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Hoosiers (1986)

Motion Picture | 2D | Color | 1.85:1 | 114 Minutes

Hoosiers | ShotOnWhat?

Directed by | David Anspaugh | Cinematography by | Fred Murphy | Editing by | Carroll Timothy O'Meara

Starring | Gene Hackman, Barbara Hershey, Dennis Hopper, Sheb Wooley

Cameras | ARRI Cameras

Beyond the Rising Moon (1987)

Motion Picture | 2D | Color | 84 Minutes

Beyond the Rising Moon | ShotOnWhat?

Directed by | Philip J. Cook | Cinematography by | Philip J. Cook | Editing by | Philip J. Cook

Starring | Tracy Davis, Hans Bachmann, Michael Mack, Ron Ikejiri

Cameras | ARRIFLEX 16BL Camera, Bolex H16 RX5 Camera

Evil Eyes (2004)

Motion Picture | 2D | Color | 1.85:1 | 80 Minutes

Evil Eyes | ShotOnWhat?

Directed by | Mark Atkins | Cinematography by | Mark Atkins | Editing by | J.D. Ligier, Dustin Voigt

Starring | Adam Baldwin, Jennifer Gates, Udo Kier, Mark Sheppard

Cameras | ARRI Cameras

Siu chan chan (2000)

Motion Picture | 2D | Color | 96 Minutes

Siu chan chan | ShotOnWhat?

Directed by | Chung Man Yee | Cinematography by | Peter Pau

Starring | Aaron Kwok, Kelly Chen, Teresa Mo, Eric Tsang

Cameras | Moviecam Compact Camera

Chernobyl Diaries (2012)

Motion Picture | 2D | Color | 1.85:1 | 86 Minutes

Chernobyl Diaries | ShotOnWhat?

Directed by | Bradley Parker | Cinematography by | Morten Søborg | Editing by | Stan Salfas

Starring | Jesse McCartney, Jonathan Sadowski, Olivia Taylor Dudley, Nathan Phillips

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Muppets (2011)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

Directed by | James Bobin | Cinematography by | Don Burgess | Editing by | James Thomas

Starring | Amy Adams, Jason Segel, Chris Cooper, Rashida Jones

Cameras | Red Epic Camera, Red One MX Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Wuthering Heights (1992)

Motion Picture | 2D | Color | 1.85:1 | 105 Minutes

Wuthering Heights | ShotOnWhat?

Directed by | Peter Kosminsky | Cinematography by | Mike Southon | Editing by | Tony Lawson

Starring | Juliette Binoche, Ralph Fiennes, Janet McTeer, Sophie Ward

Cameras | ARRI Cameras

25th Hour (2002)

Motion Picture | 2D | Color | 2.35:1 | 135 Minutes

25th Hour | ShotOnWhat?

Directed by | Spike Lee | Cinematography by | Rodrigo Prieto | Editing by | Barry Alexander Brown

Starring | Edward Norton, Barry Pepper, Philip Seymour Hoffman, Rosario Dawson

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Ultra Prime Lenses

A Cry in the Wild (1990)

Motion Picture | 2D | Color | 1.85:1 | 82 Minutes

A Cry in the Wild | ShotOnWhat?

Directed by | Mark Griffiths | Cinematography by | Gregg Heschong | Editing by | Carol Oblath

Starring | Jared Rushton, Ned Beatty, Pamela Sue Martin, Stephen Meadows

Cameras | ARRIFLEX 35 BL4s Camera, ARRIFLEX 35 III Camera

Paraiso Travel (2008)

Motion Picture | 2D | Color | 1.85:1 | 116 Minutes

Paraiso Travel | ShotOnWhat?

Directed by | Simon Brand | Cinematography by | Rafa Lluch | Editing by | Alberto de Toro

Starring | Louis Arcella, Angelica Blandon, Pedro Capo, Raúl Castillo

Cameras | ARRI Cameras

Now Is Good (2012)

Motion Picture | 2D | Color | 103 Minutes

Now Is Good | ShotOnWhat?

Directed by | Ol Parker | Cinematography by | Erik Wilson | Editing by | Peter Lambert

Starring | Dakota Fanning, Josef Altin, Jeremy Irvine, Paddy Considine

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Master Prime Lenses

Hao men ye yan (1991)

Motion Picture | 2D | Color | 1.85:1 | 97 Minutes

Directed by | Alfred Cheung, Tung Cho 'Joe' Cheung, Clifton Ko, Hark Tsui | Cinematography by | David Chung, Ardy Lam, Andrew Lau Wai-Keung, Kin Keung Lee, Tak-Wai Lee, Peter Pau, Chi-Wai Tam, Wing-Hang Wong | Editing by | Ma Kam, Marco Mak, David Wu, Shao Feng Yu

Starring | Anthony Chan, Pak-Cheung Chan, Philip Chan, Sylvia Chang

Cameras | ARRIFLEX 35 BL4s Camera

Lenses | Angenieux HR Zoom Lenses, Zeiss Super Speed Lenses

Nadine (1987)

Motion Picture | 2D | Color | 1.85:1 | 83 Minutes

Directed by | Robert Benton | Cinematography by | Néstor Almendros | Editing by | Sam O'Steen

Starring | Jeff Bridges, Kim Basinger, Rip Torn, Gwen Verdon

Cameras | ARRIFLEX 35 BL4 Camera

Lenses | Zeiss Lenses

Clockwatchers (1997)

Motion Picture | 2D | Color | 96 Minutes

Clockwatchers | ShotOnWhat?

Directed by | Jill Sprecher | Cinematography by | Jim Denault | Editing by | Stephen Mirrione

Starring | Toni Collette, Parker Posey, Lisa Kudrow, Alanna Ubach

Cameras | ARRI Cameras

The Man Who Wasn’t There (1983)

Motion Picture | 3D | Film Project | Color | 111 Minutes

Directed by | Bruce Malmuth | Cinematography by | Frederick Moore | Editing by | Harry Keller

Starring | Steve Guttenberg, Jeffrey Tambor, Art Hindle, Morgan Most

Lenses | Panavision Lenses

The Color of Money (1986)

Motion Picture | 2D | Color | 1.85:1 | 119 Minutes

The Color of Money | ShotOnWhat?

Directed by | Martin Scorsese | Cinematography by | Michael Ballhaus | Editing by | Thelma Schoonmaker

Starring | Paul Newman, Tom Cruise, Mary Elizabeth Mastrantonio, Helen Shaver

Cameras | ARRI Cameras

Final Destination 5 (2011)

Motion Picture | 3D | Color | 2.35:1 | 92 Minutes

Final Destination 5 | ShotOnWhat?

Directed by | Steven Quale | Cinematography by | Brian Pearson | Editing by | Eric A. Sears

Starring | Nicholas D'Agosto, Emma Bell, Arlen Escarpeta, Miles Fisher

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Breaking and Entering (2006)

Motion Picture | 2D | Color | 2.35:1 | 120 Minutes

Breaking and Entering | ShotOnWhat?

Directed by | Anthony Minghella | Cinematography by | Benoît Delhomme | Editing by | Lisa Gunning

Starring | Jude Law, Robin Wright, Vera Farmiga, Martin Freeman

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Zeiss Ultra Prime Lenses

Pacific Heights (1990)

Motion Picture | 2D | Color | 1.85:1 | 102 Minutes

Pacific Heights | ShotOnWhat?

Directed by | John Schlesinger | Cinematography by | Amir Mokri | Editing by | Steven Ramirez, Mark Warner

Starring | Melanie Griffith, Matthew Modine, Michael Keaton, Mako

Cameras | ARRI Cameras

Nobody’s Fool (1994)

Motion Picture | 2D | Color | 1.85:1 | 110 Minutes

Nobody’s Fool | ShotOnWhat?

Directed by | Robert Benton | Cinematography by | John Bailey | Editing by | John Bloom

Starring | Paul Newman, Bruce Willis, Jessica Tandy, Melanie Griffith

Cameras | ARRI Cameras

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