight Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Boyz n the Hood (1991)

Motion Picture | 2D | Color | 112 Minutes

Directed by | John Singleton | Cinematography by | Charles Mills | Editing by | Bruce Cannon

Starring | Cuba Gooding Jr., Laurence Fishburne, Hudhail Al-Amir, Lloyd Avery II

Cameras | ARRI Cameras

Lenses | ARRI / Zeiss Lenses

Pirates of the Caribbean: On Stranger Tides (2011)

Motion Picture | 3D | Color | 2.39:1 | 136 Minutes

Pirates of the Caribbean: On Stranger Tides | ShotOnWhat?

Directed by | Rob Marshall | Cinematography by | Dariusz Wolski | Editing by | David Brenner, Wyatt Smith

Starring | Johnny Depp, Penélope Cruz, Ian McShane, Geoffrey Rush

Cameras | Red Epic Camera, Red One MX Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Stake Land (2010)

Motion Picture | 2D | Color | 98 Minutes

Directed by | Jim Mickle | Cinematography by | Ryan Samul | Editing by | Jim Mickle

Starring | Connor Paolo, Nick Damici, Kelly McGillis, Gregory Jones

Cameras | Red One Camera

Lenses | Zeiss Super Speed Lenses

Pacific Rim (2013)

Motion Picture | 3D | Color | 1.85:1 | 131 Minutes

Directed by | Guillermo del Toro | Cinematography by | Guillermo Navarro | Editing by | Peter Amundson, John Gilroy

Starring | Idris Elba, Charlie Hunnam, Rinko Kikuchi, Charlie Day

Cameras | Red Epic Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Zeiss Ultra Prime Lenses

L’immortel (2010)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Richard Berry | Cinematography by | Thomas Hardmeier | Editing by | Camille Delamarre

Starring | Jean Reno, Kad Merad, Jean-Pierre Darroussin, Marina Foïs

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Counterfeiters (2007)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 99 Minutes

Directed by | Stefan Ruzowitzky | Cinematography by | Benedict Neuenfels | Editing by | Britta Nahler

Starring | Karl Markovics, August Diehl, Devid Striesow, Martin Brambach

Cameras | ARRIFLEX 16SR2 Camera, ARRIFLEX 16SR3 Camera, Moviecam Superlight Camera

Lenses | Canon Lenses, Cooke Varopanchro Lenses, Zeiss Super Speed Lenses

Glamour Dolls (2016)

Motion Picture | 2D | Color | 2.35:1 | 95 Minutes

Directed by | John De Luca | Cinematography by | Graham Martyr | Editing by | Dominick Gallagher, Paul Lumsden

Starring |

Cameras | ARRI ALEXA Camera, Canon EOS-5D Mark II Camera, Red One MX Camera

Lenses | Zeiss Lenses, Zeiss Super Speed Lenses

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