2.39:1 | 1565 Titles
Warsaw ’44 (2014)
Directed by | Jan Komasa | Cinematography by | Marian Prokop | Editing by | Michal Czarnecki
Cameras | ARRICAM Lite (LT) Camera
Testament of Youth (2014)
Directed by | James Kent | Cinematography by | Rob Hardy | Editing by | Lucia Zucchetti
Cameras | Sony CineAlta F65 Camera
Meadowland (2015)
Directed by | Reed Morano | Cinematography by | Reed Morano | Editing by | Madeleine Gavin
Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA XT Camera
Sicario (2015)
Directed by | Denis Villeneuve | Cinematography by | Roger Deakins | Editing by | Joe Walker
Lenses | Zeiss Master Prime Lenses
Call Me King (2017)
Directed by | R.L. Scott | Cinematography by | R.L. Scott
Cameras | ARRI ALEXA Camera, Sony PMW-F55 Camera
Lenses | Sony Prime 50 mm T2.0 PL Lens, Sony Prime 85 mm T2.0 PL Lens, Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 135 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens
Southpaw (2015)
Directed by | Antoine Fuqua | Cinematography by | Mauro Fiore | Editing by | John Refoua
Cameras | ARRI ALEXA XT Plus Camera, Red Epic Dragon Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Filly Brown (2012)
Directed by | Youssef Delara, Michael D. Olmos | Cinematography by | Ben Kufrin | Editing by | Eric R. Brodeur, Youssef Delara
Cameras | Red One MX Camera
Lenses | Zeiss Lenses
Kickstart Theft (2012)
Directed by | Fred Goodich | Cinematography by | Vilmos Zsigmond | Editing by | Gib Jaffe
Cameras | Sony CineAlta F65 Camera
Lenses | Canon CN-E 30-105 mm T2.8 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens
Brother Bear (2003)
The Dark Horse (2014)
Directed by | James Napier Robertson | Cinematography by | Denson Baker | Editing by | Peter Roberts
Cameras | Sony CineAlta F65 Camera
Lenses | Hawk C-Series Lenses, Zeiss Ultra Prime Lenses
The Wild Thornberrys Movie (2002)
Johnny Flynton (2002)
Directed by | Lexi Alexander | Cinematography by | Alexander Buono | Editing by | Christopher Klonecke
Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera
Lenses | Angenieux HR Zoom Lenses, Cooke S4 Lenses
Zus & zo (2001)
Spirit: Stallion of the Cimarron (2002)
The Best of Me (2014)
Directed by | Michael Hoffman | Cinematography by | Oliver Stapleton | Editing by | Matt Chesse
Cameras | ARRI ALEXA XT Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Series Lenses
It Follows (2014)
Directed by | David Robert Mitchell | Cinematography by | Mike Gioulakis | Editing by | Julio Perez IV
Cameras | ARRI ALEXA Plus Camera, Red Epic Camera
Les cowboys (2015)
Directed by | Thomas Bidegain | Cinematography by | Arnaud Potier | Editing by | Géraldine Mangenot
Cameras | ARRI ALEXA XT Camera
Ex Machina (2014)
Directed by | Alex Garland | Cinematography by | Rob Hardy | Editing by | Mark Day
Lenses | Angenieux Optimo Zoom Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses
Maggie (2015)
Insidious: Chapter 3 (2015)
Directed by | Leigh Whannell | Cinematography by | Brian Pearson | Editing by | Timothy Alverson
Cameras | Sony PMW-F55 Camera
Lenses | Panavision Primo Anamorphic Lenses
























































