2.39:1 | 1565 Titles
The Incredibles (2004)
Directed by | Brad Bird | Cinematography by | Andrew Jimenez, Patrick Lin, Janet Lucroy | Editing by | Stephen Schaffer
Allegiant (2016)
Directed by | Robert Schwentke | Cinematography by | Florian Ballhaus | Editing by | Stuart Levy
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera
Lenses | Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses
Captain America: Civil War (2016)
Directed by | Anthony Russo, Joe Russo | Cinematography by | Trent Opaloch | Editing by | Jeffrey Ford, Matthew Schmidt
Cameras | ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses
The Polar Express (2004)
Directed by | Robert Zemeckis | Cinematography by | Don Burgess, Robert Presley | Editing by | R. Orlando Duenas, Jeremiah O'Driscoll
Hotel Rwanda (2004)
Our Time Is Up (2004)
Water (2005)
Volver (2006)
Directed by | Pedro Almodóvar | Cinematography by | José Luis Alcaine | Editing by | José Salcedo
Cameras | Panavision Panaflex Millennium Camera
Lenses | Panavision Primo Anamorphic Lenses
Deadpool (2016)
Directed by | Tim Miller | Cinematography by | Ken Seng | Editing by | Julian Clarke
Cameras | ARRI ALEXA XT Plus Camera
Monster House (2006)
Directed by | Gil Kenan | Cinematography by | Xavier Grobet | Editing by | Fabienne Rawley, Adam P. Scott
Cars (2006)
Directed by | John Lasseter, Joe Ranft | Cinematography by | Jeremy Lasky | Editing by | Ken Schretzmann
12 (2007)
Directed by | Nikita Mikhalkov | Cinematography by | Vladislav Opelyants | Editing by | Enzo Meniconi, Andrey Zaytsev
Istället för abrakadabra (2008)
Directed by | Patrik Eklund | Cinematography by | David Grehn | Editing by | Patrik Eklund
Cameras | ARRIFLEX Camera
Ratatouille (2007)
Directed by | Brad Bird, Jan Pinkava | Cinematography by | Robert Anderson | Editing by | Darren T. Holmes
Snowden (2016)
Directed by | Oliver Stone | Cinematography by | Anthony Dod Mantle | Editing by | Alex Marquez, Lee Percy
Lenses | Leitz Summicron-C Series Lenses
La Vie en Rose (2007)
Directed by | Olivier Dahan | Cinematography by | Tetsuo Nagata | Editing by | Richard Marizy
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
I’m Off Then (2015)
Directed by | Julia von Heinz | Cinematography by | Felix Poplawsky | Editing by | Alexander Dittner, Georg Söring
Lenses | Fujinon Alura Zoom 45-250 mm T2.8 Lens, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens, Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 35 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Ultra Prime 8R 8 mm T.2.8 Lens, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens
The Finest Hours (2016)
Directed by | Craig Gillespie | Cinematography by | Javier Aguirresarobe | Editing by | Tatiana S. Riegel
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Leitz Summilux-C Series Lenses
To Here Knows When (2013)
Directed by | Grant McPhee | Cinematography by | Grant McPhee | Editing by | Ben McKinstrie
Cameras | Éclair NPR Camera, Red One MX Camera
Lenses | Nikon - Nikkor Lenses
