Zeiss | 843 Titles
Celeste & Jesse Forever (2012)
Directed by | Lee Toland Krieger | Cinematography by | David Lanzenberg | Editing by | Yana Gorskaya
Cameras | ARRI ALEXA Camera
Life of Pi (2012)
Directed by | Ang Lee | Cinematography by | Claudio Miranda | Editing by | Tim Squyres
Cameras | ARRI ALEXA Camera
Hello I Must Be Going (2012)
Directed by | Todd Louiso | Cinematography by | Julie Kirkwood | Editing by | Tom McArdle
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Ultra Prime Lenses
The Best Offer (2013)
Directed by | Giuseppe Tornatore | Cinematography by | Fabio Zamarion | Editing by | Massimo Quaglia
Cameras | ARRI ALEXA Studio Camera, Red Epic Camera
Lenses | Zeiss Master Prime Lenses
R.I.P.D. (2013)
Directed by | Robert Schwentke | Cinematography by | Alwin H. Küchler | Editing by | Mark Helfrich
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Master Prime Lenses
Se Puder… Dirija! (2013)
Directed by | Anita Barbosa, Paulo Fontenelle | Cinematography by | Nonato Estrela, Pedro Guimaraes
Cameras | Red Epic Camera
Lenses | Zeiss Lenses, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens
The Ring (2002)
Falling in Love Again (1980)
Directed by | Steven Paul | Cinematography by | Dick Bush, Michael Mileham, Wolfgang Suschitzky | Editing by | Jacqueline Cambas, Doug Jackson, Bud S. Smith
Cameras | ARRI Cameras
Ordinary Wilderness (2012)
Directed by | Tim Hall | Cinematography by | Saul McSween | Editing by | Daniel Hansen
Cameras | Canon EOS-5D Mark II Camera
Shigunaru: Getsuyôbi no Ruka (2012)
Directed by | Masaaki Taniguchi | Cinematography by | Shogo Ueno | Editing by | Jun'ichi Itô
Cameras | Red One MX Camera, Sony PMW-F3 Camera
Whale Rider (2002)
Directed by | Niki Caro | Cinematography by | Leon Narbey | Editing by | David Coulson
Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera
Wall Street: Money Never Sleeps (2010)
Directed by | Oliver Stone | Cinematography by | Rodrigo Prieto | Editing by | David Brenner, Julie Monroe
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Zeiss Master Prime Lenses
The Fallen (2004)
Directed by | Ari Taub | Cinematography by | Claudia Amber, Ian Dudley, Caio Ribeiro | Editing by | Nick Day, Ari Taub
Cameras | ARRI Cameras, Panasonic AG-DVX100 Camera
Blood In, Blood Out (1993)
Directed by | Taylor Hackford | Cinematography by | Gabriel Beristain | Editing by | Fredric Steinkamp, Karl F. Steinkamp
Cameras | ARRIFLEX Camera
Easy Money (1983)
Directed by | James Signorelli | Cinematography by | Fred Schuler | Editing by | Robert M. Reitano, Ronald Roose, Rick Shaine
Cameras | ARRIFLEX Camera
Lenses | ARRI / Zeiss Lenses
City of God (2002)
Directed by | Fernando Meirelles, Kátia Lund | Cinematography by | César Charlone | Editing by | Daniel Rezende
Cuestión de tiempo (1988)
Fetih 1453 (2012)
Directed by | Faruk Aksoy | Cinematography by | Hasan Gergin, Mirsad Herovic | Editing by | Erkan Ozekan
Leaves of Grass (2009)
Directed by | Tim Blake Nelson | Cinematography by | Roberto Schaefer | Editing by | Michelle Botticelli
Cameras | Red One Camera
No Country for Old Men (2007)
Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses, Zeiss Master Prime Lenses