Film Print Anamorphic | 715 Titles
Take (2007)
Directed by | Charles Oliver | Cinematography by | Tristan Whitman | Editing by | Andrew McAllister
Lenses | Panavision Primo Anamorphic Lenses
South Pacific (1958)
Directed by | Joshua Logan | Cinematography by | Leon Shamroy | Editing by | Robert L. Simpson
Cameras | Todd-AO 65mm Camera
The Way of War (2009)
Directed by | John R. Carter | Cinematography by | Kevin Sarnoff | Editing by | Matthew Booth, Chris Allen Williams
Cameras | ARRI Cameras
The Cell (2000)
Directed by | Tarsem Singh | Cinematography by | Paul Laufer | Editing by | Robert Duffy, Paul Rubell
Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Panavision Panaflex Platinum Camera
Jagten (2012)
Directed by | Thomas Vinterberg | Cinematography by | Charlotte Bruus Christensen | Editing by | Janus Billeskov Jansen, Anne Østerud
Cameras | ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Cooke Speed Panchro Lenses, Fujinon Alura Zoom 45-250 mm T2.8 Lens
Bobby Jones: Stroke of Genius (2004)
Directed by | Rowdy Herrington | Cinematography by | Tom Stern | Editing by | Pasquale Buba
Cameras | Panavision Cameras
Elle s’appelait Sarah (2010)
Directed by | Gilles Paquet-Brenner | Cinematography by | Pascal Ridao | Editing by | Hervé Schneid
Cameras | Red One Camera
Ballistic: Ecks vs. Sever (2002)
Directed by | Wych Kaosayananda | Cinematography by | Julio Macat | Editing by | Jay Cassidy, Caroline Ross
Lenses | Cooke S4 Lenses
Rambo (2008)
Directed by | Sylvester Stallone | Cinematography by | Glen MacPherson | Editing by | Sean Albertson
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses | Zeiss Ultra Prime Lenses
The Human Stain (2003)
Directed by | Robert Benton | Cinematography by | Jean-Yves Escoffier | Editing by | Christopher Tellefsen
Lenses | Panavision Primo Anamorphic Lenses
The Proprietor (1996)
Directed by | Ismail Merchant | Cinematography by | Larry Pizer | Editing by | William Webb
Cameras | Panavision Cameras
Terumae romae (2012)
Directed by | Hideki Takeuchi | Cinematography by | Kazunari Kawagoe | Editing by | Hiroshi Matsuo
Cameras | Red One MX Camera
Most Wanted (1997)
Directed by | David Hogan | Cinematography by | Marc Reshovsky | Editing by | Michael J. Duthie, Mark Helfrich
Cameras | Panavision Cameras
King of the Hill (1993)
Directed by | Steven Soderbergh | Cinematography by | Elliot Davis | Editing by | Steven Soderbergh
Cameras | Panavision Cameras
The Bourne Supremacy (2004)
Directed by | Paul Greengrass | Cinematography by | Oliver Wood | Editing by | Richard Pearson, Christopher Rouse
Cameras | ARRI Cameras
Pathfinder (2007)
Directed by | Marcus Nispel | Cinematography by | Daniel Pearl | Editing by | Jay Friedkin, Glen Scantlebury
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Summer (2008)
Directed by | Kenneth Glenaan | Cinematography by | Tony Slater Ling | Editing by | Kristina Hetherington
Cameras | ARRI Cameras
Rounders (1998)
Directed by | John Dahl | Cinematography by | Jean-Yves Escoffier | Editing by | Scott Chestnut
Lenses | Panavision Primo Anamorphic Lenses
Secretariat (2010)
Directed by | Randall Wallace | Cinematography by | Dean Semler | Editing by | John Wright
Cameras | ARRIFLEX 435 Camera, Olympus PEN E-P1 Camera, Pan-Arri 435 Camera, Panavision Genesis Camera, Phantom HD Camera
Lenses | Panavision Primo Anamorphic Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens
Calvaire (2004)
Directed by | Fabrice du Welz | Cinematography by | Benoît Debie | Editing by | Sabine Hubeaux
Cameras | Aaton A-Minima Camera
Lenses | Zeiss Ultra Prime Lenses
