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Diamonds Are Forever (1971)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 120 Minutes

Directed by | Guy Hamilton | Cinematography by | Ted Moore | Editing by | Bert Bates, John W. Holmes

Starring | Sean Connery, Jill St. John, Charles Gray, Lana Wood

Cameras | ARRIFLEX 35 IIA Camera, Panavision Super PSR R-200

Lenses | Panavision C Series Anamorphic Lenses, Panavision Lenses

On Her Majesty’s Secret Service (1969)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 142 Minutes

Directed by | Peter R. Hunt | Cinematography by | Michael Reed | Editing by | John Glen

Starring | George Lazenby, Diana Rigg, Telly Savalas

Cameras | ARRIFLEX 35 IIA Camera, Mitchell BNC Camera

Lenses | Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses

Licence to Kill (1989)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 133 Minutes

Directed by | John Glen | Cinematography by | Alec Mills | Editing by | John Grover

Starring | Timothy Dalton, Robert Davi, Carey Lowell

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Octopussy (1983)

Motion Picture | 2D | 2K Project | Color | 2.20:1, 2.39:1 | 131 Minutes

Directed by | John Glen | Cinematography by | Alan Hume | Editing by | Peter Davies, Henry Richardson

Starring | Roger Moore, Maud Adams, Louis Jourdan

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Camera, Panavision Panaflex Gold Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Casino Royale (1967)

Motion Picture | 2D | Film Project | Black & White, Color | 2.35:1 | 131 Minutes

Directed by | Val Guest, Ken Hughes, John Huston, Joseph McGrath, Robert Parrish, Richard Talmadge | Cinematography by | Jack Hildyard | Editing by | Bill Lenny

Starring | David Niven, Peter Sellers, Ursula Andress, Orson Welles

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Casino Royale (2006)

Motion Picture | 2D | 2K Project | Black & White, Color | 2.39:1 | 144 Minutes

Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Stuart Baird

Starring | Daniel Craig, Eva Green, Judi Dench, Jeffrey Wright

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Lenses, Cooke S4/i Lenses

Dr. No (1962)

Motion Picture | 2D | Film Project | Color | 1.66:1, 1.85:1 | 110 Minutes

Directed by | Terence Young | Cinematography by | Ted Moore | Editing by | Peter R. Hunt

Starring | Sean Connery, Ursula Andress, Bernard Lee, Joseph Wiseman

Cameras | Mitchell BNC Camera

Die Another Day (2002)

Motion Picture | 2D | Film Project | Black & White, Color | 2.39:1 | 133 Minutes

Directed by | Lee Tamahori | Cinematography by | David Tattersall | Editing by | Andrew MacRitchie, Christian Wagner

Starring | Pierce Brosnan, Halle Berry, Rosamund Pike, Toby Stephens

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Quantum of Solace (2008)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 106 Minutes

Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse, Richard Pearson

Starring | Daniel Craig, Olga Kurylenko, Mathieu Amalric, Judi Dench

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Spectre (2015)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 148 Minutes

No Time to Die (2021)

Motion Picture | 2D | 4K Project | Color | 1.43:1, 1.90:1, 2.39:1 | 163 Minutes

Ratcatcher (1999)

Motion Picture | 2D | Color | 1.85:1 | 94 Minutes

Directed by | Lynne Ramsay | Cinematography by | Alwin H. Küchler | Editing by | Lucia Zucchetti

Starring | Tommy Flanagan, Mandy Matthews, William Eadie, Michelle Stewart

Cameras | ARRIFLEX 16mm Cameras, ARRIFLEX 35mm Cameras

Lenses | Zeiss Lenses, Zeiss Variable Prime Lenses

Blood and Sand (1941)

Motion Picture | 2D | Film Project | Color | 1.37:1 | 125 Minutes

Directed by | Rouben Mamoulian | Cinematography by | Ernest Palmer, Ray Rennahan | Editing by | Robert Bischoff

Starring | Tyrone Power, Linda Darnell, Rita Hayworth

Cameras | Technicolor 3-Strip Camera

Shanghai Express (1932)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 82 Minutes

Directed by | Josef von Sternberg | Cinematography by | Lee Garmes, James Wong Howe | Editing by | Frank Sullivan

Starring | Marlene Dietrich, Clive Brook, Anna May Wong

Doctor Who (2005)

Television Series | 2D | HD Project, SD Project | Color | 1.78:1 (16x9) | 45 Minutes

| Cinematography by | Ernest Vincze, Rory Taylor, Stephan Pehrsson, Mark Waters, Ashley Rowe, Neville Kidd, Sam Heasman, Owen McPolin, Tim Palmer, Stuart Biddlecombe, Richard Stoddard, Damian Bromley, Suzie Lavelle, Ed Moore, Balazs Bolygo, Catherine Goldschmidt, Graham Frake, Tony Slater Ling, Dale Elena McCready, G. Magni Ágústsson, Ali Asad, Simon Chapman, Denis Crossan, Tico Poulakakis, Simon Archer, Erik Wilson, Gavin Struthers, Simon Dennis, Jake Polonsky, Mike Southon, Mark Garrett, Nic Morris, Mike Spragg | Editing by | William Oswald, Mike Jones, John Richards, Jamie Pearson, Becky Trotman, Tim Porter, Liana Del Giudice, Crispin Green, Mike Hopkins, Graham Walker, Selina Macarthur, Adam Green, David Cresswell, Matthew Tabern, Philip Kloss, Joel Skinner, David Fisher, Adam Trotman, Edel McDonnell, Ceres Doyle, David Barrett, Matthew Newman, Peter Oliver, Matthew Cannings, Xavier Russell, Helen Murphy, Ulrike Münch, Tom Chapman, Alan Levy, Jamie McCoan, Richard Cox, Adam Recht, Anthony Boys, Anthony Combes, Úna Ní Dhonghaíle, Simon Reglar, Nick Arthurs, Mark Davis, Iain Erskine, St. John O'Rorke, Sam Williams, Lucien Clayton, Philip Hookway, Tim Hodges, Agnieszka Liggett

Starring | Jodie Whittaker, Peter Capaldi, Pearl Mackie, Matt Smith

Cameras | ARRI ALEXA Camera, ARRI ALEXA XT Camera, Sony Betacam (Unknown) Camera, Sony CineAlta F35 Camera, Sony HDW-F900 Camera

Badlands (1973)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 94 Minutes

Directed by | Terrence Malick | Cinematography by | Tak Fujimoto, Stevan Larner, Brian Probyn | Editing by | Robert Estrin, Billy Weber

Starring | Martin Sheen, Sissy Spacek, Warren Oates

Cameras | Mitchell BNCR Camera

Bad Girl (1931)

Motion Picture | 2D | Film Project | Black & White | 90 Minutes

Directed by | Frank Borzage | Cinematography by | Chester A. Lyons | Editing by | Margaret Clancey

Starring | James Dunn, Sally Eilers, Minna Gombell

Fight Club (1999)

Motion Picture | 2D | Color | 2.39:1 | 139 Minutes

Directed by | David Fincher | Cinematography by | Jeff Cronenweth | Editing by | James Haygood

Starring | Brad Pitt, Edward Norton, Meat Loaf, Zach Grenier

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Lenses, Panavision Primo Primes Spherical Lenses

Star Wars: Episode I – The Phantom Menace (1999)

Motion Picture | 2D, 3D | Color | 1.90:1, 2.39:1 | 136 Minutes

Directed by | George Lucas | Cinematography by | David Tattersall | Editing by | Ben Burtt, Paul Martin Smith

Starring | Ewan McGregor, Liam Neeson, Natalie Portman, Jake Lloyd

Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera, Sony HDC-750 Camera

Lenses | Hawk C-Series Lenses

Star Wars: Episode IV – A New Hope (1977)

Motion Picture | 2D | Film Project | Color | 1.33:1 (4x3), 2.20:1, 2.39:1, 2.64:1 | 121 Minutes

Directed by | George Lucas | Cinematography by | Gilbert Taylor | Editing by | Richard Chew, T.M. Christopher, Paul Hirsch, Marcia Lucas, George Lucas

Starring | Mark Hamill, Harrison Ford, Carrie Fisher, Alec Guinness

Cameras | ARRIFLEX 35 III Camera, Dykstraflex Camera, Mitchell VistaVision Camera, Panavision Cameras, Panavision Super PSR R-200

Lenses | Panavision C Series Anamorphic Lenses

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