Kodak Vision 2 Film Neg. Film | 402 Titles
Push (2009)
Directed by | Paul McGuigan | Cinematography by | Peter Sova | Editing by | Nicolas Trembasiewicz
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 16SR3 Camera, Bolex H16 RX5 Camera, Bolex H16 SB Camera
Prom Night (2008)
Boardwalk Empire (2010)
| Cinematography by | William Coleman, David Franco, Jonathan Freeman, Kramer Morgenthau, Stuart Dryburgh, Eric Moynier | Editing by | Kate Sanford, Tim Streeto, Eric Lorenz, Sidney Wolinsky, Perri B. Frank
Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Pride & Prejudice (2005)
Directed by | Joe Wright | Cinematography by | Roman Osin | Editing by | Paul Tothill
Lenses | Cooke S4 Lenses
Desperate Housewives (2004)
| Cinematography by | Lowell Peterson, David J. Miller, Richard M. Rawlings Jr., Eric Van Haren Noman, Walt Fraser, Michael Negrin, David Franco, Kenneth Zunder | Editing by | Jonathan Posell, Andrew Doerfer, Karen Castañeda, Nancy Morrison, Brent White, Troy Takaki, Kaja Fehr, Michael Berenbaum, William Marrinson
Cameras | ARRI ALEXA Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses
The Phantom of the Opera (2004)
Ray (2004)
Happy Endings (2005)
Faster (2010)
Directed by | George Tillman Jr. | Cinematography by | Michael Grady | Editing by | Dirk Westervelt
Lenses | Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses
The Duchess (2008)
Omkara (2006)
Directed by | Vishal Bhardwaj | Cinematography by | Tassaduq Hussain | Editing by | Meghna Manchanda Sen
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke Lenses, Cooke S4 Lenses
Transformers: Revenge of the Fallen (2009)
Directed by | Michael Bay | Cinematography by | Ben Seresin | Editing by | Roger Barton, Tom Muldoon, Joel Negron, Paul Rubell
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera
Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
No Country for Old Men (2007) 
Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses, Zeiss Master Prime Lenses
Faut que ça danse! (2007)
Directed by | Noémie Lvovsky | Cinematography by | Jean-Marc Fabre | Editing by | Emmanuelle Castro
Cameras | ARRIFLEX 535 B Camera
People Like Us (2012)
Directed by | Alex Kurtzman | Cinematography by | Salvatore Totino | Editing by | Robert Leighton
Lenses | Cooke S4 Lenses
De-Lovely (2004)
Directed by | Irwin Winkler | Cinematography by | Tony Pierce-Roberts | Editing by | Julie Monroe
Cameras | Panavision Panaflex Millennium Camera
Lenses | Panavision Primo Anamorphic Lenses
The New World (2005)
Directed by | Terrence Malick | Cinematography by | Emmanuel Lubezki | Editing by | Richard Chew, Hank Corwin, Saar Klein, Mark Yoshikawa
Cameras | Aaton 35-III Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
The Big Empty (2005)
Directed by | Lisa Chang, Newton Thomas Sigel | Cinematography by | Newton Thomas Sigel | Editing by | Maureen O'Keefe
Cameras | Panavision Panaflex Millennium Camera
Lenses | Panavision Primo Anamorphic Lenses
Broken Flowers (2005)
Directed by | Jim Jarmusch | Cinematography by | Frederick Elmes | Editing by | Jay Rabinowitz
Lenses | Zeiss Variable Prime Lenses
Idlewild (2006)
Directed by | Bryan Barber | Cinematography by | Pascal Rabaud | Editing by | Anne Goursaud
Lenses | Zeiss Ultra Prime Lenses
