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Goldcrest Post, New York | 15 Titles

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The Favourite (2018)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 119 Minutes

Directed by | Yorgos Lanthimos | Cinematography by | Robbie Ryan | Editing by | Yorgos Mavropsaridis

Starring | Olivia Colman, Emma Stone, Rachel Weisz, Nicholas Hoult

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Nikon - Nikkor Lenses, Panavision PVintage Prime Lenses

The Killing of a Sacred Deer (2017)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 121 Minutes

Directed by | Yorgos Lanthimos | Cinematography by | Thimios Bakatakis | Editing by | Yorgos Mavropsaridis

Starring | Barry G. Bernson, Herb Caillouet, Bill Camp

Cameras | ARRICAM Lite (LT) Camera

Lenses | Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Zeiss Master Prime Lenses

Batman Begins (2005)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 140 Minutes

Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Lee Smith

Starring | Christian Bale, Michael Caine, Ken Watanabe, Liam Neeson

Cameras | ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Victoria & Abdul (2017)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Directed by | Stephen Frears | Cinematography by | Danny Cohen | Editing by | Melanie Oliver

Starring | Judi Dench, Ali Fazal, Tim Pigott-Smith

Cameras | ARRI ALEXA Camera, Red Epic Dragon Camera

Lenses | Angenieux Lenses, Zeiss Master Prime Lenses

Sorry to Bother You (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 112 Minutes

Directed by | Boots Riley | Cinematography by | Doug Emmett | Editing by | Terel Gibson

Starring | LaKeith Stanfield, Tessa Thompson, Jermaine Fowler

Cameras | ARRI ALEXA Mini Camera

Lenses | Cooke Anamorphic/i Prime Lenses

American Animals (2018)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Directed by | Bart Layton | Cinematography by | Ole Bratt Birkeland | Editing by | Luke Dunkley, Nick Fenton, Chris Gill, Julian Hart

Starring | Spencer Reinhard, Warren Lipka, Eric Borsuk

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Sony α7S II Camera

Lenses | Cooke Anamorphic Lenses, Leica R Series Lenses, Zeiss Super Speed Lenses

Super Dark Times (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 103 Minutes

Directed by | Kevin Phillips | Cinematography by | Eli Born | Editing by | Ed Yonaitis

Starring | Owen Campbell, Charlie Tahan, Elizabeth Cappuccino

Cameras | Red Epic Dragon Camera

Lenses | Cooke Anamorphic Lenses

Murder on the Orient Express (2017)

Motion Picture | 2D | 4K Project | Black & White, Color | 2.39:1 | 114 Minutes

Directed by | Kenneth Branagh | Cinematography by | Haris Zambarloukos | Editing by | Mick Audsley

Starring | Kenneth Branagh, Penélope Cruz, Willem Dafoe

Cameras | ARRI ALEXA 65 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision System 65 Camera

Lenses | Panavision Sphero 65 Series Lenses

Skyfall (2012)

Motion Picture | 2D | Color | 1.90:1, 2.39:1 | 143 Minutes

Directed by | Sam Mendes | Cinematography by | Roger Deakins | Editing by | Stuart Baird

Starring | Daniel Craig, Javier Bardem, Naomie Harris, Judi Dench

Cameras | ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, Red Epic Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Annihilation (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 115 Minutes

Directed by | Alex Garland | Cinematography by | Rob Hardy | Editing by | Barney Pilling

Starring | Natalie Portman, Jennifer Jason Leigh, Tessa Thompson

Cameras | Red Weapon Dragon Camera, Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses | Panavision G Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Panatar Anamorphic Lenses

The Banshees of Inisherin (2022)

Motion Picture | 2D | 4K Project | Color | 114 Minutes

Directed by | Martin McDonagh | Cinematography by | Ben Davis | Editing by | Mikkel E.G. Nielsen

Starring | Colin Farrell, Brendan Gleeson, Kerry Condon

Cameras | ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime Lenses

Jason Bourne (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 123 Minutes

Directed by | Paul Greengrass | Cinematography by | Barry Ackroyd | Editing by | Christopher Rouse

Starring | Matt Damon, Tommy Lee Jones, Alicia Vikander, Vincent Cassel

Cameras | Aaton Penelope Camera, Aaton XTR Prod Camera, ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, Codex Action Cam, Red Epic Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Kowa Cine Prominar Spherical Lenses, Panavision Lenses, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses

Carol (2015)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 118 Minutes

Directed by | Todd Haynes | Cinematography by | Edward Lachman | Editing by | Affonso Gonçalves

Starring | Cate Blanchett, Rooney Mara, Sarah Paulson, Kyle Chandler

Cameras | ARRIFLEX 416 Camera

Lenses | Angenieux HR Zoom Lenses, Cooke S4/i Lenses, Cooke Speed Panchro Lenses, Cooke Varopanchro Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens

Mission to Lars (2012)

Documentary | 2D | Color | 1.78:1 (16x9) | 74 Minutes

Mission to Lars | ShotOnWhat?

Directed by | James Moore, William Spicer | Editing by | Mags Arnold, Tom Herington, Ben Luria, James Moore

Starring | Kate Spicer, Tom Spicer, William Spicer, Jasmin St. Claire

Cameras | Sony PMW-EX3 Camera

The Loss of a Teardrop Diamond (2008)

Motion Picture | 2D | Color | 2.39:1 | 102 Minutes

Directed by | Jodie Markell | Cinematography by | Giles Nuttgens | Editing by | Susan E. Morse, Jeremy Workman

Starring | Bryce Dallas Howard, Chris Evans, Will Patton, Ann-Margret

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision E Series Anamorphic Lenses

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