Kodak Vision3 500T 5219/7219 Neg. Film | 376 Titles
The Guilt Trip (2012)
 Directed by | Anne Fletcher | Cinematography by | Oliver Stapleton | Editing by | Dana E. Glauberman, Priscilla Nedd-Friendly 
 
  Cameras | ARRICAM Lite (LT) Camera, Moviecam Compact Camera 
 Glee (2009)
  | Cinematography by | Christopher Baffa, Joaquin Sedillo, Michael Goi, Duane Mieliwocki | Editing by | Joe Leonard, Doc Crotzer, Bradley Buecker, John Roberts, Philip Harrison, Andrew Groves, Alexander Soskin, Nathan Allen, David Dean, Rich Fox, Fabienne Bouville, Jason Gourson, Ishai Setton, Zack Arnold  
 
 The Company You Keep (2012)
 Directed by | Robert Redford | Cinematography by | Adriano Goldman | Editing by | Mark Day 
 
  Cameras | ARRICAM Lite (LT) Camera 
Noah (2014)
 Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Andrew Weisblum 
 
  Cameras | ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera 
 Ain’t Them Bodies Saints (2013)
 Directed by | David Lowery | Cinematography by | Bradford Young | Editing by | Craig McKay, Jane Rizzo 
 
  Cameras | ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera 
  Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Panavision Primo Primes Spherical Lenses, Zeiss Master Prime Lenses 
Treme (2010)
  | Cinematography by | Ivan Strasburg, Irek Hartowicz, Tim Ives, Lisa Rinzler | Editing by | Alex Hall, Malcolm Jamieson, Naomi Geraghty, Brian A. Kates, Kate Sanford, Matthew Booras, Bill Pankow  
 
  Lenses | Angenieux Optimo Zoom Lenses, Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses 
The Amazing Spider-Man 2 (2014)
 Directed by | Marc Webb | Cinematography by | Dan Mindel | Editing by | Pietro Scalia  
 
  Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses 
The Mortal Instruments: City of Bones (2013)
 Directed by | Harald Zwart | Cinematography by | Geir Hartly Andreassen | Editing by | Jacqueline Carmody  
 
 Plan 9 (2015)
 Directed by | John Johnson | Cinematography by | B. Sweeney | Editing by | John Johnson, Neil Wagner 
 
  Cameras | Aaton 35-III Camera, Sony PMW-F3 Camera 
  Lenses | Zeiss Lenses 
The Paperboy (2012)
 Directed by | Lee Daniels | Cinematography by | Roberto Schaefer | Editing by | Joe Klotz 
 
  Cameras | Aaton XTR Prod Camera, ARRIFLEX 16SR3 Camera 
  Lenses | Canon Lenses, Zeiss Super Speed Lenses 
Yi jiu si er (2012)
G.I. Joe: Retaliation (2013)
 Directed by | Jon M. Chu | Cinematography by | Stephen F. Windon | Editing by | Roger Barton, Jim May  
 
 The Hunger Games: Catching Fire (2013)
 Directed by | Francis Lawrence | Cinematography by | Jo Willems | Editing by | Alan Edward Bell  
 
  Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses 
Fruitvale Station (2013)
 Directed by | Ryan Coogler | Cinematography by | Rachel Morrison | Editing by | Claudia Castello, Michael P. Shawver 
 
  Cameras | ARRIFLEX 416 Camera 
  Lenses | Zeiss Ultra 16 Lenses 
The Impossible (2012)
 Directed by | J.A. Bayona | Cinematography by | Oscar Faura | Editing by | Elena Ruiz, Bernat Vilaplana  
 
  Lenses | Zeiss Master Prime Lenses 
Silver Linings Playbook (2012)
 Directed by | David O. Russell | Cinematography by | Masanobu Takayanagi | Editing by | Jay Cassidy, Crispin Struthers  
 
 Les Misérables (2012)
 Directed by | Tom Hooper | Cinematography by | Danny Cohen | Editing by | Chris Dickens, Melanie Oliver  
 
 Austenland (2013)
 Directed by | Jerusha Hess | Cinematography by | Larry Smith | Editing by | Nick Fenton 
 
  Cameras | ARRI Cameras 
  Lenses | Zeiss Lenses 
Ek Tha Tiger (2012)
La piel que habito (2011)
 Directed by | Pedro Almodóvar | Cinematography by | José Luis Alcaine | Editing by | José Salcedo  
 
  Lenses | Zeiss Master Prime Lenses 
 
  
 

































































