24 fps Distribution | 549 Titles
Dinner for Schmucks (2010)
Directed by | Jay Roach | Cinematography by | Jim Denault | Editing by | Alan Baumgarten, Jon Poll
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Hobbit: An Unexpected Journey (2012)
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jabez Olssen
Cameras | Red Epic Camera
Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Tornado Alley (2011)
Directed by | Sean C. Casey | Cinematography by | Sean C. Casey, Peter Rubi | Editing by | Sean C. Casey, Peter Rubi
Cameras | IMAX Cameras, VistaVision Cameras
The Lorax (2012)
Jack and Jill (2011)
Directed by | Dennis Dugan | Cinematography by | Dean Cundey | Editing by | Tom Costain
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Celeste & Jesse Forever (2012)
Directed by | Lee Toland Krieger | Cinematography by | David Lanzenberg | Editing by | Yana Gorskaya
Cameras | ARRI ALEXA Camera
Here Comes the Boom (2012)
Directed by | Frank Coraci | Cinematography by | Phil Meheux | Editing by | Scott Hill
Cameras | ARRI ALEXA Camera, Sony CineAlta F35 Camera
The Pact (2012)
Directed by | Nicholas McCarthy | Cinematography by | Bridger Nielson | Editing by | Adriaan van Zyl
Cameras | ARRI ALEXA Camera
Sams im Glück (2012)
Se Puder… Dirija! (2013)
Directed by | Anita Barbosa, Paulo Fontenelle | Cinematography by | Nonato Estrela, Pedro Guimaraes
Cameras | Red Epic Camera
Lenses | Zeiss Lenses, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens
Shigunaru: Getsuyôbi no Ruka (2012)
Directed by | Masaaki Taniguchi | Cinematography by | Shogo Ueno | Editing by | Jun'ichi Itô
Cameras | Red One MX Camera, Sony PMW-F3 Camera
Who Framed Roger Rabbit (1988)
Directed by | Robert Zemeckis | Cinematography by | Dean Cundey | Editing by | Arthur Schmidt
Cameras | Panavision Panaflex Camera, VistaVision Cameras
Lenses | Panavision Lenses
Leaves of Grass (2009)
Directed by | Tim Blake Nelson | Cinematography by | Roberto Schaefer | Editing by | Michelle Botticelli
Cameras | Red One Camera
Trapped in the Closet: Chapters 1-12 (2005)
Directed by | R. Kelly, Jim Swaffield | Cinematography by | David Hennings | Editing by | Victor Mignatti, Jim Swaffield, Kenneth Wachtel
Cameras | Panavision Cameras
Jennifer’s Body (2009)
Directed by | Karyn Kusama | Cinematography by | M. David Mullen | Editing by | Plummy Tucker
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Phantom HD Camera
Lenses | Panavision Primo Anamorphic Lenses
Hope and Glory (1987)
Directed by | John Boorman | Cinematography by | Philippe Rousselot | Editing by | Ian Crafford
Cameras | ARRIFLEX 35 BL3 Camera, ARRIFLEX 435 Camera
Archie’s Final Project (2009)
Directed by | David Lee Miller | Cinematography by | Angie Hill, Lisa Wiegand | Editing by | Jordan J. Miller, Gabriel Sunday
Cameras | Panasonic AJ-SDX900 Camera
Sherlock Holmes: A Game of Shadows (2011)
Directed by | Guy Ritchie | Cinematography by | Philippe Rousselot | Editing by | James Herbert
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex Camera, Phantom HD Camera, Phantom HD Gold Camera
Lenses | Panavision Primo Anamorphic Lenses
Final Destination 5 (2011)
Directed by | Steven Quale | Cinematography by | Brian Pearson | Editing by | Eric A. Sears
Cameras | ARRI ALEXA Camera