2.39:1 | 1407 Titles
Dallas Buyers Club (2013)
Directed by | Jean-Marc Vallée | Cinematography by | Yves Bélanger | Editing by | Martin Pensa, Jean-Marc Vallée
Cameras | ARRI ALEXA Camera
Lenses | ARRI / Zeiss Lenses
Unbroken (2014)
Directed by | Angelina Jolie | Cinematography by | Roger Deakins | Editing by | William Goldenberg, Tim Squyres
Lenses | Zeiss Master Prime Lenses
The Two Faces of January (2014)
Directed by | Hossein Amini | Cinematography by | Marcel Zyskind | Editing by | Nicolas Chaudeurge, Jon Harris
Cameras | ARRI ALEXA Plus 4:3 Camera
Lenses | Hawk C-Series Lenses
Transcendence (2014)
Directed by | Wally Pfister | Cinematography by | Jess Hall | Editing by | David Rosenbloom
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom Flex Camera
Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
La grande bellezza (2013)
Directed by | Paolo Sorrentino | Cinematography by | Luca Bigazzi | Editing by | Cristiano Travaglioli
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Ultra Prime Lenses
The Grandmaster (2013)
Directed by | Kar-Wai Wong | Cinematography by | Philippe Le Sourd | Editing by | William Chang, Hung Poon
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Xtreme Camera, Phantom Flex Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Zulu (2013)
Directed by | Jérôme Salle | Cinematography by | Denis Rouden | Editing by | Stan Collet
Cameras | ARRI ALEXA Studio Camera
Des gens qui s’embrassent (2013)
Directed by | Danièle Thompson | Cinematography by | Jean-Marc Fabre | Editing by | Sylvie Landra
Cameras | ARRI ALEXA Plus Camera
Rue Mandar (2012)
Directed by | Idit Cebula | Cinematography by | Rémy Chevrin | Editing by | Célia Lafitedupont
Cameras | Red Epic Camera
La grande boucle (2013)
Directed by | Laurent Tuel | Cinematography by | Gilles Porte | Editing by | Antoine Vareille
Cameras | Red Epic Camera
Möbius (2013)
Directed by | Eric Rochant | Cinematography by | Pierre Novion | Editing by | Pascale Fenouillet
Cameras | Aaton Penelope Camera, ARRICAM Lite (LT) Camera
Les gamins (2013)
Directed by | Anthony Marciano | Cinematography by | Jean-Paul Agostini | Editing by | Virginie Bruant, Samuel Danési
Cameras | ARRI ALEXA Camera
Belle et Sébastien (2013)
Directed by | Nicolas Vanier | Cinematography by | Éric Guichard | Editing by | Stéphanie Pedelacq, Raphaele Urtin
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens
Collision (2013)
Directed by | David Marconi | Cinematography by | Thomas Hardmeier | Editing by | Julien Rey
Cameras | ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, GoPro HD Hero2 Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Leitz Summilux-C Series Lenses, Zeiss Compact Prime Lenses
20 ans d’écart (2013)
Directed by | David Moreau | Cinematography by | Laurent Tangy | Editing by | Cyril Besnard
Cameras | ARRICAM Studio (ST) Camera
Lenses | Angenieux HR 25-250 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Foxfire (2012)
Directed by | Laurent Cantet | Cinematography by | Pierre Milon | Editing by | Robin Campillo, Stephanie Leger, Sophie Reine
Cameras | ARRI ALEXA Camera
Nymphomaniac: Vol. I (2013)
Directed by | Lars von Trier | Cinematography by | Manuel Alberto Claro | Editing by | Morten Højbjerg, Jacob Secher Schulsinger, Molly Malene Stensgaard
Quartet (2012)
Lone Survivor (2013)
Directed by | Peter Berg | Cinematography by | Tobias A. Schliessler | Editing by | Colby Parker Jr.
Cameras | Phantom Flex Camera, Red Epic Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens, Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens
La disparition (2012)
Directed by | Jean-Xavier de Lestrade | Cinematography by | Isabelle Razavet | Editing by | Sophie Brunet, Julie Decondé, Gaëlle Perroteau
Cameras | ARRI ALEXA Camera