Blu-ray | 1349 Titles
A Thousand Words (2012)
Serenity (2005)
Directed by | Joss Whedon | Cinematography by | Jack N. Green | Editing by | Lisa Lassek
Lenses | Panavision Lenses
Across the Universe (2007)
Directed by | Julie Taymor | Cinematography by | Bruno Delbonnel | Editing by | Françoise Bonnot
Cameras | ARRI Cameras, Panavision Cameras
Lenses | Panavision Lenses
Sling Blade (1996)
Directed by | Billy Bob Thornton | Cinematography by | Barry Markowitz | Editing by | Hughes Winborne
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Training Day (2001)
Directed by | Antoine Fuqua | Cinematography by | Mauro Fiore | Editing by | Conrad Buff IV
Lenses | Hawk C-Series Lenses
A Serious Man (2009)
Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen
Cameras | ARRIFLEX 535 B Camera
Lenses | Zeiss Master Prime Lenses
The Uninvited (2009)
Directed by | Charles Guard, Thomas Guard | Cinematography by | Daniel Landin | Editing by | Jim Page, Christian Wagner
Cameras | Panavision Cameras
Carlito’s Way (1993)
Directed by | Brian De Palma | Cinematography by | Stephen H. Burum | Editing by | Kristina Boden, Bill Pankow
Cameras | Panavision Panaflex Gold II Camera
Rush Hour (1998)
Directed by | Brett Ratner | Cinematography by | Adam Greenberg | Editing by | Mark Helfrich
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Kids Are All Right (2010)
Directed by | Lisa Cholodenko | Cinematography by | Igor Jadue-Lillo | Editing by | Jeffrey M. Werner
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 35 BL4s Camera
Lenses | Zeiss Ultra Prime Lenses
Micmacs à tire-larigot (2009)
360 (2011)
Directed by | Fernando Meirelles | Cinematography by | Adriano Goldman | Editing by | Daniel Rezende
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Super Speed Lenses, Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses
Silent House (2011)
Directed by | Chris Kentis, Laura Lau | Cinematography by | Igor Martinovic
Cameras | Canon EOS-5D Mark II Camera
Lenses | Zeiss Compact Prime Lenses
The Smurfs (2011)
Directed by | Raja Gosnell | Cinematography by | Phil Meheux | Editing by | Ellier Dov, Sabrina Plisco
Cameras | Panavision Genesis Camera
The Departed (2006) 
Directed by | Martin Scorsese | Cinematography by | Michael Ballhaus | Editing by | Thelma Schoonmaker
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses
Corpse Bride (2005)
Directed by | Tim Burton, Mike Johnson | Cinematography by | Pete Kozachik | Editing by | Chris Lebenzon, Jonathan Lucas
Cameras | ARRIFLEX D-20 Camera, Canon EOS-1D Mark IV Camera
Lenses | Zeiss Ultra Prime Lenses
The Rookie (1990)
Directed by | Clint Eastwood | Cinematography by | Jack N. Green | Editing by | Joel Cox
Cameras | ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold Camera, Panavision Panaflex-X Camera
Lenses | Panavision Super Speed Lenses
TRON (2010)
Directed by | Joseph Kosinski | Cinematography by | Claudio Miranda | Editing by | James Haygood
Cameras | Phantom HD Camera, Sony CineAlta F35 Camera
Mamma Mia! (2008)
Directed by | Phyllida Lloyd | Cinematography by | Haris Zambarloukos | Editing by | Lesley Walker
Cameras | Panavision Panaflex Millennium XL Camera
Prometheus (2012)
Directed by | Ridley Scott | Cinematography by | Dariusz Wolski | Editing by | Pietro Scalia
Cameras | ARRI ALEXA Camera, Red Epic Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
