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Isle of Dogs (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 101 Minutes

Directed by | Wes Anderson | Cinematography by | Tristan Oliver | Editing by | Edward Bursch, Ralph Foster, Andrew Weisblum

Starring | Bryan Cranston, Koyu Rankin, Edward Norton, Bob Balaban

Cameras | Canon EOS-1DX Camera

Face/Off (1997)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 138 Minutes

Directed by | John Woo | Cinematography by | Oliver Wood | Editing by | Steven Kemper, Christian Wagner

Starring | John Travolta, Nicolas Cage, Joan Allen, Alessandro Nivola

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Immortals (2011)

Motion Picture | 3D | 2K Project | Color | 1.85:1 | 110 Minutes

Directed by | Tarsem Singh | Cinematography by | Brendan Galvin | Editing by | Wyatt Jones, Stuart Levy, David Rosenbloom

Starring | Henry Cavill, Mickey Rourke, John Hurt, Stephen Dorff

Cameras | Panavision Genesis Camera, Phantom HD Gold Camera

Lenses | Panavision Primo Primes Spherical Lenses

White Collar (2009)

Television Series | 2D | HD Project | Color | 1.78:1 (16x9) | 40 Minutes

| Cinematography by | Russell Lee Fine, Robert Gantz, Niels Alpert, Jamie Silverstein, Joel Ransom | Editing by | Doug Hannah, Jonathan Chibnall, Tom Wilson, Michael Schweitzer, Justin Krohn, Tammis Chandler, Hibah Schweitzer, Jon Dudkowski, Kimberly Ray, Russell Denove, Joel T. Pashby, Jordan Goldman, Michael Stern, Nicholas Erasmus, Kevin Krasny

Starring | Matt Bomer, Tim DeKay, Willie Garson, Tiffani Thiessen

Cameras | Sony CineAlta F35 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Bølgen (2015)

Motion Picture | 2D | Color | 2.39:1 | 105 Minutes

Directed by | Roar Uthaug | Cinematography by | John Christian Rosenlund | Editing by | Christian Siebenherz

Starring | Kristoffer Joner, Ane Dahl Torp, Jonas Hoff Oftebro, Edith Haagenrud-Sande

Cameras | Red Epic Dragon Camera

Chinatown (1974)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 130 Minutes

Directed by | Roman Polanski | Cinematography by | John A. Alonzo, Stanley Cortez | Editing by | Sam O'Steen

Starring | Jack Nicholson, Faye Dunaway, John Huston, Perry Lopez

Cameras | Panavision Cameras

Lenses | Panavision C Series Anamorphic Lenses

The Thin Red Line (1998)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 170 Minutes

24 (2001)

Television Series | 2D | Color | 1.78:1 (16x9) | 44 Minutes

| Cinematography by | Rodney Charters, Jeffrey C. Mygatt, Guy Skinner, Peter Levy | Editing by | David Latham, Scott Powell, Chris G. Willingham, Leon Ortiz-Gil, Casey O. Rohrs, Larry Davenport, Elisa Cohen, David B. Thompson

Starring | Kiefer Sutherland, Mary Lynn Rajskub, Carlos Bernard, Dennis Haysbert

Cameras | Bell & Howell Eyemo Camera, JVC HD110 Camera, Panavision Cameras, Panavision Panaflex Millennium XL Camera, Sony DSR-PD150 Camera

Lenses | Panavision Lenses, Panavision Primo Primes Spherical Lenses

Shazam! (2019)

Motion Picture | 3D | Color | 2.39:1 | 132 Minutes

Directed by | David F. Sandberg | Cinematography by | Maxime Alexandre | Editing by | Michel Aller

Starring | Zachary Levi, Mark Strong, Asher Angel, Jack Dylan Grazer

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses | Zeiss Master Prime Lenses

Mary Queen of Scots (2018)

Motion Picture | 2D | Color | 2.39:1 | 124 Minutes

Directed by | Josie Rourke | Cinematography by | John Mathieson | Editing by | Chris Dickens

Starring | Saoirse Ronan, Margot Robbie, Jack Lowden, Joe Alwyn

Cameras | Panavision Millennium DXL Camera, Red Epic Helium Camera

Ralph Breaks the Internet (2018)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 112 Minutes

Directed by | Phil Johnston, Rich Moore | Cinematography by | Nathan Warner | Editing by | Jeremy Milton, Fabienne Rawley

Starring | John C. Reilly, Sarah Silverman, Gal Gadot, Taraji P. Henson

Five Feet Apart (2019)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 116 Minutes

Directed by | Justin Baldoni | Cinematography by | Frank G. DeMarco | Editing by | Angela M. Catanzaro

Starring | Haley Lu Richardson, Cole Sprouse, Moises Arias, Kimberly Hebert Gregory

Cameras | ARRI AMIRA Camera

Lenses | Cooke Lenses, Cooke Spherical Lenses

Shoplifters (2018)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 121 Minutes

Directed by | Hirokazu Koreeda | Cinematography by | Ryûto Kondô | Editing by | Hirokazu Koreeda

Starring | Lily Franky, Sakura Andô, Kirin Kiki, Mayu Matsuoka

Cameras | ARRI ALEXA Mini Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 535 B Camera

Lenses | Angenieux Optimo Zoom Lenses, Canon K35 Prime Lenses, Fujinon Alura Lenses, Fujinon Lenses, Leitz Summicron-C Series Lenses, Zeiss Ultra Prime Lenses

Solo: A Star Wars Story (2018)

Motion Picture | 2D, 3D | 4K Project | Color | 2.39:1 | 135 Minutes

Directed by | Ron Howard | Cinematography by | Bradford Young | Editing by | Pietro Scalia

Starring | Alden Ehrenreich, Woody Harrelson, Emilia Clarke, Donald Glover

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses | ARRI Rental Prime DNA Lenses, CamTec Falcon Full Frame Lenses, Zeiss Super Speed Lenses

A Star Is Born (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 136 Minutes

Directed by | Bradley Cooper | Cinematography by | Matthew Libatique | Editing by | Jay Cassidy

Starring | Lady Gaga, Bradley Cooper, Sam Elliott, Greg Grunberg

Cameras | ARRI ALEXA Mini Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Cooke Anamorphic/i SF 25mm T2.3 Lens, Cooke Anamorphic/i SF 32mm T2.3 Lens, Cooke Anamorphic/i SF 40mm T2.3 Lens, Cooke Anamorphic/i SF 50mm T2.3 Lens, Cooke Anamorphic/i SF 75mm T2.3 Lens, Cooke Anamorphic/i SF Prime Lenses, Kowa Cine Prominar Anamorphic Lenses

The Shining (1980)

Motion Picture | 2D | Film Project | Color | 1.37:1, 1.66:1, 1.85:1 | 146 Minutes

Directed by | Stanley Kubrick | Cinematography by | John Alcott | Editing by | Ray Lovejoy

Starring | Jack Nicholson, Shelley Duvall, Danny Lloyd, Scatman Crothers

Cameras | ARRIFLEX 35 BL Camera

Lenses | Cooke Varotal 20-100mm T3.1 Zoom Lens, Zeiss Super Speed Lenses

Eyes Wide Shut (1999)

Motion Picture | 2D | Color | 159 Minutes

Directed by | Stanley Kubrick | Cinematography by | Larry Smith | Editing by | Nigel Galt

Starring | Tom Cruise, Nicole Kidman, Todd Field, Sydney Pollack

Cameras | ARRIFLEX 535 B Camera, Moviecam Superlight Camera

Lenses | Cooke Varotal 20-100mm T3.1 Zoom Lens, Zeiss Lenses

Taxi Driver (1976)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 114 Minutes

Directed by | Martin Scorsese | Cinematography by | Michael Chapman | Editing by | Tom Rolf, Melvin Shapiro

Starring | Robert De Niro, Jodie Foster, Cybill Shepherd, Albert Brooks

Cameras | ARRIFLEX 35 BL Camera

Lenses | Zeiss Super Speed Lenses

The Patriot (2000)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 165 Minutes

Directed by | Roland Emmerich | Cinematography by | Caleb Deschanel | Editing by | David Brenner, Christopher Holmes, Julie Monroe

Starring | Mel Gibson, Heath Ledger, Joely Richardson, Jason Isaacs

Cameras | Panavision Cameras

Lenses | Panavision Lenses

A Time to Kill (1996)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 149 Minutes

Directed by | Joel Schumacher | Cinematography by | Peter Menzies Jr. | Editing by | William Steinkamp

Starring | Matthew McConaughey, Sandra Bullock, Samuel L. Jackson, Kevin Spacey

Cameras | Panavision Panaflex Platinum Camera

Lenses | Cooke Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

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