Kodak Vision 2 Film Neg. Film | 402 Titles
Jonah Hex (2010)
Directed by | Jimmy Hayward | Cinematography by | Mitchell Amundsen | Editing by | Kent Beyda, Daniel P. Hanley, Tom Lewis, Fernando Villena
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
La teta asustada (2009)
Directed by | Claudia Llosa | Cinematography by | Natasha Braier | Editing by | Frank Gutiérrez
Cameras | Moviecam Compact MK2 Camera
Jack Goes Boating (2010)
Directed by | Philip Seymour Hoffman | Cinematography by | W. Mott Hupfel III | Editing by | Brian A. Kates
Lenses | Cooke S4 Lenses
I, Robot (2004)
Directed by | Alex Proyas | Cinematography by | Simon Duggan | Editing by | William Hoy, Richard Learoyd, Armen Minasian
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera
Lenses | Cooke S4 Lenses, Zeiss Ultra Prime Lenses
The New Daughter (2009)
Directed by | Luiso Berdejo | Cinematography by | Checco Varese | Editing by | Tom Elkins, Robb Sullivan
Mesrine Part 1: Killer Instinct (2008)
Directed by | Jean-François Richet | Cinematography by | Robert Gantz | Editing by | Stéphane Garnier, Hervé Schneid
Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera
Jennifer’s Body (2009)
Directed by | Karyn Kusama | Cinematography by | M. David Mullen | Editing by | Plummy Tucker
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Phantom HD Camera
Lenses | Panavision Primo Anamorphic Lenses
Down in the Valley (2005)
Directed by | David Jacobson | Cinematography by | Enrique Chediak | Editing by | David Jacobson, Lynzee Klingman, Edward Norton
Cameras | Panavision Panaflex Millennium XL Camera
Pride (2007)
Directed by | Sunu Gonera | Cinematography by | Matthew F. Leonetti | Editing by | Billy Fox
Cameras | Moviecam Compact Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Syriana (2005)
Directed by | Stephen Gaghan | Cinematography by | Robert Elswit | Editing by | Tim Squyres
Cameras | Panavision Panaflex Millennium XL Camera
Bandslam (2009)
Directed by | Todd Graff | Cinematography by | Eric Steelberg | Editing by | John Gilbert
Cameras | Panavision Cameras
Blood and Chocolate (2007)
All the Boys Love Mandy Lane (2006)
Now Is Good (2012)
Directed by | Ol Parker | Cinematography by | Erik Wilson | Editing by | Peter Lambert
Lenses | Zeiss Master Prime Lenses
Breaking and Entering (2006)
Directed by | Anthony Minghella | Cinematography by | Benoît Delhomme | Editing by | Lisa Gunning
Lenses | Zeiss Ultra Prime Lenses
Pirates of the Caribbean: Dead Man’s Chest (2006)
Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Stephen E. Rivkin, Craig Wood
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Captain America: The First Avenger (2011)
Directed by | Joe Johnston | Cinematography by | Shelly Johnson | Editing by | Robert Dalva, Jeffrey Ford
Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Miss Pettigrew Lives for a Day (2008)
Directed by | Bharat Nalluri | Cinematography by | John de Borman | Editing by | Barney Pilling
Cameras | Panavision Cameras
The Legend of Zorro (2005)
Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Stuart Baird
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Manda Bala (Send a Bullet) (2007)
Directed by | Jason Kohn | Cinematography by | Heloísa Passos | Editing by | Doug Abel, Jenny Golden, Andy Grieve
Cameras | ARRIFLEX 16SR3 Camera
Lenses | Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses, Zeiss Ultra Prime Lenses
