Blu-ray | 1335 Titles
8 Mile (2002)
Directed by | Curtis Hanson | Cinematography by | Rodrigo Prieto | Editing by | Craig Kitson, Jay Rabinowitz
Lenses | Zeiss Ultra Prime Lenses
Boys Don’t Cry (1999)
Directed by | Kimberly Peirce | Cinematography by | Jim Denault | Editing by | Tracy Granger, Lee Percy
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Barbarian Invasions (2003)
Directed by | Denys Arcand | Cinematography by | Guy Dufaux | Editing by | Isabelle Dedieu
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses
The Lincoln Lawyer (2011)
Directed by | Brad Furman | Cinematography by | Lukas Ettlin | Editing by | Jeff McEvoy
Cameras | Red One MX Camera
The Golden Compass (2007)
Directed by | Chris Weitz | Cinematography by | Henry Braham | Editing by | Anne V. Coates, Peter Honess, Kevin Tent
Cameras | Panavision Cameras, Panavision Genesis Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses | Panavision Primo Anamorphic Lenses
Gone Baby Gone (2007)
The Good Shepherd (2006)
Directed by | Robert De Niro | Cinematography by | Robert Richardson | Editing by | Tariq Anwar
Cameras | Panavision Panaflex Platinum Camera
Clash of the Titans (2010)
Directed by | Louis Leterrier | Cinematography by | Peter Menzies Jr. | Editing by | David Freeman, Vincent Tabaillon, Martin Walsh
La Vida Loca: Based on a True Story (2012)
Directed by | Adrian Nava | Cinematography by | Adrian Nava | Editing by | Adrian Nava
Cameras | Canon EOS Rebel T3i camera
Lenses | Canon Lenses
Cold Mountain (2003)
Scott Pilgrim vs. the World (2010)
Directed by | Edgar Wright | Cinematography by | Bill Pope | Editing by | Jonathan Amos, Paul Machliss
Cameras | ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Bright Star (2009)
Directed by | Jane Campion | Cinematography by | Greig Fraser | Editing by | Alexandre de Franceschi
Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera
Lenses | Cooke S4 Lenses, Optica Elite Lenses
The Addams Family (1991)
Directed by | Barry Sonnenfeld | Cinematography by | Owen Roizman | Editing by | Dede Allen, Jim Miller
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Days of Thunder (1990)
Directed by | Tony Scott | Cinematography by | Ward Russell | Editing by | Robert C. Jones, Chris Lebenzon, Bert Lovitt, Michael Tronick, Stuart Waks, Billy Weber
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Harry Potter and the Prisoner of Azkaban (2004)
Directed by | Alfonso Cuarón | Cinematography by | Michael Seresin | Editing by | Steven Weisberg
Lenses | Cooke S4 Lenses
The Roommate (2011)
Directed by | Christian E. Christiansen | Cinematography by | Phil Parmet | Editing by | Randy Bricker
Cameras | Panavision Genesis Camera
Children of Men (2006)
Directed by | Alfonso Cuarón | Cinematography by | Emmanuel Lubezki | Editing by | Alfonso Cuarón, Alex Rodríguez
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses | Zeiss Master Prime Lenses
Toy Story 3 (2010)
The Darkest Hour (2011)
Directed by | Chris Gorak | Cinematography by | Scott Kevan | Editing by | Priscilla Nedd-Friendly, Fernando Villena, Doobie White
Cameras | Sony CineAlta F35 Camera, Sony HDC-P1 Camera
L.A. Confidential (1997)
Directed by | Curtis Hanson | Cinematography by | Dante Spinotti | Editing by | Peter Honess
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
