35mm Film Negative Width | 2708 Titles
The Accountant (2016)
The Beguiled (2017)
Directed by | Sofia Coppola | Cinematography by | Philippe Le Sourd | Editing by | Sarah Flack
Cameras | ARRICAM Lite (LT) Camera
Lenses | Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses
Murder on the Orient Express (2017)
Directed by | Kenneth Branagh | Cinematography by | Haris Zambarloukos | Editing by | Mick Audsley
Cameras | ARRI ALEXA 65 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision System 65 Camera
Lenses | Panavision Sphero 65 Series Lenses
Never Say Never Again (1983)
Directed by | Irvin Kershner | Cinematography by | Douglas Slocombe | Editing by | Ian Crafford
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
10 (1979)
Directed by | Blake Edwards | Cinematography by | Frank Stanley | Editing by | Ralph E. Winters
Lenses | Cooke Lenses
The Informer (1935) 
Directed by | John Ford | Cinematography by | Joseph H. August | Editing by | George Hively
Cameras | Mitchell Standard Camera
From Russia with Love (1963)
Directed by | Terence Young | Cinematography by | Ted Moore | Editing by | Peter R. Hunt
Cameras | Mitchell BNC Camera
Goldfinger (1964)
Directed by | Guy Hamilton | Cinematography by | Ted Moore | Editing by | Peter R. Hunt
Cameras | Mitchell BNC Camera
Thunderball (1965)
Directed by | Terence Young | Cinematography by | Ted Moore | Editing by | Ernest Hosler
Cameras | ARRIFLEX 35 IIA Camera, Mitchell BNC Camera
You Only Live Twice (1967)
Directed by | Lewis Gilbert | Cinematography by | Freddie Young | Editing by | Thelma Connell
Cameras | Mitchell BNC Camera
Live and Let Die (1973)
Directed by | Guy Hamilton | Cinematography by | Ted Moore | Editing by | Bert Bates, Raymond Poulton, John Shirley
Cameras | ARRIFLEX 35 IIC Camera, Panavision Super PSR R-200
Lenses | Panavision Super Speed Lenses
The Man with the Golden Gun (1974)
Directed by | Guy Hamilton | Cinematography by | Ted Moore, Oswald Morris | Editing by | Raymond Poulton, John Shirley
Lenses | Panavision Super Speed Lenses
The Spy Who Loved Me (1977)
Moonraker (1979)
For Your Eyes Only (1981)
Directed by | John Glen | Cinematography by | Alan Hume | Editing by | John Grover
Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Camera, Panavision Panaflex Gold Camera, Panavision Panaflex-X Camera
The Living Daylights (1987)
Directed by | John Glen | Cinematography by | Alec Mills | Editing by | Peter Davies, John Grover
Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera
GoldenEye (1995)
Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Terry Rawlings
Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 35 IIIC Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses | Cooke Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
A View to a Kill (1985)
Tomorrow Never Dies (1997)
Directed by | Roger Spottiswoode | Cinematography by | Robert Elswit | Editing by | Michel Arcand, Dominique Fortin
Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
The World Is Not Enough (1999)
