Kodak Vision3 500T 5219/7219 Neg. Film | 376 Titles
Jonah Hex (2010)
 Directed by | Jimmy Hayward | Cinematography by | Mitchell Amundsen | Editing by | Kent Beyda, Daniel P. Hanley, Tom Lewis, Fernando Villena 
 
  Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera 
 The New Daughter (2009)
 Directed by | Luiso Berdejo | Cinematography by | Checco Varese | Editing by | Tom Elkins, Robb Sullivan 
 
 Jennifer’s Body (2009)
 Directed by | Karyn Kusama | Cinematography by | M. David Mullen | Editing by | Plummy Tucker 
 
  Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Phantom HD Camera 
  Lenses | Panavision Primo Anamorphic Lenses 
Splice (2009)
 Directed by | Vincenzo Natali | Cinematography by | Tetsuo Nagata | Editing by | Michele Conroy 
 
  Cameras | Panavision Panaflex Millennium XL Camera 
  Lenses | Panavision Primo Anamorphic Lenses 
Sherlock Holmes: A Game of Shadows (2011)
 Directed by | Guy Ritchie | Cinematography by | Philippe Rousselot | Editing by | James Herbert 
 
  Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex Camera, Phantom HD Camera, Phantom HD Gold Camera 
  Lenses | Panavision Primo Anamorphic Lenses 
Now Is Good (2012)
 Directed by | Ol Parker | Cinematography by | Erik Wilson | Editing by | Peter Lambert  
 
  Lenses | Zeiss Master Prime Lenses 
The Sitter (2011)
 Directed by | David Gordon Green | Cinematography by | Tim Orr | Editing by | Craig Alpert  
 
  Lenses | Panavision Primo Anamorphic Lenses 
The Tempest (2010)
 Directed by | Julie Taymor | Cinematography by | Stuart Dryburgh | Editing by | Françoise Bonnot 
 
  Cameras | ARRICAM Lite (LT) Camera 
  Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses 
Captain America: The First Avenger (2011)
 Directed by | Joe Johnston | Cinematography by | Shelly Johnson | Editing by | Robert Dalva, Jeffrey Ford 
 
  Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera 
 Something Borrowed (2011)
 Directed by | Luke Greenfield | Cinematography by | Charles Minsky | Editing by | John Axelrad 
 
  Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera 
  Lenses | Panavision Primo Anamorphic Lenses 
The Help (2011)
 Directed by | Tate Taylor | Cinematography by | Stephen Goldblatt | Editing by | Hughes Winborne  
 
  Lenses | Panavision Primo Anamorphic Lenses 
Io sono l’amore (2009)
 Directed by | Luca Guadagnino | Cinematography by | Yorick Le Saux | Editing by | Walter Fasano 
 
  Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera 
 La dame de trèfle (2009)
 Directed by | Jérôme Bonnell | Cinematography by | Pascal Lagriffoul | Editing by | Laure Gardette 
 
  Cameras | ARRICAM Studio (ST) Camera 
  Lenses | Cooke S4 Lenses 
Little Birds (2011)
 Directed by | Elgin James | Cinematography by | Reed Morano | Editing by | Suzanne Spangler  
 
  Lenses | Panavision Primo Anamorphic Lenses 
$lowdown (2011)
 Directed by | Saman Yaghmai-Aledavoud | Cinematography by | Saman Yaghmai-Aledavoud | Editing by | Gene Ivery 
 
  Cameras | ARRIFLEX 16SR3 Advanced Camera 
  Lenses | Zeiss Super Speed Lenses 
The Black Balloon (2008)
 Directed by | Elissa Down | Cinematography by | Denson Baker | Editing by | Veronika Jenet  
 
  Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses 
To Rome with Love (2012)
 Directed by | Woody Allen | Cinematography by | Darius Khondji | Editing by | Alisa Lepselter  
 
  Lenses | Cooke 5/i Lenses, Cooke Speed Panchro Lenses 
Secretariat (2010)
 Directed by | Randall Wallace | Cinematography by | Dean Semler | Editing by | John Wright 
 
  Cameras | ARRIFLEX 435 Camera, Olympus PEN E-P1 Camera, Pan-Arri 435 Camera, Panavision Genesis Camera, Phantom HD Camera 
  Lenses | Panavision Primo Anamorphic Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens 
Villa Amalia (2009)
 Directed by | Benoît Jacquot | Cinematography by | Caroline Champetier | Editing by | Luc Barnier 
 
  Cameras | Aaton 35-III Camera, Moviecam Compact Camera 
Third Star (2010)
 Directed by | Hattie Dalton | Cinematography by | Carlos Catalán | Editing by | Peter Christelis 
 
  Cameras | ARRI Cameras 
 
  
 




























































