Distributed Aspect Ratio » 2.39:1

2.39:1 | 1565 Titles

2.39:1 3.44/5 9 Votes

« Previous 1 … 31 32 33 34 35 … 79 Next »

LessUpdatedTitleYear

Warsaw ’44 (2014)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 130 Minutes

Directed by | Jan Komasa | Cinematography by | Marian Prokop | Editing by | Michal Czarnecki

Starring | Józef Pawlowski, Zofia Wichlacz, Anna Próchniak, Antoni Królikowski

Cameras | ARRICAM Lite (LT) Camera

Testament of Youth (2014)

Motion Picture | Color | 2.39:1 | 129 Minutes

Testament of Youth | ShotOnWhat?

Directed by | James Kent | Cinematography by | Rob Hardy | Editing by | Lucia Zucchetti

Starring | Alicia Vikander, Kit Harington, Taron Egerton, Dominic West

Cameras | Sony CineAlta F65 Camera

Meadowland (2015)

Motion Picture | 2D | Color | 2.39:1 | 105 Minutes

Directed by | Reed Morano | Cinematography by | Reed Morano | Editing by | Madeleine Gavin

Starring | Olivia Wilde, Luke Wilson, Giovanni Ribisi, Elisabeth Moss

Cameras | ARRI ALEXA Plus Camera, ARRI ALEXA XT Camera

Lenses | Angenieux HR Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses

Sicario (2015)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 121 Minutes

Directed by | Denis Villeneuve | Cinematography by | Roger Deakins | Editing by | Joe Walker

Starring | Emily Blunt, Josh Brolin, Benicio Del Toro, Jon Bernthal

Cameras | ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera, ARRI ALEXA XT Studio Camera

Lenses | Zeiss Master Prime Lenses

Call Me King (2017)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 118 Minutes

Directed by | R.L. Scott | Cinematography by | R.L. Scott

Starring | Amin Joseph, Bai Ling, Chris Mulkey, Bill Cobbs

Cameras | ARRI ALEXA Camera, Sony PMW-F55 Camera

Lenses | Sony Prime 50 mm T2.0 PL Lens, Sony Prime 85 mm T2.0 PL Lens, Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 135 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens

Southpaw (2015)

Motion Picture | 2D | Color | 2.39:1 | 124 Minutes

Directed by | Antoine Fuqua | Cinematography by | Mauro Fiore | Editing by | John Refoua

Starring | Jake Gyllenhaal, Rachel McAdams, Oona Laurence, Forest Whitaker

Cameras | ARRI ALEXA XT Plus Camera, Red Epic Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Filly Brown (2012)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 80 Minutes

Directed by | Youssef Delara, Michael D. Olmos | Cinematography by | Ben Kufrin | Editing by | Eric R. Brodeur, Youssef Delara

Starring | Gina Rodriguez, Jenni Rivera, Lou Diamond Phillips, Edward James Olmos

Cameras | Red One MX Camera

Lenses | Zeiss Lenses

Kickstart Theft (2012)

Short Film | 2D | 4K Project | Color | 2.39:1 | 7 Minutes

Directed by | Fred Goodich | Cinematography by | Vilmos Zsigmond | Editing by | Gib Jaffe

Starring | Kimani Shillingford, Samuel Caruana, Mickaëlle X. Bizet, Frankie Ray

Cameras | Sony CineAlta F65 Camera

Lenses | Canon CN-E 30-105 mm T2.8 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens

Brother Bear (2003)

Motion Picture | 2D | Color | 1.66:1, 2.39:1 | 85 Minutes

Directed by | Aaron Blaise, Robert Walker | Editing by | Tim Mertens

Starring | Joaquin Phoenix, Jeremy Suarez, Rick Moranis, Jason Raize

The Dark Horse (2014)

Motion Picture | 2D | Color | 2.39:1 | 124 Minutes

Directed by | James Napier Robertson | Cinematography by | Denson Baker | Editing by | Peter Roberts

Starring | Cliff Curtis, James Rolleston, Kirk Torrance, James Napier Robertson

Cameras | Sony CineAlta F65 Camera

Lenses | Hawk C-Series Lenses, Zeiss Ultra Prime Lenses

The Wild Thornberrys Movie (2002)

Motion Picture | 2D | Color | 2.39:1 | 85 Minutes

Directed by | Cathy Malkasian, Jeff McGrath | Editing by | John Bryant

Starring | Tim Curry, Rupert Everett, Flea, Lacey Chabert

Johnny Flynton (2002)

Short Film | 2D | Color | 2.39:1 | 37 Minutes

Directed by | Lexi Alexander | Cinematography by | Alexander Buono | Editing by | Christopher Klonecke

Starring | Dash Mihok, Michele Matheson, Robert W. Hill, Austin Crim

Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera

Lenses | Angenieux HR Zoom Lenses, Cooke S4 Lenses

Zus & zo (2001)

Motion Picture | 2D | Color | 2.39:1 | 106 Minutes

Directed by | Paula van der Oest | Cinematography by | Bert Pot | Editing by | Sander Vos

Starring | Sylvia Poorta, Anneke Blok, Monic Hendrickx, Jacob Derwig

Spirit: Stallion of the Cimarron (2002)

Motion Picture | 2D | Color | 2.39:1 | 83 Minutes

Directed by | Kelly Asbury, Lorna Cook | Editing by | Nick Fletcher, Clare Knight

Starring | Matt Damon, James Cromwell, Daniel Studi, Chopper Bernet

The Best of Me (2014)

Motion Picture | 2D | Color | 2.39:1 | 118 Minutes

Directed by | Michael Hoffman | Cinematography by | Oliver Stapleton | Editing by | Matt Chesse

Starring | James Marsden, Michelle Monaghan, Luke Bracey, Liana Liberato

Cameras | ARRI ALEXA XT Camera

Lenses | Hawk V-Lite Lenses, Hawk V-Series Lenses

It Follows (2014)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | David Robert Mitchell | Cinematography by | Mike Gioulakis | Editing by | Julio Perez IV

Starring | Maika Monroe, Keir Gilchrist, Olivia Luccardi, Lili Sepe

Cameras | ARRI ALEXA Plus Camera, Red Epic Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Cooke S4 Lenses, Fujinon Lenses

Les cowboys (2015)

Motion Picture | 2D | Color | 2.39:1 | 104 Minutes

Directed by | Thomas Bidegain | Cinematography by | Arnaud Potier | Editing by | Géraldine Mangenot

Starring | François Damiens, Finnegan Oldfield, Agathe Dronne, Ellora Torchia

Cameras | ARRI ALEXA XT Camera

Ex Machina (2014)

Motion Picture | 2D | 2K Project | Black & White, Color | 2.39:1 | 108 Minutes

Directed by | Alex Garland | Cinematography by | Rob Hardy | Editing by | Mark Day

Starring | Alicia Vikander, Domhnall Gleeson, Oscar Isaac, Sonoya Mizuno

Cameras | GoPro HD Hero3 Camera, Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Maggie (2015)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | Henry Hobson | Cinematography by | Lukas Ettlin | Editing by | Jane Rizzo

Starring | Arnold Schwarzenegger, Abigail Breslin, Joely Richardson, Laura Cayouette

Cameras | ARRI ALEXA Camera, Blackmagic Design Cameras, Red Epic Camera

Insidious: Chapter 3 (2015)

Motion Picture | 2D | Color | 2.39:1 | 97 Minutes

Directed by | Leigh Whannell | Cinematography by | Brian Pearson | Editing by | Timothy Alverson

Starring | Dermot Mulroney, Stefanie Scott, Angus Sampson, Leigh Whannell

Cameras | Sony PMW-F55 Camera

Lenses | Panavision Primo Anamorphic Lenses

« Previous 1 … 31 32 33 34 35 … 79 Next »

©2012 - 2025 ShotOnWhat?

20254.20