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White Collar (2009)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 40 Minutes

| Cinematography by | Russell Lee Fine, Robert Gantz, Niels Alpert, Jamie Silverstein, Joel Ransom | Editing by | Doug Hannah, Jonathan Chibnall, Tom Wilson, Michael Schweitzer, Justin Krohn, Tammis Chandler, Hibah Schweitzer, Jon Dudkowski, Kimberly Ray, Russell Denove, Joel T. Pashby, Jordan Goldman, Michael Stern, Nicholas Erasmus, Kevin Krasny

Starring | Matt Bomer, Tim DeKay, Willie Garson, Tiffani Thiessen

Cameras | Sony CineAlta F35 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Shoplifters (2018)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 121 Minutes

Directed by | Hirokazu Koreeda | Cinematography by | Ryûto Kondô | Editing by | Hirokazu Koreeda

Starring | Lily Franky, Sakura Andô, Kirin Kiki, Mayu Matsuoka

Cameras | ARRI ALEXA Mini Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 535 B Camera

Lenses | Angenieux Optimo Zoom Lenses, Canon K35 Prime Lenses, Fujinon Alura Lenses, Fujinon Lenses, Leitz Summicron-C Series Lenses, Zeiss Ultra Prime Lenses

High School Musical: The Musical – The Series (2019)

Television Series | 2D | 4K Project | Color | 1.78:1 (16x9) |

| Cinematography by | Matthew Williams, Larry Reibman | Editing by | Tod Modisett, Melissa Gearhart

Starring | Joshua Bassett, Olivia Rodrigo, Kate Reinders, Sofia Wylie

Cameras | ARRI ALEXA Mini Camera

A Star Is Born (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 136 Minutes

Directed by | Bradley Cooper | Cinematography by | Matthew Libatique | Editing by | Jay Cassidy

Starring | Lady Gaga, Bradley Cooper, Sam Elliott, Greg Grunberg

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Cooke Anamorphic/i SF 25mm T2.3 Lens, Cooke Anamorphic/i SF 32mm T2.3 Lens, Cooke Anamorphic/i SF 40mm T2.3 Lens, Cooke Anamorphic/i SF 50mm T2.3 Lens, Cooke Anamorphic/i SF 75mm T2.3 Lens, Cooke Anamorphic/i SF Prime Lenses, Kowa Cine Prominar Anamorphic Lenses

Pi (1998)

Motion Picture | 2D | Film Project | Black & White | 1.66:1 | 84 Minutes

Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Oren Sarch

Starring | Sean Gullette, Mark Margolis, Ben Shenkman, Pamela Hart

Cameras | Aaton XTR Prod Camera, Bolex H16 Camera

Lenses | Angenieux Lenses, Canon Lenses

Justified (2010)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 44 Minutes

| Cinematography by | Francis Kenny, Stefan von Bjorn, Edward J. Pei, Richard Crudo, Attila Szalay, Peter Levy, Andrew Strahorn | Editing by | Keith Henderson, Bill Johnson, Steve Polivka, Victor Du Bois, Eric L. Beason, Harvey Rosenstock, Steven Nevius, Dorian Harris, Jean Crupper, Sandra McCallig

Starring | Timothy Olyphant, Nick Searcy, Joelle Carter, Jacob Pitts

Cameras | Red Epic Camera, Red Epic Dragon Camera, Sony CineAlta F35 Camera, Sony SRW-9000PL Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses

Master of None (2015)

Television Series | 2D | 4K Project | Color | 2.39:1 | 30 Minutes

| Cinematography by | Mark Schwartzbard | Editing by | Jennifer Lilly, Suzy Elmiger, Daniel Haworth

Starring | Aziz Ansari, Eric Wareheim, Lena Waithe, Noël Wells

Cameras | Panasonic VariCam 35

Lenses | Angenieux HR Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses

Sons of Anarchy (2008)

Television Series | 2D | Color | 1.78:1 (16x9) | 45 Minutes

| Cinematography by | Paul Maibaum, David Boyd, John C. Flinn III, Jonathan Freeman, Edward J. Pei | Editing by | Paul Fontaine, Lauren Pendergrass, Etienne Des Lauriers, Hunter M. Via, Jordan Goldman, Jacques Gravett, Doc Crotzer, Tamara Luciano, Sidney Wolinsky

Starring | Charlie Hunnam, Katey Sagal, Mark Boone Junior, Kim Coates

Cameras | ARRI ALEXA Camera, Panavision Genesis Camera, Sony PMW-F3 Camera

Lenses | Angenieux Optimo 45-120 mm T2.8 Lens, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

Amores Perros (2000)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 154 Minutes

Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Luis Carballar, Alejandro G. Iñárritu, Fernando Pérez Unda

Starring | Emilio Echevarría, Gael García Bernal, Goya Toledo, Álvaro Guerrero

Cameras | Moviecam Superlight Camera

Lenses | Angenieux HR Zoom Lenses, Zeiss Super Speed Lenses

Better Call Saul (2015)

Television Series | 2D | 4K Project | Black & White, Color | 1.78:1 (16x9) | 46 Minutes

The Lord of the Rings: The Two Towers (2002)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 179 Minutes

Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Michael Horton

Starring | Elijah Wood, Ian McKellen, Viggo Mortensen, Orlando Bloom

Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 Camera, Mitchell Cameras, Moviecam Compact Camera

Lenses | Angenieux Lenses, Zeiss Ultra Prime Lenses

The Lord of the Rings: The Return of the King (2003)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 201 Minutes

Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jamie Selkirk

Starring | Elijah Wood, Viggo Mortensen, Ian McKellen, Orlando Bloom

Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Body of Lies (2008)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 128 Minutes

Directed by | Ridley Scott | Cinematography by | Alexander Witt | Editing by | Pietro Scalia

Starring | Leonardo DiCaprio, Russell Crowe, Mark Strong, Golshifteh Farahani

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Bloodline (2015)

Television Series | 2D | 4K Project | Color | 60 Minutes

| Cinematography by | Jaime Reynoso, Darren Lew | Editing by | Josh Beal, Naomi Geraghty, Deborah Moran, Louise Innes, Lynne Willingham, Dorian Harris, Justin Krohn, Ravi Subramanian, Aaron Kuhn, Jill Paget

Starring | Kyle Chandler, Ben Mendelsohn, Linda Cardellini, Sissy Spacek

Cameras | Sony PMW-F55 Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses, Zeiss Master Prime Lenses

Unstoppable (2010)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 98 Minutes

Directed by | Tony Scott | Cinematography by | Ben Seresin | Editing by | Robert Duffy, Chris Lebenzon

Starring | Denzel Washington, Chris Pine, Rosario Dawson, Ethan Suplee

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

A Quiet Place (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 90 Minutes

Directed by | John Krasinski | Cinematography by | Charlotte Bruus Christensen | Editing by | Christopher Tellefsen

Starring | Emily Blunt, John Krasinski, Millicent Simmonds, Noah Jupe

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Panavision Anamorphic Macro Panatar Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses

3 Idiots (2009)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 170 Minutes

Directed by | Rajkumar Hirani | Cinematography by | C.K. Muraleedharan | Editing by | Rajkumar Hirani

Starring | Aamir Khan, Madhavan, Mona Singh, Sharman Joshi

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Zeiss Master Prime Lenses

Whiplash (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 106 Minutes

Directed by | Damien Chazelle | Cinematography by | Sharone Meir | Editing by | Tom Cross

Starring | Miles Teller, J.K. Simmons, Melissa Benoist, Paul Reiser

Cameras | ARRI ALEXA Camera, Canon EOS-7D Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Leitz Summilux-C Series Lenses

A Girl Is a Gun (2017)

Television Series, Web Series | 2D | 4K Project | Color | 2.35:1 |

| Cinematography by | Tobias Deml | Editing by | Benjamin Geronimi

Starring | Hiram A. Murray, Jon Komp Shin, Maria Volk, Roy Werner

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Optimo Anamorphic 30-72 mm A2S T4.0 Lens, Cooke Anamorphic/i 135mm T2.3 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 75mm T2.3 Lens

Vice (2018)

Motion Picture | 2D | Color | 2.39:1 | 132 Minutes

Directed by | Adam McKay | Cinematography by | Greig Fraser | Editing by | Hank Corwin

Starring | Christian Bale, Amy Adams, Steve Carell, Sam Rockwell

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, Bolex Cameras

Lenses | Angenieux HR Zoom Lenses, Cooke Anamorphic/i Prime Lenses

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