35mm Film Negative Width | 2708 Titles
Once Upon a Time… in Hollywood (2019)
Directed by | Quentin Tarantino | Cinematography by | Robert Richardson | Editing by | Fred Raskin
Cameras | Aaton A-Minima Camera, ARRIFLEX Camera, Bolex Cameras, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses
Star Wars: Episode VI – Return of the Jedi (1983)
Directed by | Richard Marquand | Cinematography by | Alan Hume, Alec Mills | Editing by | Sean Barton, T.M. Christopher, Duwayne Dunham, Marcia Lucas, George Lucas
Lenses | Cooke Varotal Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses
Twin Peaks (1990)
| Cinematography by | Frank Byers, Ronald Víctor García | Editing by | Jonathan P. Shaw, Paul Trejo, Toni Morgan, Duwayne Dunham, Mary Sweeney
Lenses | Panavision Lenses
Raw Deal (1986)
Directed by | John Irvin | Cinematography by | Alex Thomson | Editing by | Anne V. Coates
Cameras | ARRIFLEX 35 BL3 Camera
Lenses | Cooke Xtal Express Lenses
Romeo and Juliet (1968)
Directed by | Franco Zeffirelli | Cinematography by | Pasqualino De Santis | Editing by | Reginald Mills
Cameras | Mitchell BNCR Camera
Phantom of the Opera (1943)
Directed by | Arthur Lubin | Cinematography by | W. Howard Greene, Hal Mohr | Editing by | Russell F. Schoengarth
With Byrd at the South Pole (1930)
Cinematography by | Joseph T. Rucker, Willard Van der VeerEditing by | Emanuel Cohen
Cameras | Akeley 35mm Ciné Camera
White Shadows in the South Seas (1928)
Directed by | W.S. Van Dyke, Robert J. Flaherty | Cinematography by | Clyde De Vinna, George Gordon Nogle, Bob Roberts | Editing by | Ben Lewis
Cameras | Mitchell Standard Camera
The Great Waltz (1938)
Directed by | Julien Duvivier, Victor Fleming, Josef von Sternberg | Cinematography by | Joseph Ruttenberg | Editing by | Tom Held
Cameras | Mitchell Standard Camera
The Other Side of the Wind (2018)
Directed by | Orson Welles | Cinematography by | Gary Graver | Editing by | Bob Murawski, Orson Welles
Cameras | Éclair NPR Camera
The Love Witch (2016)
Directed by | Anna Biller | Cinematography by | M. David Mullen | Editing by | Anna Biller
Cameras | ARRICAM Studio (ST) Camera
The Awful Truth (1937)
Mr. Deeds Goes to Town (1936)
Directed by | Frank Capra | Cinematography by | Joseph Walker | Editing by | Gene Havlick
Cameras | Mitchell Standard Camera
Anthony Adverse (1936)
Directed by | Mervyn LeRoy, Michael Curtiz | Cinematography by | Tony Gaudio | Editing by | Ralph Dawson
The Divine Lady (1928)
7th Heaven (1927)
Directed by | Frank Borzage | Cinematography by | Ernest Palmer, Joseph A. Valentine | Editing by | Barney Wolf
Cameras | Mitchell Standard Camera
Ad Astra (2019)
Directed by | James Gray | Cinematography by | Hoyte Van Hoytema | Editing by | John Axelrad, Lee Haugen
Cameras | Aaton Penelope Camera, ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX Camera
The Good Earth (1937) 
Directed by | Sidney Franklin, Victor Fleming, Gustav Machatý, Sam Wood | Cinematography by | Karl Freund | Editing by | Basil Wrangell, Ben Lewis
Cameras | Mitchell Standard Camera
A Midsummer Night’s Dream (1935)
Directed by | William Dieterle, Max Reinhardt | Cinematography by | Hal Mohr | Editing by | Ralph Dawson
Boy Erased (2018)
Directed by | Joel Edgerton | Cinematography by | Eduard Grau | Editing by | Jay Rabinowitz
Cameras | ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera
Lenses | Zeiss Super Speed Lenses
