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DVD | 2011 Titles

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Public Enemies (2009)

Motion Picture | 2D | Color | 2.35:1 | 140 Minutes

Directed by | Michael Mann | Cinematography by | Dante Spinotti | Editing by | Jeffrey Ford, Paul Rubell

Starring | Christian Bale, Johnny Depp, Christian Stolte, Jason Clarke

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera

Lenses | Cooke S4 Lenses, Fujinon E Series Lenses, Zeiss DigiPrime Lenses

A Series of Unfortunate Events (2004)

Motion Picture | 2D | 2K Project | Black & White, Color | 1.85:1 | 108 Minutes

Directed by | Brad Silberling | Cinematography by | Emmanuel Lubezki | Editing by | Michael Kahn

Starring | Jim Carrey, Jude Law, Meryl Streep, Liam Aiken

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Coraline (2009)

Motion Picture | 3D | 2K Project | Black & White, Color | 1.85:1 | 100 Minutes

Directed by | Henry Selick | Cinematography by | Pete Kozachik | Editing by | Christopher Murrie, Ronald Sanders

Starring | Dakota Fanning, Teri Hatcher, John Hodgman, Jennifer Saunders

Cameras | Nikon 80 Camera, Princeton Instruments MEGAPLUS ES 11000 Camera, Red One Camera

The Brave One (2007)

Motion Picture | 2D | Color | 2.39:1 | 122 Minutes

Directed by | Neil Jordan | Cinematography by | Philippe Rousselot | Editing by | Tony Lawson

Starring | Jodie Foster, Terrence Howard, Naveen Andrews, Nicky Katt

Cameras | Panavision Panaflex Camera

Lenses | Panavision Primo Anamorphic Lenses

Hop (2011)

Motion Picture | 2D | Color | 1.85:1 | 95 Minutes

Hop | ShotOnWhat?

Directed by | Tim Hill | Cinematography by | Peter Lyons Collister | Editing by | Peter S. Elliot, Gregory Perler

Starring | Russell Brand, James Marsden, Elizabeth Perkins, Kaley Cuoco

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Un heureux événement (2011)

Motion Picture | 2D | Color | 2.39:1 | 107 Minutes

Directed by | Rémi Bezançon | Cinematography by | Antoine Monod | Editing by | Sophie Reine

Starring | Louise Bourgoin, Pio Marmaï, Josiane Balasko, Thierry Frémont

Cameras | ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

Jackie Brown (1997)

Motion Picture | 2D | Color | 1.85:1 | 154 Minutes

Directed by | Quentin Tarantino | Cinematography by | Guillermo Navarro | Editing by | Sally Menke

Starring | Pam Grier, Samuel L. Jackson, Robert Forster, Bridget Fonda

Cameras | Moviecam Compact Camera

Lenses | Zeiss Super Speed Lenses

House of Sand and Fog (2003)

Motion Picture | 2D | Color | 1.85:1 | 126 Minutes

Directed by | Vadim Perelman | Cinematography by | Roger Deakins | Editing by | Lisa Zeno Churgin

Starring | Jennifer Connelly, Ben Kingsley, Ron Eldard, Frances Fisher

Cameras | ARRIFLEX 535 B Camera, Moviecam Superlight Camera

Lenses | Cooke S4 Lenses

The Accountant (2001)

Short Film | 2D | Color | 1.66:1 | 35 Minutes

Directed by | Ray McKinnon | Cinematography by | Blake B. Jackson | Editing by | Joan Sobel

Starring | Ray McKinnon, Walton Goggins, Eddie King, Gary Richardson

Cameras | Panavision Cameras

Lenses | Panavision Lenses

The Life Aquatic with Steve Zissou (2004)

Motion Picture | 2D | Color | 2.39:1 | 119 Minutes

The Life Aquatic with Steve Zissou | ShotOnWhat?

Directed by | Wes Anderson | Cinematography by | Robert D. Yeoman | Editing by | David Moritz

Starring | Bill Murray, Owen Wilson, Anjelica Huston, Cate Blanchett

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

The Hangover Part II (2011)

Motion Picture | 2D | Color | 2.35:1 | 102 Minutes

The Hangover Part II | ShotOnWhat?

Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Debra Neil-Fisher, Michael L. Sale

Starring | Bradley Cooper, Zach Galifianakis, Ed Helms, Justin Bartha

Cameras | ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

My Big Fat Greek Wedding (2002)

Motion Picture | 2D | Color | 1.85:1 | 95 Minutes

Directed by | Joel Zwick | Cinematography by | Jeffrey Jur | Editing by | Mia Goldman

Starring | Nia Vardalos, John Corbett, Michael Constantine, Christina Eleusiniotis

Cameras | Panavision Cameras

Lenses | Panavision Lenses

The Mummy: Tomb of the Dragon Emperor (2008)

Motion Picture | 2D | Color | 2.35:1 | 112 Minutes

The Mummy: Tomb of the Dragon Emperor | ShotOnWhat?

Directed by | Rob Cohen | Cinematography by | Simon Duggan | Editing by | Kelly Matsumoto, Joel Negron

Starring | Brendan Fraser, Jet Li, Maria Bello, Michelle Yeoh

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Last Action Hero (1993)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 130 Minutes

Directed by | John McTiernan | Cinematography by | Dean Semler | Editing by | Richard A. Harris, John Wright

Starring | Arnold Schwarzenegger, F. Murray Abraham, Art Carney, Charles Dance

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Twister (1996)

Motion Picture | 2D | Color | 2.39:1 | 113 Minutes

Twister | ShotOnWhat?

Directed by | Jan de Bont | Cinematography by | Jack N. Green | Editing by | Michael Kahn

Starring | Helen Hunt, Bill Paxton, Cary Elwes, Jami Gertz

Cameras | ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Saw 3D: The Final Chapter (2010)

Motion Picture | 3D | Color | 1.85:1 | 90 Minutes

Saw 3D: The Final Chapter | ShotOnWhat?

Directed by | Kevin Greutert | Cinematography by | Brian Gedge | Editing by | Andrew Coutts

Starring | Tobin Bell, Costas Mandylor, Betsy Russell, Cary Elwes

Cameras | Silicon Imaging SI-2K Camera

Lethal Weapon 4 (1998)

Motion Picture | 2D | Color | 2.39:1 | 127 Minutes

Directed by | Richard Donner | Cinematography by | Andrzej Bartkowiak | Editing by | Dallas Puett, Kevin Stitt, Eric Strand, Frank J. Urioste

Starring | Mel Gibson, Danny Glover, Joe Pesci, Rene Russo

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Panic Room (2002)

Motion Picture | 2D | Color | 2.39:1 | 112 Minutes

Directed by | David Fincher | Cinematography by | Conrad W. Hall, Darius Khondji | Editing by | James Haygood, Angus Wall

Starring | Jodie Foster, Kristen Stewart, Forest Whitaker, Dwight Yoakam

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Rookie (2002)

Motion Picture | 2D | Color | 2.39:1 | 127 Minutes

Directed by | John Lee Hancock | Cinematography by | John Schwartzman | Editing by | Eric L. Beason

Starring | Dennis Quaid, JD Evermore, Rachel Griffiths, Jay Hernandez

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses

Two Soldiers (2003)

Short Film | 2D | Color | 1.85:1 | 40 Minutes

Directed by | Aaron Schneider | Cinematography by | David Boyd | Editing by | Kelly Matsumoto, Aaron Schneider

Starring | Jonathan Furr, Ben Allison, Ron Perlman, David Andrews

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision Primo Primes Spherical Lenses

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