Kodak Vision 200T 5274 Neg. Film | 98 Titles
Morvern Callar (2002)
Directed by | Lynne Ramsay | Cinematography by | Alwin H. Küchler | Editing by | Lucia Zucchetti
Cameras | Moviecam Compact Camera
Histoire de Marie et Julien (2003)
Directed by | Jacques Rivette | Cinematography by | William Lubtchansky | Editing by | Nicole Lubtchansky
Cameras | Panavision Cameras
Lenses | Panavision Primo Anamorphic Lenses
Enigma (2001)
Directed by | Michael Apted | Cinematography by | Seamus McGarvey | Editing by | Rick Shaine
Cameras | Panavision Panaflex Camera
Lenses | Panavision Primo Anamorphic Lenses
Hidalgo (2004)
Rush Hour 2 (2001)
Directed by | Brett Ratner | Cinematography by | Matthew F. Leonetti | Editing by | Mark Helfrich, Robert K. Lambert
Cameras | Panavision Panaflex Millennium Camera
Seabiscuit (2003)
Directed by | Gary Ross | Cinematography by | John Schwartzman | Editing by | William Goldenberg
Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera
Monster (2003)
Directed by | Patty Jenkins | Cinematography by | Steven Bernstein | Editing by | Arthur Coburn, Jane Kurson
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Little Children (2006)
Shadow of the Vampire (2000)
Directed by | E. Elias Merhige | Cinematography by | Lou Bogue | Editing by | Chris Wyatt
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
Lenses | Zeiss Super Speed Lenses
The Loss of Sexual Innocence (1999)
Directed by | Mike Figgis | Cinematography by | Benoît Delhomme | Editing by | Matthew Wood
Cameras | Aaton XTR Prod Camera
Lenses | Canon Lenses, Zeiss Super Speed Lenses
Ali (2001)
Directed by | Michael Mann | Cinematography by | Emmanuel Lubezki | Editing by | William Goldenberg, Lynzee Klingman, Stephen E. Rivkin, Stuart Waks
Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Sony HDW-F900 Camera
Billy Elliot (2000)
Directed by | Stephen Daldry | Cinematography by | Brian Tufano | Editing by | John Wilson
Cameras | Aaton 35-III Camera, ARRIFLEX 35 BL4 Camera
Lenses | Zeiss Lenses
Being Julia (2004)
Directed by | István Szabó | Cinematography by | Lajos Koltai | Editing by | Susan Shipton
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke Varotal Lenses
Harry Potter and the Goblet of Fire (2005)
Directed by | Mike Newell | Cinematography by | Roger Pratt | Editing by | Mick Audsley
Lenses | Angenieux Optimo Anamorphic Lenses, Canon Lenses, Cooke S4 Lenses, Zeiss Variable Prime Lenses
About Schmidt (2002)
Directed by | Alexander Payne | Cinematography by | James Glennon | Editing by | Kevin Tent
Cameras | Panavision Panaflex Gold II Camera
Wonder Boys (2000)
Directed by | Curtis Hanson | Cinematography by | Dante Spinotti | Editing by | Dede Allen
Cameras | Panavision Panaflex Millennium Camera
Lenses | Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses, Panavision Slant Focus Lenses
Memoirs of a Geisha (2005)
Directed by | Rob Marshall | Cinematography by | Dion Beebe | Editing by | Pietro Scalia
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera
Walk the Line (2005)
Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Michael McCusker
Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Standard Primes (SP) Lenses
3 Needles (2005)
Directed by | Thom Fitzgerald | Cinematography by | Tom Harting | Editing by | Susan Shanks
Cameras | ARRIFLEX 35 BL4 Camera
Little Miss Sunshine (2006)
Directed by | Jonathan Dayton, Valerie Faris | Cinematography by | Tim Suhrstedt | Editing by | Pamela Martin
