Zeiss | 843 Titles
The House on Carroll Street (1987)
Directed by | Peter Yates | Cinematography by | Michael Ballhaus | Editing by | Ray Lovejoy
Cameras | ARRI Cameras
Lenses | Zeiss Lenses
A Winner Never Quits (1986)
Directed by | Mel Damski | Cinematography by | Joseph F. Biroc | Editing by | Michael A. Stevenson
Cameras | ARRI Cameras
Chasing the Light (2011)
Directed by | Robert Henry | Cinematography by | Kelly Travis | Editing by | Andrew W. Chan, David Henry, Robert Henry, Alex Miskei, Allan Spencer Wall
Cameras | Red One Camera
Superhero Movie (2008)
Directed by | Craig Mazin | Cinematography by | Thomas E. Ackerman | Editing by | Andrew S. Eisen, Craig Herring, Dan Schalk
Cameras | ARRI Cameras
Glorious 39 (2009)
Directed by | Stephen Poliakoff | Cinematography by | Danny Cohen | Editing by | Jason Krasucki
Cameras | ARRICAM Lite (LT) Camera
Broken Flowers (2005)
Directed by | Jim Jarmusch | Cinematography by | Frederick Elmes | Editing by | Jay Rabinowitz
Lenses | Zeiss Variable Prime Lenses
Idlewild (2006)
Directed by | Bryan Barber | Cinematography by | Pascal Rabaud | Editing by | Anne Goursaud
Lenses | Zeiss Ultra Prime Lenses
Pterodactyl (2005)
Directed by | Mark L. Lester | Cinematography by | George Mooradian | Editing by | Donn Aron
Cameras | ARRI Cameras
Finnegan Begin Again (1985)
Directed by | Joan Micklin Silver | Cinematography by | Robby Müller | Editing by | Jay Freund
Cameras | ARRIFLEX 35 BL4s Camera
La teta asustada (2009)
Directed by | Claudia Llosa | Cinematography by | Natasha Braier | Editing by | Frank Gutiérrez
Cameras | Moviecam Compact MK2 Camera
The New Daughter (2009)
Directed by | Luiso Berdejo | Cinematography by | Checco Varese | Editing by | Tom Elkins, Robb Sullivan
Wild Target (2010)
Directed by | Jonathan Lynn | Cinematography by | David Johnson | Editing by | Michael Parker
Cameras | ARRICAM Studio (ST) Camera
Mang lung (2005)
Directed by | Daniel Lee | Cinematography by | Tony Cheung | Editing by | Wai Chiu Chung
Cameras | Sony HDW-F900 Camera
Lenses | Canon HJ Series Lenses, Zeiss DigiPrime Lenses
Mesrine Part 1: Killer Instinct (2008)
Directed by | Jean-François Richet | Cinematography by | Robert Gantz | Editing by | Stéphane Garnier, Hervé Schneid
Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera
Blue Sky (1994)
Directed by | Tony Richardson | Cinematography by | Steve Yaconelli | Editing by | Robert K. Lambert
Cameras | ARRI Cameras
The Baker (2007)
Directed by | Gareth Lewis | Cinematography by | Sean Bobbitt | Editing by | Alan Strachan
Cameras | ARRI Cameras
Air America (1990)
Directed by | Roger Spottiswoode | Cinematography by | Roger Deakins | Editing by | John Bloom, Lois Freeman-Fox
Cameras | ARRIFLEX Camera
Lenses | ARRI / Zeiss Lenses
The Young Girl and the Monsoon (1999)
Directed by | James Ryan | Cinematography by | Benjamin Wolf | Editing by | John David Allen
Cameras | ARRIFLEX 35 BL4 Camera
Lenses | Zeiss Super Speed Lenses
Friendship Hotel (2006)
Directed by | Noah Ehlert | Cinematography by | Toshiharu Yaegashi, Toshiharu Yeagashi | Editing by | Ariel Roubinov
Cameras | ARRI Cameras
The Strange Case of Señor Computer (2000)
