Fujifilm Film Mfg | 196 Titles
Cornouaille (2012)
Plan de table (2012)
 Directed by | Christelle Raynal | Cinematography by | Éric Guichard | Editing by | Philippe Bourgueil 
 
  Cameras | Aaton Penelope Camera 
  Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses 
La fille du puisatier (2011)
Switch (2011)
 Directed by | Thomas Hefferon | Cinematography by | Jj Rolfe | Editing by | Eamonn Cleary 
 
  Cameras | Aaton 35-III Camera, ARRIFLEX 535 B Camera 
  Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Super Speed Lenses 
Skate or Die (2008)
 Directed by | Miguel Courtois 
 
  Cameras | ARRIFLEX 16SR2 Camera 
  Lenses | Angenieux Optimo 24-290 mm T2.8 Lens 
Margaret (2009)
 Directed by | James Kent | Cinematography by | David Odd | Editing by | William Diver 
 
  Cameras | ARRICAM Lite (LT) Camera 
 Fashion Victim (2009)
Le capital (2012)
 Directed by | Costa-Gavras | Cinematography by | Eric Gautier | Editing by | Yannick Kergoat, Yorgos Lamprinos 
 
  Cameras | Aaton Penelope Camera 
 Verrückt nach Paris (2002)
 Directed by | Pago Bahlke, Eike Besuden | Cinematography by | Piotr Lenar | Editing by | Margot Neubert-Maric  
 
  Lenses | Fujinon E Series Lenses, Zeiss Lenses 
Le séminaire Caméra Café (2009)
 Directed by | Charles Nemes | Cinematography by | Étienne Fauduet | Editing by | Kako Kelber 
 
  Lenses | Angenieux Optimo 28-76 mm T2.6 Lens 
The Awakening (2011)
 Directed by | Nick Murphy | Cinematography by | Eduard Grau | Editing by | Victoria Boydell 
 
  Cameras | Panavision Panaflex Millennium XL Camera 
 Captain Phillips (2013)
 Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse 
 
  Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, VistaVision Cameras 
  Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, ARRI / Zeiss Lenses, Canon Lenses, Leitz Summilux-C Series Lenses, Zeiss Super Speed Lenses 
The Butler (2013)
 Directed by | Lee Daniels | Cinematography by | Andrew Dunn | Editing by | Brian A. Kates, Joe Klotz  
 
  Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses 
Liquid Bridge (2003)
 Directed by | Phillip Avalon | Cinematography by | Roger Buckingham | Editing by | David Stiven  
 
  Lenses | Cooke Lenses, Zeiss Lenses 
Harold & Kumar Go to White Castle (2004)
 Directed by | Danny Leiner | Cinematography by | Bruce Douglas Johnson | Editing by | Jeff Betancourt 
 
  Cameras | Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera 
  Lenses | Panavision Primo Classic Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens 
Sound of Noise (2010)
 Directed by | Ola Simonsson, Johannes Stjärne Nilsson | Cinematography by | Charlotta Tengroth | Editing by | Andreas Jonsson, Ola Simonsson, Johannes Stjärne Nilsson, Stefan Sundlöf 
 
  Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera 
  Lenses | Angenieux Lenses, Angenieux Optimo 24-290 mm T2.8 Lens, ARRI Lenses, Zeiss Ultra Prime Lenses 
A Good Day to Die Hard (2013)
 Directed by | John Moore | Cinematography by | Jonathan Sela | Editing by | Dan Zimmerman  
 
  Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses 
House M.D. (2004)
  | Cinematography by | Gale Tattersall, Roy H. Wagner, Anthony Gaudioz, Walt Lloyd, Newton Thomas Sigel, Cort Fey, James Dillinger | Editing by | Dorian Harris, Chris Brookshire, Amy M. Fleming, Kimberly Ray, Lawrence Curtis, Zeborah Tidwell, Bonnie Koehler, Chad Mochrie, Marta Evry, Sue Blainey, Bill Johnson, Christopher Nelson, Tatiana S. Riegel, Deborah Moran, Arge O'Neal, Jo Francis, Elliot Graham, Anthony Pinker, Scott Boyd, Seth Clark, David Post, Stephen Semel 
 
  Cameras | ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Canon EOS-5D Mark II Camera 
  Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses 
Coward (2012)
Angel (1999)
  | Cinematography by | Ross Berryman, Herbert Davis | Editing by | Mark Goldman, Mark S. Westmore, Michael Stern, George Pilkinton, Casey O. Rohrs, Regis Kimble, Frederick Wardell, Ben Wegner 
 
  Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera 
  Lenses | Panavision Lenses 
 
























































