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Music and Lyrics (2007)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Music and Lyrics | ShotOnWhat?

Directed by | Marc Lawrence | Cinematography by | Xavier Grobet | Editing by | Susan E. Morse

Starring | Hugh Grant, Drew Barrymore, Scott Porter, Nick Bacon

Cameras | ARRI Cameras

Lenses | Zeiss Lenses

W.E. (2011)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 119 Minutes

Directed by | Madonna | Cinematography by | Hagen Bogdanski | Editing by | Danny Tull

Starring | Abbie Cornish, James D'Arcy, Andrea Riseborough, Oscar Isaac

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 16SR3 Advanced Camera

Lenses | Zeiss Ultra Prime Lenses

Amistad (1997)

Motion Picture | 2D | Color | 1.85:1 | 155 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Djimon Hounsou, Matthew McConaughey, Anthony Hopkins, Morgan Freeman

Cameras | Panavision Panaflex Platinum Camera

Lenses | Zeiss Super Speed Lenses

Jodaeiye Nader az Simin (2011)

Motion Picture | 2D | Color | 1.85:1 | 123 Minutes

Directed by | Asghar Farhadi | Cinematography by | Mahmoud Kalari | Editing by | Hayedeh Safiyari

Starring | Payman Maadi, Leila Hatami, Sareh Bayat, Shahab Hosseini

Cameras | Aaton 35-III Camera

Lenses | ARRI / Zeiss Lenses

Argo (2012)

Motion Picture | 2D | Color | 2.39:1 | 120 Minutes

Directed by | Ben Affleck | Cinematography by | Rodrigo Prieto | Editing by | William Goldenberg

Starring | Ben Affleck, Bryan Cranston, John Goodman, Alan Arkin

Cameras | ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, Bolex H16 RX5 Camera, Canon Cameras

Lenses | Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Kern-Paillard Switar Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

51 Paintings (2012)

Motion Picture | 2D | Black & White, Color | 1.78:1 (16x9), 2.39:1 | 78 Minutes

Directed by | Shaun Wilson | Cinematography by | Shaun Wilson | Editing by | Tammy Honey

Starring | Zozie Brown, Beth Clarke, Kim Collmer, Amber Connor

Cameras | Canon EOS 550D Camera, Red One Camera

Lenses | Zeiss DigiPrime Lenses

Jo sok (2005)

Motion Picture | 2D | Color | 1.85:1 | 107 Minutes

Directed by | Tung-Shing Yee | Cinematography by | Kwok-Man Keung | Editing by | Chi-Leung Kwong

Starring | Jaycee Chan, Fiona Sit, Anthony Chau-Sang Wong, Eric Tsang

Cameras | ARRIFLEX 535 B Camera

Lenses | Angenieux Lenses, Zeiss Lenses

End of Watch (2012)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 109 Minutes

Directed by | David Ayer | Cinematography by | Roman Vasyanov | Editing by | Dody Dorn

Starring | Jake Gyllenhaal, Michael Peña, Anna Kendrick, America Ferrera

Cameras | Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Canon XA10 Camera, GoPro HD Hero Camera, Silicon Imaging SI-2K Mini Camera, Silicon Imaging SI-2K Nano Camera

Lenses | Canon Lenses, Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses

Eine ganz heiße Nummer (2011)

Motion Picture | Color | 95 Minutes

Directed by | Markus Goller | Cinematography by | Ueli Steiger | Editing by | Markus Goller, Simon Gstöttmayr

Starring | Gisela Schneeberger, Bettina Mittendorfer, Rosalie Thomass, Monika Gruber

Cameras | Moviecam Compact MK2 Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens

Mørke sjeler (2010)

Motion Picture | 2D | Color | 1.85:1 | 95 Minutes

Directed by | César Ducasse, Mathieu Peteul | Cinematography by | César Ducasse, Mathieu Peteul | Editing by | César Ducasse, Mathieu Peteul

Starring | Johanna Gustavsson, Kristian Holter, Ida Elise Broch, Morten Rudå

Cameras | Aaton LTR 54 Camera, Aaton XTR Prod Camera, Leicina Special Camera

The Devil Wears Prada (2006)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 109 Minutes

Directed by | David Frankel | Cinematography by | Florian Ballhaus | Editing by | Mark Livolsi

Starring | Anne Hathaway, Meryl Streep, Adrian Grenier, Emily Blunt

Cameras | ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

44 Inch Chest (2009)

Motion Picture | 2D | Color | 1.85:1 | 95 Minutes

Directed by | Malcolm Venville | Cinematography by | Daniel Landin | Editing by | Rick Russell

Starring | Ray Winstone, Ian McShane, John Hurt, Tom Wilkinson

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Slumdog Millionaire (2008)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 120 Minutes

Directed by | Danny Boyle, Loveleen Tandan | Cinematography by | Anthony Dod Mantle | Editing by | Chris Dickens

Starring | Dev Patel, Freida Pinto, Saurabh Shukla, Anil Kapoor

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 BL4s Camera, Canon EOS-1D Mark III Camera, Silicon Imaging SI-2K Mini Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens

Body of Evidence (1992)

Motion Picture | 2D | Color | 99 Minutes

Directed by | Uli Edel | Cinematography by | Douglas Milsome | Editing by | Thom Noble

Starring | Madonna, Willem Dafoe, Joe Mantegna, Anne Archer

Cameras | ARRIFLEX Camera

Lenses | ARRI Lenses

Resident Evil: Afterlife (2010)

Motion Picture | 2D, 3D | Color | 2.35:1 | 96 Minutes

Resident Evil: Afterlife | ShotOnWhat?

Directed by | Paul W.S. Anderson | Cinematography by | Glen MacPherson | Editing by | Niven Howie

Starring | Milla Jovovich, Ali Larter, Wentworth Miller, Kim Coates

Cameras | Phantom HD Gold Camera, Sony CineAlta F35 Camera

Lenses | Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens

35 Shots of Rum (2008)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Directed by | Claire Denis | Cinematography by | Agnès Godard | Editing by | Guy Lecorne

Starring | Alex Descas, Mati Diop, Nicole Dogué, Grégoire Colin

Cameras | Aaton 35-III Camera

Lenses | Cooke Speed Panchro Lenses, Zeiss Standard Speed Prime Lenses

Black Hawk Down (2001)

Motion Picture | 2D | Color | 2.39:1 | 144 Minutes

Directed by | Ridley Scott | Cinematography by | Slawomir Idziak | Editing by | Pietro Scalia

Starring | Josh Hartnett, Ewan McGregor, Tom Sizemore, Eric Bana

Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses | Angenieux HR Zoom Lenses, Zeiss Ultra Prime Lenses

I Am Slave (2010)

Motion Picture | 2D | Color | 2.39:1 | 82 Minutes

Directed by | Gabriel Range | Cinematography by | Robbie Ryan | Editing by | Brand Thumim

Starring | Wunmi Mosaku, Isaach De Bankolé, Lubna Azabal, Igal Naor

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

The Crazies (2010)

Motion Picture | 2D | Color | 2.35:1, 2.40:1 | 101 Minutes

The Crazies | ShotOnWhat?

Directed by | Breck Eisner | Cinematography by | Maxime Alexandre | Editing by | Billy Fox

Starring | Radha Mitchell, Timothy Olyphant, Danielle Panabaker, Joe Anderson

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses | Zeiss Master Prime Lenses

Battle of the Brave (2004)

Motion Picture | 2D | Color | 143 Minutes

Directed by | Jean Beaudin | Cinematography by | Louis de Ernsted | Editing by | Jean-François Bergeron, Yves Langlois

Starring | Noémie Godin-Vigneau, David La Haye, Juliette Gosselin, Sébastien Huberdeau

Cameras | ARRIFLEX Camera, Moviecam Cameras

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