Film Print Anamorphic | 715 Titles
The Burning Plain (2008)
Directed by | Guillermo Arriaga | Cinematography by | Robert Elswit | Editing by | Craig Wood
Cameras | Panavision Cameras
Bandslam (2009)
Directed by | Todd Graff | Cinematography by | Eric Steelberg | Editing by | John Gilbert
Cameras | Panavision Cameras
Blood and Chocolate (2007)
Brainstorm (1983)
Directed by | Douglas Trumbull | Cinematography by | Richard Yuricich | Editing by | Freeman A. Davies, Edward Warschilka
Transporter 3 (2008)
Directed by | Olivier Megaton | Cinematography by | Giovanni Fiore Coltellacci | Editing by | Camille Delamarre, Carlo Rizzo
Lenses | Cooke S4 Lenses
25th Hour (2002)
Directed by | Spike Lee | Cinematography by | Rodrigo Prieto | Editing by | Barry Alexander Brown
Lenses | Zeiss Ultra Prime Lenses
Sherlock Holmes: A Game of Shadows (2011)
Directed by | Guy Ritchie | Cinematography by | Philippe Rousselot | Editing by | James Herbert
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex Camera, Phantom HD Camera, Phantom HD Gold Camera
Lenses | Panavision Primo Anamorphic Lenses
Rock Star (2001)
Directed by | Stephen Herek | Cinematography by | Ueli Steiger | Editing by | Trudy Ship
Cameras | Panavision Cameras
Final Destination 5 (2011)
Directed by | Steven Quale | Cinematography by | Brian Pearson | Editing by | Eric A. Sears
Cameras | ARRI ALEXA Camera
Breaking and Entering (2006)
Directed by | Anthony Minghella | Cinematography by | Benoît Delhomme | Editing by | Lisa Gunning
Lenses | Zeiss Ultra Prime Lenses
Bait (2000)
Directed by | Antoine Fuqua | Cinematography by | Tobias A. Schliessler | Editing by | Alan Edward Bell
Cameras | Panavision Cameras
Pirates of the Caribbean: Dead Man’s Chest (2006)
Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Stephen E. Rivkin, Craig Wood
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Gone with the Wind (1939) 
Directed by | Victor Fleming, George Cukor, Sam Wood | Cinematography by | Ernest Haller, Lee Garmes
Cameras | Technicolor 3-Strip Camera
Lenses | Bausch & Lomb Lenses
The Tempest (2010)
Directed by | Julie Taymor | Cinematography by | Stuart Dryburgh | Editing by | Françoise Bonnot
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Exam (2009)
Directed by | Stuart Hazeldine | Cinematography by | Tim Wooster | Editing by | Mark Talbot-Butler
Cameras | Panavision Cameras
Road to Perdition (2002)
Directed by | Sam Mendes | Cinematography by | Conrad L. Hall | Editing by | Jill Bilcock
Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Captain America: The First Avenger (2011)
Directed by | Joe Johnston | Cinematography by | Shelly Johnson | Editing by | Robert Dalva, Jeffrey Ford
Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Give ’em Hell Malone (2009)
Directed by | Russell Mulcahy | Cinematography by | Jonathan Hall | Editing by | Robert A. Ferretti
Cameras | Panavision Cameras
The Walker (2007)
Directed by | Paul Schrader | Cinematography by | Chris Seager | Editing by | Julian Rodd
Cameras | ARRI Cameras
Miss Pettigrew Lives for a Day (2008)
Directed by | Bharat Nalluri | Cinematography by | John de Borman | Editing by | Barney Pilling
Cameras | Panavision Cameras
