Zeiss | 843 Titles
Like Crazy (2011)
Directed by | Drake Doremus | Cinematography by | John Guleserian | Editing by | Jonathan Alberts
Cameras | Canon EOS-7D Camera
Lenses | Zeiss Ultra Prime Lenses
The Walker (2007)
Directed by | Paul Schrader | Cinematography by | Chris Seager | Editing by | Julian Rodd
Cameras | ARRI Cameras
Gong yuan 2000 AD (2000)
Directed by | Gordon Chan | Cinematography by | Arthur Wong | Editing by | Ki-Hop Chan
Cameras | ARRIFLEX 435 ES Camera, Moviecam Compact Camera
Lenses | Angenieux Lenses, Zeiss Lenses
Manda Bala (Send a Bullet) (2007)
Directed by | Jason Kohn | Cinematography by | Heloísa Passos | Editing by | Doug Abel, Jenny Golden, Andy Grieve
Cameras | ARRIFLEX 16SR3 Camera
Lenses | Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses, Zeiss Ultra Prime Lenses
Purple Violets (2007)
Directed by | Edward Burns | Cinematography by | William Rexer | Editing by | Thom Zimny
Cameras | ARRI Cameras
Byzantium (2012)
Directed by | Neil Jordan | Cinematography by | Sean Bobbitt | Editing by | Tony Lawson
Cameras | ARRI ALEXA Plus Camera
Lenses | Zeiss Master Prime Lenses
Kray (2010)
Directed by | Aleksey Uchitel | Cinematography by | Yuriy Klimenko | Editing by | Elena Andreeva, Gleb Nikulskiy
Cameras | ARRI Cameras
To Save a Life (2009)
Directed by | Brian Baugh | Cinematography by | C. Clifford Jones | Editing by | Dan O'Brien, Sarah Sanders
Cameras | Red One Camera
Babes in Toyland (1986)
Directed by | Clive Donner | Cinematography by | Arthur Ibbetson | Editing by | Susan Heick
Cameras | ARRI Cameras
Android (1982)
Directed by | Aaron Lipstadt | Cinematography by | Tim Suhrstedt | Editing by | Andy Horvitch
Cameras | ARRI Cameras
God Don’t Make the Laws (2011)
Directed by | David Sabbath | Cinematography by | Adam N. White | Editing by | David Sabbath
Cameras | ARRI Cameras
Dead Man Walking (1995)
Directed by | Tim Robbins | Cinematography by | Roger Deakins | Editing by | Lisa Zeno Churgin, Ray Hubley
Cameras | ARRI Cameras
$lowdown (2011)
Directed by | Saman Yaghmai-Aledavoud | Cinematography by | Saman Yaghmai-Aledavoud | Editing by | Gene Ivery
Cameras | ARRIFLEX 16SR3 Advanced Camera
Lenses | Zeiss Super Speed Lenses
Wendy and Lucy (2008)
Directed by | Kelly Reichardt | Cinematography by | Sam Levy | Editing by | Kelly Reichardt
Cameras | ARRIFLEX 16SR3 Camera
Sherrybaby (2006)
Directed by | Laurie Collyer | Cinematography by | Russell Lee Fine | Editing by | Curtiss Clayton, Joe Landauer
Cameras | ARRI Cameras
The American Friend (1977)
Directed by | Wim Wenders | Cinematography by | Robby Müller | Editing by | Peter Przygodda
Cameras | ARRI Cameras
The Ward (2010)
Directed by | John Carpenter | Cinematography by | Yaron Orbach | Editing by | Patrick McMahon
Cameras | Moviecam Compact MK2 Camera
Lenses | Zeiss Ultra Prime Lenses
Growth (2010)
Directed by | Gabriel Cowan | Cinematography by | Grisha Alasadi, Katie Boyum, Mark Putnam, Richard J. Vialet | Editing by | John Suits
Cameras | Red One Camera
Lenses | Zeiss Ultra Prime Lenses
Blood: The Last Vampire (2009)
Directed by | Chris Nahon | Cinematography by | Hang-Sang Poon | Editing by | Marco Cavé
Cameras | ARRI Cameras, ARRIFLEX 435 Xtreme Camera
The Stranger (1987)
Directed by | Adolfo Aristarain | Cinematography by | Horacio Maira | Editing by | Eduardo López
Cameras | ARRI Cameras
